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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
(-) III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Kirkpatrick, John.

Year: 1973
Complete Citation:
Kirkpatrick, John. “Comparison of Sources.” In Charles E. Ives, The Pond, 8. Hillsdale, NY: Boelke--Bomart, 1973.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Kirkpatrick, John

Year: 1973
Complete Citation:
Kirkpatrick, John. “Editor's Note.” In Charles E. Ives, Turn Ye, Turn Ye, edited by John Kirkpatrick, 2-4. Bryn Mawr, PA: Mercury Music, 1973.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1974
Complete Citation:
Kirkpatrick, John. Review of From the Steeples and Mountains, by David Wooldridge. High Fidelity/Musical America, September 1974, 33-36; December 1974, 20.
Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1975
Complete Citation:
Kirkpatrick, John. “Editor’s Notes.” In Charles E. Ives, Study No. 21: Some South--Paw Pitching!, edited by John Kirkpatrick, 7-12. Bryn Mawr, PA: Mercury Music, 1975.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1984
Complete Citation:
Kirkpatrick, John. “Critical Commentary.” In Charles E. Ives, Trio for Violin, Violoncello, and Piano, edited by John Kirkpatrick. New York, NY: Peer International, 1984.
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1990
Complete Citation:
Kirkpatrick, John. “Critical Commentary.” In Charles Ives, Study No. 23 for Piano, edited by John Kirkpatrick, 11--13. Bryn Mawr, PA: Merion Music, 1990.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Kirkpatrick, John and David Wooldridge

Year: 1974
Complete Citation:
Wooldridge, David. “The New Ives Biography: A Disagreement.” High Fidelity/Musical America, December 1974, 18-20.
Notes:

Rebuttal to John Kirkpatrick’s review of From the Steeples and Mountains

Source: Magazine
III. Book-Length Studies
C. Book Reviews

Kolczynski, C. A.

Year: 2009
Complete Citation:
Kolczynski, C.A. Review of A Charles Ives Omnibus. Choice, vol. 47 (2009).
Source: Journal
III. Book-Length Studies
C. Book Reviews

Krebs, Harald

Year: 1990
Complete Citation:
Krebs, Harald. Review of The Charles Ives Tunebook, by Clayton W. Henderson. Die Musikforschung 45/4 (October-December 1992): 435-436.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1992
Complete Citation:
Krebs, Harald. Review of The Charles Ives Tunebook, by Clayton Henderson. Die Musikforschung, Vol. 45 (1992): 435.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Kubik, Gail T.

Year: 1936
Complete Citation:
Kubik, Gail T. “Review of New Music Editions.” Musical Leader. March 28, 1936.
Source: Newspaper
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Lambert, Philip

Year: 1997
Complete Citation:
Lambert, Philip. The Music of Charles Ives. Composers of the Twen-tieth Century, series edited by Allen Forte. New Haven, CT: Yale University Press, 1997.
Notes:

Includes analyses of Tone Roads No. 1, Study No. 5, and The Cage.

Source: Book
III. Book-Length Studies
B. Other
Year: 1997
Complete Citation:
Lambert, Philip. “The Music of Charles Ives.” New Haven, CT: Yale University Press, 1997.
Source: Book
III. Book-Length Studies
B. Other
Year: 2001
Complete Citation:
Lambert, Philip. The Music of Charles Ives. New Haven, CT: Yale University Press, 1997.
Source: Journal
III. Book-Length Studies
B. Other
Year: 2016
Complete Citation:
Lambert, Philip. Review of Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives, by Matthew McDonald. Music Theory Spectrum, vol. 38, no. 2 (2016): 271-273.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Lambert, Philip, ed.

Year: 1997
Complete Citation:
Lambert, Philip, ed. Charles Ives Studies. Cambridge, United Kingdom: Cambridge University Press, 1997.
Source: Book
III. Book-Length Studies
B. Other

Lambert, Philip (editor)

Year: 1997
Complete Citation:
Lambert, Philip, ed. Ives Studies. Cambridge, UK: Cambridge University Press, 1997.
Source: Book
III. Book-Length Studies
B. Other

Lang, Paul Henry

Year: 1946
Complete Citation:
Lang, Paul Henry. “Charles Ives.” The Saturday Review, June 1, 1946.
Source: Magazine
III. Book-Length Studies
C. Book Reviews

Leuchtmann, Horst

Year: 1975
Complete Citation:
Leuchtmann, Horst. Review of Charles Ives in seiner Kammermusik fur drei bis sechs Instrumente, by Ulrich Maske. Neue Musikzeitung 24/4 (1975): 15.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Lindergan, Edward

Year: 1997
Complete Citation:
Lindergan, Edward. “Book Reviews: “All Made of Tunes: Charles Ives and the Uses of Musical Borrowing,” by J. Peter Burkholder.” Choral Journal, Vol. 37, No. 8 (1997): 60-61.
Source: Book
III. Book-Length Studies
C. Book Reviews