Mellers, Wilfrid
Year: 1965
Complete Citation:
Mellers, Wilfrid. "Realism and transcendentalism: Charles Ives as American hero.” In Music in a new found land; themes and developments in the history of American music. New York, NY: A.A. Knopf, 1965.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Mellers, Wilfrid H.
Year: 1964
Complete Citation:
Mellers, Wilfrid H. “Realism and Transcendentalism: Charles Ives American Hero.” In Music in a New Found Land: Themes and Develop merits in the History of American Music. London, United Kingdom: Barrie and Rockliff, 1964.Notes: See also Appendix I.
Source: Chapter in Book
Reprints: Mellers, Wilfrid H. “Realism and Transcendentalism: Charles Ives American Hero.” In <i>Music in a New Found Land: Themes and Develop merits in the History of American Music</i>, 38--64. New York, NY: Alfred A. Knopf, 1965.
VI. Topical Studies
A. Transcendentalism or Philosophy
Mitchell, Charles P.
Year: 2004
Complete Citation:
Mitchell, Charles P. The great composers portrayed on film, 1913 through 2002. Jefferson, NC: McFarland, 2004.Source: Book
II. Reference Materials
F. Selected Archival Materials
Mogill, Kenneth M.
Year: 1987
Complete Citation:
Mogill, Kenneth M. “Some reflections on the relationship between the jury system, truth and Charles Ives.” Cooley Law Review (September 1, 1987).Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Owens, Tom (editor)
Year: 1996
Complete Citation:
Owens, Tom, ed. “Selected Correspondence 1881-1954.” In Charles Ives and His World, 199-270. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
II. Reference Materials
F. Selected Archival Materials
Perlis, Vivian
Year: 1972
Complete Citation:
Perlis, Vivian. “Ives and Oral History.” Notes 28 (1972): 629-642.Source: Journal
II. Reference Materials
F. Selected Archival Materials
Year: 1991
Complete Citation:
Perlis, Vivian. “Charles Ives and Oral History.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.
Source: Conference paper
II. Reference Materials
F. Selected Archival Materials
Perlis, Vivian and Libby Van Cleve
Year: 2005
Complete Citation:
Perlis, Vivian and Libby Van Cleve. “Charles Ives: 1874-1954.” In Composer's voices from Ives to Ellington: an oral history of American music, 8-21. New Haven, CT: Yale University Press, 2005.Source: Book
II. Reference Materials
F. Selected Archival Materials
Year: 2005
Complete Citation:
Perlis, Vivian and Libby Van Cleve. Voices of America’s Musical Cen-tury. New Haven, CT: Yale University Press, 2005.Notes: Volume 1 has an accompany ing compact disc from the Yale Oral History Archives with Ives -related interviews.
Source: Book
II. Reference Materials
F. Selected Archival Materials
Perlis, Vivian, and Libby Van Cleve
Year: 2005
Complete Citation:
Perlis, Vivian, and Libby Van Cleve. Composers' Voices from Ives to Ellington: An Oral History of American Music. New Haven, CT: Yale University Press, 2005.Source: Book
VI. Topical Studies
F. Selected Archival Materials
Permoser, Manfred, editor
Year: 2011
Complete Citation:
Permoser, Manfred, editor. “Form Und Sinn: Philosophische Und Kunsttheoretische Positionen.” In Zur Kategorie Der Form in Neuer Musik, by Andreas Holzer, vol. 5, Hollitzer Verlag, Wien (2011): 61-112.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Phelps, William Lyon
Year: 1922
Complete Citation:
William Lyon Phelps, “The Glorious Year Nineteen-Twenty.” Yale Alumni Weekly (December 17, 1922): 308.Source: Magazine
II. Reference Materials
F. Selected Archival Materials
Porter, David Gray
Year: 1996
Complete Citation:
Porter, David Gray. Typescript of article. “Six articles on the works of American composer Charles Edward Ives,” 1996, University of California, Los Angeles Library, Los Angeles, California.Source: Archival Material
II. Reference Materials
F. Selected Archival Materials
Rathert, Wolfgang
Year: 1987
Complete Citation:
Rathert, Wolfgang. “Philosophische Grundlagen der Musik von Charles Ives.” In Entgrenzungen in der Musik, edited by Otto Kolleritsch, 123-137. Studien zur Wertungsforschung, Vol. 18. Vienna, Austria: Universal Edition, 1983.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1995
Complete Citation:
Rathert, Wolfgang. Der Amerikanische Transzendentalismus. In Musik und Religion, edited by Helga de la Motte-Haber, 189-214. Lilienthal, Germany. Laaber-Verlag, 1995.Source: Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Rudhyar, Dane
Year: 1938
Complete Citation:
Rudhyar, Dane. “The Birth of the Transcendental Movement and Its Manifestations in Music and the Modern Dance.” New Mexico Daily Examiner (August 21, 1938).Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Slominsky, Nicolas and Thomas Bertonneau
Year: 1979
Complete Citation:
Slominsky, Nicolas and Thomas Bertonneau. Muses and lexicons. Oral history transcript. Oral History Program, University of California, Los Angeles, Los Angeles, California, 1979.Source: Book
II. Reference Materials
F. Selected Archival Materials
Slonimsky, Nicolas
Year: 1931
Complete Citation:
Slonimsky, Nicolas. Program Notes. New Music Society Concert. September 3, 1931.Source: Program Notes
II. Reference Materials
F. Selected Archival Materials
Specq, François
Year: 2008
Complete Citation:
Specq, François. “« God's Alphabet »: Le Transcendantalisme Musical De John Sullivan Dwight.” Revue Française D'études Américaines, no. 117, (2008): 6-25.Source: Magazine
VI. Topical Studies
A. Transcendentalism or Philosophy
Spies, B., and W. Weyer
Year: 2007
Complete Citation:
Spies, B., and W. Weyer. “‘Music is Life’ - the Influence of Transcendentalist Philosophy on Ives’s Concord Sonata.” TD: The Journal for Transdisciplinary Research in Southern Africa, vol. 3, No. 2 (2007): 239-278.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy