Image
Complete Citation:
Ferguson, Sarah. “The Sound of the City: Season’s Bleepings.” The Village Voice, Vol. 43, No. 52 (1998): 114.
Bibliography
Genres
Ferguson, Sarah
Year: 1998
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Feuchtner, Bernd
Year: 1998
Complete Citation:
Feuchtner, Bernd. “The 3 Basses: Christoph Marthaler’s melancholischer Juxabend “The Unanswered Question” in Basel.” Opernwelt: das internationale Opernmagazin, Vol. 39, No. 1 (1998): 36-37.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Field, Corey
Year: 1984
Complete Citation:
Field, Corey. Review of Three American Originals: John Ford, William Faulkner, & Charles Ives, by Joseph W. Reed. Notes XLII/4 (June 1986): 783-785.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1986
Complete Citation:
Field, Corey. Review of Three American Originals: John Ford, William Faulkner & Charles Ives by John Ford, William Faulkner, and Charles Ives, by Joseph W. Reed. Notes 42, no. 4 (June 1986): 783-785.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Finch, Hilary
Year: 1999
Complete Citation:
Finch, Hilary. “New Classical CDs: 1N Edition 1.” Times, February 25, 1999.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Fine, Elaine
Year: 2000
Complete Citation:
Fine, Elaine. “Review of Ives, Trio (Sound Recording).” American Record Guide 63/6 (November-December 2000): 124.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2015
Complete Citation:
Fine, Elaine. “Collections: “American Chamber Pieces.”” American Record Guide, Vol. 78, No. 1 (2015): 214.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Finn, Robert
Year: 1999
Complete Citation:
Finn, Robert. “Concerts Everywhere: Cleveland-Cleveland Orchestra: Ives “Emerson Concerto” [Premiere].” American Record Guide, Vol. 62, No. 1 (1999): 47-48.Source: Magazine (recording review/premiere)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Finney, Ross Lee
Year: 1969
Complete Citation:
Finney, Ross Lee. Review of Music in the United States, by H. Wiley Hitchcock. Notes 26/2 (1969 December): 271--271.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Fisher, Marjory M.
Year: 1928
Complete Citation:
Marjory M. Fisher. “Jurgen Given in San Francisco.” Musical America (December 15, 1928).Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1934
Complete Citation:
Fisher, Marjory M. “Modern Songs Heard by New Music Society.” San Francisco News, April 10, 1934.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances
Fisk, Josiah
Year: 1991
Complete Citation:
Fisk, Josiah. Recordings in Review -- Charles Ives' Calcium Night Light, Country Band March, Largo Cantabile, Hymn, Postlude in F and Set of Four Ragtime Dances performed by the Orchestra New England under James Sinclair. Musical America, Vol. 111, No. 2 (1991): 77.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1996
Complete Citation:
Josiah Fisk. Review of Charles E. Ives, by Leo Schrade. Hudson Review 50/1 (Spring 1997): 129-136.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1996
Complete Citation:
Josiah Fisk. Review of Charles Ives: A Life with Music, by Jan Swafford. Hudson Review 50/1 (Spring 1997): 129--136.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1997
Complete Citation:
Fisk, Josiah. Review of Charles Ives: A Life with Music, by Jan Swafford. Hudson Review 50/1 (Spring 1997): 129-136.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1997
Complete Citation:
Fisk, Josiah. Review of Charles Ives and His World, edited by J. Peter Burkholder. Hudson Review (1997).Source: Magazine
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1997
Complete Citation:
Fisk, Josiah. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Hudson Review 50/1 (Spring 1997): 129-136.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1997
Complete Citation:
Fisk, Josiah. Review of Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. Hudson Review 50/1 (Spring 1997): 129-136.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Fitelberg, Jerzy
Year: 1932
Complete Citation:
Fitelberg, Jerzy. “More Americans and Kurt Weill in Berlin.” Modern Music 9 (May-June 1932): 185.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
Flanagan, William
Year: 1966
Complete Citation:
Flanagan, William. “Charles Ives ‘Robert Browning Overture.’” HiFi/Stereo Review 16, no. 5, May 1966, p. 69-70.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews