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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
(-) III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Borowski, Felix

Year: 1955
Complete Citation:
Borowski, Felix. “An Early American ‘Modern.’” Chicago Sun-Times 2 (January 16, 1955): 5.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Brooks, Williams

Year: 1993
Complete Citation:
Brooks, Williams. Review of A Union of Diversities: Style in the Music of Charles Ives, by Larry Starr. American Music 11, no. 4 (Winter 1993): 488-491.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Brooks, William Fordyce

Year: 1993
Complete Citation:
Brooks, William Fordyce. Review of A Union of Diversities, by Larry Starr. American Music 11/4 (Winter 1993): 488-491.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Browning, James

Year: 1972
Complete Citation:
Browning, James. Review of Memos, by Charles Ives. Music Journal 30/10 (December 1972): 49.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Brown, John Robert

Year: 2012
Complete Citation:
Brown, John Robert. “Book Review: “Moral Fire: Musical Portraits from America’s Fin de Siècle,” by Joseph Horowitz.” Classical Music (2012): 83.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Bruhn, Christopher

Year: 2005
Complete Citation:
Bruhn, Christopher. “‘A Shamelessly Personal Batch of Choices’: The Kirkpatrick ‘Copy’ of Ives's Concord Sonata.” Paper presented at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.
Source: Conference paper
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2011
Complete Citation:
Bruhn, Christopher. “The Transitive Multiverse of Charles Ives’s ‘Concord’ Sonata.” Journal of Musicology 28.2 (Spring 2011): 166-194.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2015
Complete Citation:
Bruhn, Christopher. Review of Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives, by Matthew McDonald. Music & Letters, vol. 96, no. 2 (May 2015): 289-291.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2015
Complete Citation:
Bruhn, Christopher. Review of Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives, by Matthew McDonald. Music and Letters, vol. 96, no. 2 (2015): 289-291.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Buchman, Andrew

Year: 1994
Complete Citation:
Buchman, Andrew. Review of Charles Ives: “My Father's Song” — A Psychoanalytic Biography, by Stuart Feder. Biography, Vol. 17, no. 2 (1994): 187-191.
Source: Magazine
III. Book-Length Studies
C. Book Reviews

Budiansky, Stephen

Year: 2014
Complete Citation:
Budiansky, Stephen. Mad Music: Charles Ives, the Nostalgic Rebel. Lebanon, NH: ForeEdge, 2014.
Source: Book
III. Book-Length Studies
B. Other
Year: 2014
Complete Citation:
Budiansky, Stephen. Mad Music: Charles Ives, the Nostalgic Rebel. Lebanon, NH: ForeEdge, 2014.
Source: Book
III. Book-Length Studies
A. Biographies

Bumpass, Kathryn

Year: 1998
Complete Citation:
Bumpass, Kathryn. Notes (March 1998) 54/3: 677-680.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1998
Complete Citation:
Bumpass, Kathryn. Review of Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. Notes 54 (March 1998): 677-680.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1998
Complete Citation:
Bumpass, Kathryn. “Book Reviews: Two Books about Charles Ives.” Music Library Association, Vol. 54, USA, 1998.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Burge, David

Year: 1986
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: The Early Years of Charles Ives.” Keyboard Magazine 12/10 (October 1986): 101.
Source: Journal
Reprints:

Burge, Daivd. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1986
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Charles Ives’ First Sonata.” Keyboard Magazine 12/11 (November 1986): 116-118.
Notes:

Reprinted in David Burge. <i>Twentieth-Century Piano Music</i>. New York, NY: Schirmer Books, 1990: 33-45. Chapter 3, “Charles Ives.”

Source: Magazine, Book
Reprints:

Burge, David. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1986
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Unifying Ele-ments in Ives’ Piano Sonatas.” Keyboard Magazine 12/12 (December 1986): 102-103.
Notes:

Comments about Sonatas Nos. 1 and 2.

Source: Magazine
Reprints:

Burge, Daivd. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1987
Complete Citation:
Burge, David. “Private Lesson: Contemporary Piano: Skeletal Motifs in the Emerson Movement of Ives’ Concord Sonata.” Keyboard Maga-zine 13/1 (January 1987): 92.
Source: Magazine
Reprints:

Burge, David. “Charles Ives.” In <i>Twentieth-Century Piano Music</i>, 33-45. New York, NY: Schirmer Books, 1990.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 1990
Complete Citation:
Burge, David. “From 1900 to the end of World War I.” In Twentieth-century piano music. New York, NY: Schirmer Books, 1990.
Source: Chapter in Book
Reprints:

Burge, David. “From 1900 to the end of World War I.” In <i>Twentieth-century piano music</i>. Lanham, MD: Scarecrow Press, 2004.

IV. Individual Studies by Genre
C. Keyboard Works