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Bibliography

Shaffle, Michael R.

Year: 1989
Complete Citation:
Bulletin for the Council for Research in Music Education 100 (Spring 1989): 34-39.
Source: Bulletin
III. Book-Length Studies
C. Book Reviews

Sharp, Mary Elizabeth

Year: 1979
Complete Citation:
Sharp, Mary Elizabeth. “A Survey of Musical Quotation from 1940-1975.” M.M. thesis, University of Louisville, 1979.
Notes:

References to Ives: in Part 1, “Introduction”: “The use of common material such as folk tunes, hymns, and patriotic songs will not be included since the music is not from the concert tradition. However, this creates a problem of inconsistency in some cases. Charles Ives quotes music from popular material together with concert pieces which have programmatic signifi-cance.”; in Part 5, “Early Twentieth-Century Practices in the Use of Quotation”: “The very same motive (Beethoven’s Symphony No. 5) is quoted by Ives in the Concord Sonata and is used as a cyclic device to depict fate and the character of Beethoven himself’; and in Parts 7-10, “Charles Ives' Use of Quotation.”

Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Shelton, Gregory Allard

Year: 1985
Complete Citation:
Shelton, Gregory Allard. An analysis of Charles Ives’s Three-page Sonata for Piano. M.A. Thesis, The American University, 1985.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Sherwood, Gayle

Year: 2003
Complete Citation:
Sherwood, Gayle. “Vivian Perlis, Charles Ives Remembered: An Oral History.” The Journal of Musicological Research, Vol. 22, No. 3 (2003): 296-299.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Sherwood, Gayle D.

Year: 1995
Complete Citation:
Sherwood, Gayle D. “The choral works of Charles Ives: chronology, style, reception.” Ph.D. Dissertation, Yale University,1995.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Shulman, Ivan

Year: 2008
Complete Citation:
Shulman, Ivan. “Symphony no. 2 by Charles Ives: An Historic Review and Consideration of Performance Practice.” M.M. thesis, California State University at Long Beach, 2008.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Shultis, Christopher L.

Year: 1993
Complete Citation:
Shultis, Christopher L. “Silencing the Sounded Self: John Cage and the Experimental Tradition in Twentieth-Century American Poetry and Music.” Ph.D. diss., University of New Mexico, 1993.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Siegmeister, Elie

Year: 1973
Complete Citation:
Siegmeister, Elie. Review of Charles E. Ives: Memos, edited by John Kirkpatrick. High Fidelity/Musical America 23/3, March 1973, MA 29-31.
Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1974
Complete Citation:
Siegmeister, Elie. Review of From the Steeples and Mountains, by David Wooldridge. Notes 31 (1974): 291-293.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Silverberg, Ann L.

Year: 2001
Complete Citation:
Silverberg, Ann L. Review of Amy Beach and Charles Ives, by Nicholas E. Tawa. Notes 59/1 (September 2002): 85--87.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Simms, L. M.

Year: 1975
Complete Citation:
Simms, L.M. Review of Charles Ives and the American Mind, by Rosalie Sandra Perry. History: Reviews of New Books, vol. 3, no. 4 (1975): 87.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Singleton, Kenneth

Year: 1996
Complete Citation:
Kenneth Singleton. “Making Music Was His Best Policy,” review of Charles Ives: A Life with Music, by Jan SwaffordWashington Post Book World 26/30 (July 28): 4-5.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Singleton, Kenneth. “Making Music Was His Best Policy.” Washington Post Book World 26/30, July 28, 1996, 4-5.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Sive, Helen R.

Year: 1977
Complete Citation:
Sive, Helen R. Music’s Connecticut Yankee: An Introduction to the Life and Music of Charles Ives. New York, NY: Atheneum Books, 1977.
Source: Book
III. Book-Length Studies
A. Biographies

Skinner, Myles L.

Year: 2007
Complete Citation:
Skinner, Myles L. “Toward a Quarter -Tone Syntax: Analyses of Selected Works by Blackwood, Hába, Ives, and Wyschnegradsky.” Ph.D. diss., University of Buffalo, 2007.
Source: Ph. D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Sly, Caroline Ware

Year: 1970
Complete Citation:
Sly, Caroline Ware. “The language of Ives's solo songs.” M.A. thesis, Smith College, 1970.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Small, Christopher

Year: 1973
Complete Citation:
Small, Christopher. Review of Charles E. Ives: Memos, edited by John Kirkpatrick. Music in Education 37/362 (1973): 187-188.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Smith, Rebecca E.

Year: 2012
Complete Citation:
Smith, Rebecca E. “Exploring the multi-generational influence of American ragtime music through the works of Charles Ives, William Walton and William Bolcom.” B.A. honors thesis, Western Australian Academy of Performing Arts, Edith Cowan University, 2012.
Source: B.A. Honors Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

So, Carolyn U.

Year: 1986
Complete Citation:
So, Carolyn U. “Aspects of form and aesthetics in Charles Ives's Piano Sonata No. 2.” M.A. Thesis, University of Hawaii at Manoa, 1986.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Sole, Kenneth Gale

Year: 1976
Complete Citation:
Sole, K. G. A Study and Performance of Five Psalm Settings and “The Celestial Country” by Charles Edward Ives.” D.M.A. diss., University of Southern California, 1976.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations