Bibliography

no author listed

Year: 1991

Complete Citation:

Review of In Re Con Moto Et Al: Experimentalism in the Works of Charles Ives (1874-1954), by David Nicholls. Notes 48/1 (1991): 122-123.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Year: 1991

Complete Citation:

Review of In Re Con Moto Et Al: Experimentalism in the Works of Charles Ives (1874-1954), by David Nicholls. The Musical Quarterly (1991).

Source: Journal

III. Book-Length Studies
C. Book Reviews

Year: 1991

Complete Citation:

Review of The Charles Ives Tunebook, by Clayton W. Henderson. Sonneck Society for American Music Bulletin 17/2 (1991): 85-86.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Year: 1991

Complete Citation:

Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.

Notes:

[Partially funded by a Project Grant from Sigma Alpha Iota Philanthropies, Inc.] Choral Concert / Film Documentary: A Good Dissonance Like a Man {E034}.

Source: Festival/Conference

IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Year: 1991

Complete Citation:

Contemporary Music Festival: The Life and Works of Charles Ives. Farmville, VA, Longwood College, Department of Music, October 24--25, 1991.

Source: Festival

IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Year: 1991

Complete Citation:

Review of The Charles Ives Tunebook, by Clayton W. Henderson. Institute for the Study of American Music Newsletter 20/2 (1991): 7.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Year: 1992

Complete Citation:

Review of “My Father’s Song”: A Psychoanalytic Biography, by Stuart Feder. Institute for the Study of American Music Newsletter (1992) 22/1: 5.

Source: Newsletter

III. Book-Length Studies
C. Book Reviews

Year: 1992

Complete Citation:

Review of The Charles Ives Tunebook, by Clayton W. Henderson. Fontes Artis Musicae 39/2 (1992): 196-197.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Year: 1992

Complete Citation:

Review of The art of speaking extravagantly: eine vergleichende Studie der ‘Concord Sonata’ und der ‘Essays before a Sonata’ von Charles Ives, by Felix Meyer. Dissonanz/Dissonance 31 (February 1992): 35-36.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Year: 1992

Complete Citation:

Review of “My Father’s Song”: A Psychoanalytic Biography, by Stuart Feder. Musical Times 133 (1992): 628.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Year: 1993

Complete Citation:

Review of A Union of Diversities, by Larry Starr. NATS Journal 49/4 (1993): 45.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Year: 1993

Complete Citation:

University of Northern Colorado, Greeley. Ives and Copland. Greeley, Colorado. University of Northern Colorado, Greeley, October 1993.

Source: Festival

IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Year: 1993

Complete Citation:

Review of “My Father’s Song”: A Psychoanalytic Biography, by Stuart Feder. Medical Problems of Performing Artists 8/1 (1993): iii.

Source: Journal

III. Book-Length Studies
C. Book Reviews

Year: 1993

Complete Citation:

Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.

Source: Conference

IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Year: 1994

Complete Citation:

American Transcendentalists. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.

Notes:

A weekend festival exploring Transcendentalism and music.

Source: Festival/Conference

IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Year: 1994

Complete Citation:

Interplay: American Transcendentalists. Carey Playhouse,
Brooklyn, NY, Brooklyn Academy of Music, November 13, 1994.

Source: Festival

IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Year: 1996

Complete Citation:

Charles Ives, the unanswered question: Friday 19-Sunday 21 January 1996, Barbican Centre: BBC Symphony Orchestra. Program notes. London, United Kingdom: BBC Radio 3, 1996.

IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Year: 1996

Complete Citation:

Bard Festival. Charles Ives. Annandale-On-Hudson and New York, NY, August and November 1996.

Source: Pamphlet

IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Year: 1996

Complete Citation:

“Ives at Bard: The 7th Music Festival, featuring compositions of Charles Ives and his contemporaries.” Piano & Keyboard 182 (September-October 1996): 13.

Source: Journal

IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Year: 1996

Complete Citation:

The Unanswered Question [Festival]. Barbican Centre; Leadenhall Market; St. Giles Church, Cripplegate; London, United Kingdom, January 19 to 21, 1996.

Notes:

A program booklet outlines the concerts, panel discussions, films, and lectures. A separate booklet supplies texts and performers biographies.

Source: Festival

IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Bibliography

Genres

no author listed