Image
Complete Citation:
Kerner, Leighton. “National Moods.” Village Voice 36, December 24, 1991, 116.
Bibliography
Genres
Kerner, Leighton
Year: 1991
Notes:
Discusses Robert Browning Overture.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Khittl, Christoph
Year: 2008
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Kimball, Warren
Year: 2016
Complete Citation:
Kimball, Warren. “Review of Mad Music: Charles Ives, the Nostalgic Rebel.” American Music, vol. 34, no. 3, 2016, pp. 402-404.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Kinney, Arthur
Year: 1986
Complete Citation:
Kinney, Arthur. Modern Fiction Studies 31 (Summer 1985): 411-413.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Kiraly, Philippa
Year: 1985
Complete Citation:
Kiraly, Philippa. Review of Charles Ives: The Ideas behind the Music, by J. Peter Burkholder. Library Journal 111/1 (January 1986): 71.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Kirkland, Anthony B.
Year: 2012
Complete Citation:
Kirkland, Anthony B. “Performance Suggestions for Two Classic Wind Band Excerpts for Trumpet and Cornet Part II.” ITG Journal: The International Trumpet Guild, Vol. 36, No. 4 (2012): 77-80, 100-101.IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Kirkpatrick, John
Year: 1965
Complete Citation:
Kirkpatrick, John. Preface to Symphony No. 4, by Charles Ives. New York, New York: Associated Music Publishers, Inc., 1965.Source: Preface to Score
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 1967
Complete Citation:
Kirkpatrick, John. Liner notes for Morton Gould Conducting the Chicago Symphony Orchestra — Charles Ives — Orchestral Set No. 2 (First Recording). RCA LSC-2959, 1967, 33.3 RPM.Source: Liner notes
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 1970
Complete Citation:
Klrkpatrick, John. Review of Charles Ives: A Bibliography of His Music, by Dominique-Rene De Lerma. Notes 27/2 (September-December 1970): 260-262.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Year: 1974
Complete Citation:
Kirkpatrick, John. Review of From the Steeples and Mountains, by David Wooldridge. High Fidelity/Musical America, September 1974, 33-36; December 1974, 20.Source: Magazine
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Kirkpatrick, John.
Year: 1970
Complete Citation:
Kirkpatrick, John. Review of Charles Edward Ives, 1874-1954: A Bibliography of his Music, by Dominique-René De Lerma. Notes (December 1970) 27/2: 260--262.Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Kirkpatrick, John and David Wooldridge
Year: 1974
Complete Citation:
Wooldridge, David. “The New Ives Biography: A Disagreement.” High Fidelity/Musical America, December 1974, 18-20.Notes:
Rebuttal to John Kirkpatrick’s review of From the Steeples and Mountains
Source: Magazine
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Knight, John Wesley
Year: 1979
Complete Citation:
Knight, John Wesley. “Graphic Analyses of the Conducting Techniques for Irregular Meters and Nonmetrical Organizations Found in Selected 20th- century Band Literature.” Ph.D. diss., Louisiana State University, 1979. Source: Ph.D. Dissertation
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Kolczynski, C. A.
Year: 2009
Complete Citation:
Kolczynski, C.A. Review of A Charles Ives Omnibus. Choice, vol. 47 (2009).Source: Journal
III. Book-Length Studies
C. Book Reviews
C. Book Reviews
Kopetz, Barry E.
Year: 1991
Complete Citation:
Kopetz, Barry E. “Charles Ives's Variations on ‘America’: An Interpretive Analysis.” Instrumentalist 45/9 (April 1991): 20-28, 75-79. Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Kostelanetz, André and Gloria Hammond
Year: 1981
Complete Citation:
Kostelanetz, André and Gloria Hammond. Echoes- Memoirs of Andre Kostelanetz, 181. New York, NY: Harcourt Brace Jovanovich, 1981.Notes:
Credits Leopold Stokowski as being “the first to play Gustav Mahler in the U. S., to give the American composer Charles Ives a hearing, and to introduce Le sacre du printemps here.”
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Kramer, Jonathan D.
Year: 1988
Complete Citation:
Notes:
Includes Charles Ives Symphony No. 2, Symphony No. 4, and Three Places in New England
Source: Book
Reprints:
Kramer, Jonathan D. <i>Listen to the music: a self-guided tour through the orchestral repertoire</i>. New York, NY: Schirmer Books.
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Kramer, Lawrence
Year: 2008
Complete Citation:
Kramer, Lawrence. “Music and the Politics of Memory: Charles Ives's A Symphony: New England Holidays.” Journal of the Society for American Music 2/4 (2008): 459--475.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 2008
Complete Citation:
Kramer, Lawrence. “Music and the Politics of Memory: Charles Ives’s A Symphony: New England Holidays.” Journal of the Society for American Music 2/4 (2008): 459--475.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 2013
Complete Citation:
Kramer, Lawrence. “Musique et politique de la mémoire: a symphony: New England holidays de Charles Ives.” In Du politique en analyse musicale, edited by Estaban Buch, Nicolas Donin, and Laurent Feneyrou. Paris, France: VRIN, 2013.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works