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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
(-) III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Cowell, Henry

Year: 1953
Complete Citation:
Cowell, Henry. "United States, New York.” Music Quarterly 39/3 (July 1953): 426-432.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1953
Complete Citation:
Cowell, Henry. “Violin Sonatas Nos. 1 and 3.” Musical Quarterly 39/4 (April 1953): 323-325.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1956
Complete Citation:
Cowell, Henry. “Symphony No. 3.” Musical Quarterly 42/1 (January 1956): 122-123.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Cowell, Henry, and Richard F. Goldman

Year: 1949
Complete Citation:
Cowell, Henry, and Richard F. Goldman. "Current Chronicle: New York.” Musical Quarterly 35 (1949): 451-465.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Cowell, Henry and Sidney

Year: 1955
Complete Citation:
Cowell, Henry and Sidney. Charles Ives and His Music. New York, NY: Oxford University Press, 1955.
Notes:

From 1969 Second Edition: Additions include “Some Corrections and Amplifications,” “List of Published Compositions,” “List of Re-corded Compositions,” and “Additional Entries” ap-pended to the bibliography. * From 1971 Spanish translation: Prologue by Juan Carlos Paz especially for this edition (p. 5-22) entitled “Charles E. Ives, un fenomeno musical. ... El musico creador mas potente y personal que haya surgido en America.” * From 1983 Third Edition: Includes a reprint of “Ivesiana: ‘More Than Something Just Usual’” as a Foreword, a “Supplementary List of Published Compositions,” a “Supplementary List of Recorded Compositions,” and a “Supplementary Bibliography.”

Source: Book
Reprints:

Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. New York, NY: Oxford University Press, 1966. * Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. Second Edition. New York, NY: Oxford University Press, 1969. * Cowell, Henry and Sidney. <i>Charles Ives and His Music </i>[Charles Ives y su musica]. Translated to Spanish by Floreal Mazia. Argentina: Rodolfo Alonso Editor, 1971. * Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. New York, NY: Oxford University Press, 1974. * Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. Translated to Polish by Andrzej Darowski. Krakow, Poland: Polskie Wydawnictwo Muzyczne, 1982. * Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. New York, NY: Da Capo Press, 1983.

III. Book-Length Studies
A. Biographies

Cowell, Sidney

Year: 1974
Complete Citation:
Cowell, Sidney. “Ivesiana: ‘More than Somethings Just Unusual.’” High Fidelity and Musical America, October 1974, MA-14.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Craft, Robert

Year: 1977
Complete Citation:
Craft, Robert. Review of Charles Ives and His America, by Frank R. Rossiter. The Sunday Times of London. November 28, 1976, 40.
Source: Newspaper
Reprints:

Craft, Robert. “Ives’s World.” In <i>Current Convictions: Views and Reviews</i>. New York, NY: Alfred A. Knopf, 1977.

III. Book-Length Studies
C. Book Reviews

Croche, Florestan

Year: 1963
Complete Citation:
Croche, Florestan. “New Records Works by Charles Ives.” The Sun, July 28, 1963: FA4.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1969
Complete Citation:
Croche, Florestan. “New Records: Ives’s Compositions for Piano.” The Sun, February 23, 1969, D12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1972
Complete Citation:
Croche, Florestan. "New Records: Ives, Messiaen Together." The Sun, October 1, 1972, D12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Croche, Florestan. “New Records: Ives Re-Examined on 100th Birthday.” The Sun, February 17, 1974, D23.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Croche, Florstan

Year: 1967
Complete Citation:
Croche, Florstan. “New Records Connecticut Yankee's ‘Sonata’.” The Sun, August 6, 1967, D10.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Crory, Neil

Year: 2005
Complete Citation:
Crory, Neil. “A Song - for Anything: Songs by Charles Ives.” Opera Canada, vol. 46, no. 4 (2005): 51.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2008
Complete Citation:
Crory, Neil. “Opera at Home: CDs: Charles Ives: “Romanzo Di Central Park.”” Opera Canada 49, no. 1 (2008): 49-50.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Crunden, Robert M.

Year: 1972
Complete Citation:
Crunden, Robert M. Review of Charles Ives and American Culture: The Process of Development, 1874-1921, by Frank R. Rossiter. Anuario Interamericano de Investigacion Musical 8 (1972): 181-184.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Robert M. Crunden. “On Charles Ives.” Modernism/Modernity 4/3 (September 1997): 154--159.
Notes:

Posits that Ives was a “progressive," not a “modernist"because of religion, sexuality, technology, and time.

Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Crunden, Robert M. “On Charles Ives.” Modernism/Modernity 4/3 (September 1997): 154-159.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Crutchfield, Will

Year: 1984
Complete Citation:
Crutchfield, Will. “American Symphony And the Ives Fourth.” The New York Times. October 15, 1984, sec. C, 14.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Curtis, William D.

Complete Citation:
Curtis, William D. “Symphony No. 4; Central Park in the Dark, conducted by Selji Ozawa.” The American Record Guide 40/1 (October 1977): 32-34.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Dalton, Kathleen M.

Year: 1993
Complete Citation:
Dalton, Kathleen M. Review of Charles Ives: “My Father’s Song”: A Psychoanalytic Biography, by Stuart Feder. The American Historical Review 98, no. 3 (June 1993): 960.
Source: Journal
III. Book-Length Studies
C. Book Reviews