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Bibliography

Baron, Carol K.

Year: 1992
Complete Citation:
Baron, Carol K. “George Ives’s Essay in Music Theory: An Introduction and Annotated Edition.” American Music 10/3 (Fall 1992): 239-288.
Source: Journal
II. Reference Materials
F. Selected Archival Materials
Year: 2000
Complete Citation:
Baron, Carol K. “New Ives Sources.” Institute for Studies in American Music Newsletter 29/2 (Spring 2000).
Source: Journal
II. Reference Materials
F. Selected Archival Materials

Baron, Carol Kitzes

Year: 1990
Complete Citation:
Baron, Carol Kitzes. “Dating Charles Ives’s Music: Facts and Fictions.” Journal of the American Musicological Society Vol. 28, No. 1 (Winter 1990): 20-56.
Notes:

Also presented as a lecture in August 1991 at the Leighton Artists Center, Alberta Canada. Titled “Dating Ives’s Musical Manuscripts with Graphic Evidence."

Source: Journal
VI. Topical Studies
C. Chronology

Bauer, Marion

Year: 1947
Complete Citation:
Bauer, Marion. “Charles Ives Receives Award.” Musical Leader 79/6 (June 1947): 9.
Notes:

Notice of Ives's receiving the Pulitzer Prize for Symphony No. 3. Includes remarks about his being ignored and overlooked.

Source: Journal
VI. Topical Studies
V. Awards

Beckwith, Ethel

Year: 1947
Complete Citation:
Beckwith, Ethel. “Pulitzer Prize Winner Scoffs at $1,000 Award.” Sunday Herald (Bridgeport, Connecticut), May 11, 1947, 1, 16.
Source: Newspaper
VI. Topical Studies
V. Awards

Bellamann, Henry

Year: 1927
Complete Citation:
Bellamann, Henry. 1927. “Program Notes.” Pro Musica Concert, January 29. Charles Ives Pa-pers, Mss.14, folder 2, Box 50. Irving S. Gilmore Music Library, Yale University. New Haven.
Source: Program Notes
II. Reference Materials
F. Selected Archival Materials

Berger, Arthur

Year: 1933
Complete Citation:
Berger, Arthur. “Charles Ives,” June 4, 1933. Typescript for Pan American Concert. Charles Ives Papers. Mss. 14, folder 2, box 56. Irving S. Gilmore Music Library, Yale University. New Haven.
Source: Journal
II. Reference Materials
F. Selected Archival Materials

Bernstein, Leonard

Year: 1958
Complete Citation:
Bernstein, Leonard. “Thursday Evening Preview Scripts: Opening of the New York Philharmonic Season of 1958-1959,” October 2, 1958. Leonard Bernstein Collection, folder 13, box 75. Music Division, Library of Congress, Washington D.C.
Source: Preview Script
II. Reference Materials
F. Selected Archival Materials
Year: 1967
Complete Citation:
Bernstein, Leonard. “Young People’s Concerts Scripts: Charles Ives: American Pioneer,” 1967. February 23. Leonard Bernstein Collection, folder 04, box 111. Music Division, Library of Congress, Washington D.C.
Source: Program Script
II. Reference Materials
F. Selected Archival Materials

Brooks, William and Burkholder, J. Peter

Year: 1982
Complete Citation:
Brooks, William, and Burkholder, J. Peter. Typescript. “Books in Bigelow Ives’ Library and Identified by Him as Belonging to Charles Ives or His family.” Spring 1982, revised March 1984.
Source: Unpublished, 1982
II. Reference Materials
F. Selected Archival Materials

Burkholder, J. Peter

Year: 1988
Complete Citation:
Burkholder, J. Peter. “Charles Ives and his Fathers: A Response to Maynard Solomon.” Institute for Studies in American Music Newsletter Vol. 18, No. 1 (November 1988): 8-11.
Source: Journal
VI. Topical Studies
C. Chronology
Year: 1996
Complete Citation:
Burkholder, J. Peter. “Chronology” and “A Note on the Dating of Ives's Music.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 1-3. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
C. Chronology

Cowell, Henry and Nicolas Slonimsky

Year: 1931
Complete Citation:
Cowell, Henry and Nicolas Slonimsky. Program Notes. Pan American Concert, Paris, June 6, 1931.
Source: Program Notes
II. Reference Materials
F. Selected Archival Materials

Gann, Kyle

Year: 1991
Complete Citation:
Gann, Kyle. “Pulitzer Hacks: Amateur Composers versus the Profes-sionals.” Village Voice, July 30, 1991.
Notes:

Cites the story from Milton Babbitt that Ives was not a professional composer.

Source: Newspaper
VI. Topical Studies
V. Awards
Year: 1992
Complete Citation:
Gann, Kyle. “Composer’s Clearing House: The Pulitzer Prize.” Village Voice, May 5, 1992.
Notes:

Claims Lou Harrison urged Ives to “expunge the 'ex-perimental' parts of the Third Symphony” [i.e., “shadow parts”].

Source: Newspaper
VI. Topical Studies
V. Awards

Gibbens, John Jeffrey

Year: 1989
Complete Citation:
Gibbens, John Jeffrey. “Debussy, counterpart and rejected model: an essay on Charles Ives.” Unpublished Manuscript, 1989.
Notes:

Originally commissioned for a collection of essays edited by Geoffrey Block

Source: Unpublished Manuscript
II. Reference Materials
F. Selected Archival Materials

Henahan, Donal

Year: 1988
Complete Citation:
Henahan, Donal. “Did Ives Fiddle With the Truth?”- The New York Times, February 21, 1988.
Source: Newspaper
VI. Topical Studies
C. Chronology

Ives, Charles

Year: 2004
Complete Citation:
Ives, Charles. “Charles Ives.” In Modernism and Music: An Anthology of Sources, edited by Daniel Albright, 155-162. New York, NY: Schirmer Books, 2004.
Notes:

Reprints excerpts from Ives’s writings: Essays Before a Sonata, Postface to 114 Songs, and Music and Its Future.

Source: Chapter in Book
II. Reference Materials
F. Selected Archival Materials

Johnson, H. Earle

Year: 1950
Complete Citation:
Johnson, H. Earle Johnson. Symphony Hall, Boston, 352. Boston, MA: Little Brown, 1950.
Source: Concert program
II. Reference Materials
F. Selected Archival Materials

Kahn, Eve M.

Year: 2014
Complete Citation:
Kahn, Eve M. “Charles Ives’s Workroom, Pencil Shavings Preserved: Movies, Performing Arts/Weekend Desk.” The New York Times, February 28, 2014.
Source: Newspaper
II. Reference Materials
F. Selected Archival Materials