Kirkpatrick, John
Year: 1958
Complete Citation:
Kirkpatrick, John. Charles E. Ives (1874-1954)—2nd String Quartet (1907-1913): A Tentative Comparison of Ives’s Autograph Pencil Sketch with the Published Small Score (New York: Peer International, 1954). Cornell University, Ithaca, NY, 1958.Source: Unpublished Typescript
II. Reference Materials
F. Selected Archival Materials
Year: 1961
Complete Citation:
Kirkpatrick, John. 1961. “Ives, Transcendentalist in Music.” Typescript for talk given October 26. John Kirkpatrick Papers. Mss. 56, folder 568, box 61. Irving S.Gilmore Music Library. Yale University. New Haven, Connecticut.Source: Talk transcript
II. Reference Materials
F. Selected Archival Materials
Year: 1963
Complete Citation:
Kirkpatrick, John. Typescript. “Charles E. Ives, 1874-1954: Trio for violin, cello and piano (1904-1911 in Ives's list). Comparison of sources compiled in 1962-1963, using the measure-numbering of the Peer edition,” 1963, Cornell University Library, Ithaca, New York.Source: Book
II. Reference Materials
F. Selected Archival Materials
Year: 1976
Complete Citation:
Kirkpatrick, John. “Ives as Prophet.” In South Florida's Historic Ives Festival, 1974-1976, 59. Coral Gables, FL: University of Miami, 1976.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: Year unlisted
Complete Citation:
Kirkpatrick, John. “Players Apology.” Preface to the unpublished edition of Charles Ives’ Concord Sonata. Unpublished manuscript.Source: Unpublished preface
II. Reference Materials
F. Selected Archival Materials
Kirkpatrick, John, comp./ed.
Year: 1964
Complete Citation:
“Additional Ives Letters, Mostly 1907--1908,” compiled and edited by John Kirkpatrick (July 1964). Charles Ives Papers. Irving S. Gilmore Library, Yale University, New Haven, CT. Microfilm copy.Source: Archival Material
II. Reference Materials
F. Selected Archival Materials
Klemm, Eberhardt
Year: 1977
Complete Citation:
Klemm, Eberhardt. “Musikalischer Neuererund Demokrat: Der Komponist Charles Ives.” Musik und Gesellschaft 27/12 (1977): 731-735.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Koch, Gerhard R.
Year: 1973
Complete Citation:
Koch, Gerhard R. “Charles Ives. Musik als reale Utopie.” HiFi-Stereophonie 12/7 (July 1973): 689-698.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Kolodin, Irving
Year: 1934
Complete Citation:
Kolodin, Irving. “American Composers and the Phonograph.” Modern Music 1 (March--April 1934) 1/3: 128--133.Source: Journal
II. Reference Materials
F. Selected Archival Materials
Kostelanetz, Richard
Year: 2008
Source: Online Article
II. Reference Materials
F. Selected Archival Materials
Laning, Cathy, and Katie Tkach
Year: 1979
Complete Citation:
Laning, Cathy, and Katie Tkach. “Charles Ives: Musical Visionary.” In Redding Remembered. Redding, CT: Redding Oral History Project, 1979.Source: Chapter in Book
II. Reference Materials
F. Selected Archival Materials
Lapsley, James N.
Year: 2007
Complete Citation:
Lapsley, James N. “Charles Ives and the Reformed Tradition: A Musical Pilgrimage.” Theology Today, vol. 64, no. 3 (2007): 305-321.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
LaRocca, David
Year: 2013
Complete Citation:
LaRocca, David. Estimating Emerson: an anthology of criticism from Carlyle to Cavell. New York, NY: Bloomsbury Academic, 2013.Source: Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Lefebure, Leo D.
Year: 2013
Complete Citation:
Lefebure, Leo D. “A Christian Commentary on the “Dhammapada.”” Buddhist-Christian Studies 33, no. 1, (2013): 181-189.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Lück, Hartmut
Year: 1980
Complete Citation:
Luck, Hartmut. “Provokation und Utopie: ein Portrat des amerikanischen Komponisten Charles Edward Ives.” Neuland 1 (1980): 3-15.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Mauk, David C.
Year: 1999
Complete Citation:
Mauk, David C. “New England Transcendentalism versus Virulent Nationalism: The Evolution of Charles Ives’ Patriotic March Music.” American Studies in Scandinavia 31/1 (1999): 24-33.Notes: Remarks about A Sym-phony: New England Holidays: “Washington'sBirthday"; Orchestral Set No. I: Three Places in New England: "Putnam's Camp”; Sonata No. 2, Concord, Mass., 1840- 1860," for piano: "Hawthorne"; Sym-phonies Nos. 2 and 3, and Symphony No. 4: second and third move-ments.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
McClendon, Jr., James Wm.
Year: 1990
Complete Citation:
McClendon, Jr., James William. “Expanding the Theory: Charles Edward Ives — Theologian in Music.” In Biography as theology: how life stories can remake today’s theology. Eugene, OR: Wipf and Stock Publishers, 1990.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
McLendon, James Wm., Jr.
Year: 1974
Complete Citation:
McLendon, James William, Jr. “Expanding the Theory: Charles Edward Ives—Theologian in Music.” In Biography as Theology: How Life Stories Can Remake Today’s Theology, 140-169. Nashville, TN: Abingdon Press, 1974.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Mehring, Frank
Year: 2002
Complete Citation:
Mehring, Frank. “‘Unpremeditated Music’: Thoreaus Avantgardistische Vorstöße in Eine Neudefinition Von Musik.” Amerikastudien/ American Studies 47/1 (2002): 39-54.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 2004
Complete Citation:
Mehring, Frank. “Kontextualisierte Kreativitat: Charles Ives’ Ver-bindungen zum amerikanischen Transzendentalismus aus der Perspektive seiner Biographen.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 179-187. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
