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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
(-) III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Finney, Ross Lee

Year: 1969
Complete Citation:
Finney, Ross Lee. Review of Music in the United States, by H. Wiley Hitchcock. Notes 26/2 (1969 December): 271--271.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Fisher, Jeff

Year: 2016
Complete Citation:
Fisher, Jeff. “Bernard Herrmann: conducting the obscure with the CBS Symphony.” M.M. thesis, University of South Dakota, 2016.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Fisk, Josiah

Year: 1996
Complete Citation:
Josiah Fisk. Review of Charles E. Ives, by Leo Schrade. Hudson Review 50/1 (Spring 1997): 129-136.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Josiah Fisk. Review of Charles Ives: A Life with Music, by Jan Swafford. Hudson Review 50/1 (Spring 1997): 129--136.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Fisk, Josiah. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Hudson Review 50/1 (Spring 1997): 129-136.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Fisk, Josiah. Review of Charles Ives and His World, edited by J. Peter Burkholder. Hudson Review (1997).
Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Fisk, Josiah. Review of Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. Hudson Review 50/1 (Spring 1997): 129-136.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Fisk, Josiah. Review of Charles Ives: A Life with Music, by Jan Swafford. Hudson Review 50/1 (Spring 1997): 129-136.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Frankenstein, Alfred

Year: 1955
Complete Citation:
Frankenstein, Alfred. Review of Charles Ives and His Music, by Henry and Sidney Cowell. The Musical Quarterly 41, no. 2 (April 1955): 253-256.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Frayne, Rob

Year: 1992
Complete Citation:
Frayne, Rob. “An analysis of partitions and strata in Charles Ives’s Three places in New England.” M. Mus. thesis, University of Ottawa, 1992.
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Frogley, Alan

Year: 2001
Complete Citation:
Frogley, Alan. Review of T. S. Eliot’s Orchestra: Critical Essays on Poetry and Music, edited by John Xiros Cooper. Notes 58/2 (December 2001): 353-354.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Frosch, William A.

Year: 1992
Complete Citation:
Frosch, William A. Review of Charles Ives: “My Father's Song”: A Psychoanalytic Biography, by Stuart Feder. American Journal of Psychiatry 149, no. 12: 1741-1742.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Fruchterman, Alessandra Astete

Year: 2018
Complete Citation:
Fruchterman, Alessandra Astete. “A red point in a green land: the setting of art song in foreign language by Barber, Britten, and Ives.” M.M. thesis, Belmont University, 2018.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Frye, Daniel W.

Year: 1974
Complete Citation:
Frye, Daniel W. ““In summer fields" by Charles E. Ives.” M.M.E. thesis, Bowling Green University, Ohio, 1974.
Source: M.M.E. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Gail, Dorothea

Year: 2018
Complete Citation:
Gail, Dorothea. Weird American music: Case Studies of Underground Resistance, BarlowGirl, Jackalope, Charles Ives, and Waffle House Music. Heidelberg, Germany: Universitätsverlag Winter, 2018.
Source: Book
III. Book-Length Studies
B. Other

Gammill, Ellen Reed

Year: 1975
Complete Citation:
Gammill, Ellen Reed. “The transcendental philosophy of Charles E. Ives.” M.M. thesis, Southern Methodist University, 1975.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Gardner, Kara Anne

Year: 1999
Complete Citation:
Gardner, Kara Anne. “Living the Ladies’ Smiles: The Feminization of American Music and the Modern Reaction (Amy Beach, Edward MacDowell, Charles Ives).” Ph.D. diss., Stanford University, 1999.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Gaudet, Michael Ronald

Year: 1986
Complete Citation:
Gaudet, Michael Ronald. “A study of selected essays and songs of Charles Ives as expressions of progressive idealism.” M.A. thesis, University of Victoria, 1985.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Gerschefski, Peter E.

Year: 1959
Complete Citation:
Gerschefski, Peter E. “A critical analysis of the works of Charles Ives.” M.A. Thesis, University of Southern California, 1959.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Giebisch, Thomas

Year: 1993
Complete Citation:
Giebisch, Thomas. Take-off als Kompositionsprinzip bei Charles Ives. Kassel, Germany: Bosse, 1993.
Source: Book
III. Book-Length Studies
B. Other