Harrison, Max
Year: 1977-1978
Complete Citation:
Harrison, Max. Review of Charles Ives: A Discography, by Charles Warren: Charles Ives and the American Band Tradition, by Jonathan Elkus; and Charles Ives, by H. Wiley Hitchcock. Composer (London) 62 (Winter 1977-1978): 48-50.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1977-1978
Complete Citation:
Harrison, Max. Composer 62 (Winter 1977-78): 48-50.Source: Journal
III. Book-Length Studies
C. Book Reviews
Hartsock, R.
Year: 2000
Complete Citation:
Hartsock, R. Review of A Descriptive Catalogue of the Music of Charles Ives, by James Sinclair. Choice 37, no. 6 (February 2000): 1080.Notes: A Descriptive Catalogue of the Music of Charles Ives
Source: Journal
III. Book-Length Studies
C. Book Reviews
Hartsock, Ralph
Year: 2000
Complete Citation:
Hartsock, Ralph. Review of A Descriptive Catalogue of the Music of Charles Ives, by James Sinclair. Choice 37/6, February 2000, 1080.Notes: A Descriptive Catalogue of the Music of Charles Ives
Source: Magazine
III. Book-Length Studies
C. Book Reviews
Harvey, Mark Sumner
Year: 1989
Complete Citation:
Harvey, Mark Sumner. “Charles Ives: Prophet of American Civil Religion.” Soundings 72/2-3 (Summer-Fall 1989): 501-525.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Heaton, Charles Huddleston
Year: 1970
Complete Citation:
Heaton, Charles Huddleston. Review of Charles Ives: A Bibliography of His Music, by Dominique-Rene De Lerma. Music: The AGO/RCCO Magazine 4 (September 1970): 44.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Heister, Hanns-Werner and Werner Kremp
Year: 2004
Complete Citation:
Heister, Hanns-Werner and Werner Kremp. Charles Ives, 1874-1954: amerikanischer Pionier der neuen Musik. Amerikanischer Pionier der Sieuen Musik (Atlantische Texte 23). Trier, Germany: Wissenschaftlicher Velag Trier, 2004.Source: Book
III. Book-Length Studies
A. Biographies
Hellmons, Matthias
Year: 2002
Complete Citation:
Hellmons, Matthias. “Thema: Geister über den Wassern: Singen im Musikunterricht als Fenster zur Transzendenz.” Musik and Bildung: Praxis Musikerziehung, Vol. 34, No. 3 (2002): 28-35.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Helm, Everett
Year: 1963
Complete Citation:
Helm, Everett. Review of Essays Before a Sonata, and Other Writings, by Howard Boatwright. Musical America, vol. 52 (February, 1963).III. Book-Length Studies
C. Book Reviews
Year: 1963
Complete Citation:
Helm, Everett. Review of Essays Before a Sonata and Other Writings, edited by Howard Boatwright. Musical America 83/2 (February 1963): 52.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1963
Complete Citation:
Helm, Everett. Review of Essays Before a Sonata, The Majority and Other Writings, edited by Howard Boatwright. Musical America 83 (February 1963): 52.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1973
Complete Citation:
Helm, Everett. Music Review 34/2 (May 1973): 175-176.Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1978
Complete Citation:
Helm, Everett. Review of An Ives Celebration, edited by H.Wiley Hitchcock and Vivian Perlis. Fontes Artis Musicae 25, no. 3 (1978): 278-279.Source: Journal
III. Book-Length Studies
C. Book Reviews
Henahan, Donal
Year: 1986
Complete Citation:
Henahan, Donal. “Maverick Composers Make Their Own Choices.” New York Times. December 14, 1986: sec. 2, 25.Source: Newspaper
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1996
Complete Citation:
Henahan, Donal. “Bring in da Noise,” review of Charles Ives: A Life with Music, by Jan Swafford. New York Times Book Review (August 4): 11--12.Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Henahan, Donal. “Bring in da Noise.” New York Times Book Review, August 4, 1996, 11-12.Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Henderson, C.W.
Year: 2008
Complete Citation:
Henderson, C. W. Review of Selected Correspondence of Charles Ives, edited by Thomas C. Owens. Notes, Vol. 64, No. 4 (2008): 748-750.Source: Journal
III. Book-Length Studies
C. Book Reviews
Henderson, Clayton
Year: 1996
Complete Citation:
Henderson, Clayton. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Choice 33/8, April 1996, 13-20.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Henderson, Clayton W.
Year: 1990
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. Bibliographies in American Music, 14, edited by James R. Heintze. Warren, MI: Harmonie Park Press, 1990.Notes: A collection of melo-dies (i.e., without their original harmonizations) that Ives used in his compositions. Part I: hymn tunes, patriotic songs, military music, pop-ular songs, college music, popular instrumental melodies, and some classical pieces. Part II: unknown tunes, [a list of] Ives's compositions with quotations, and musical incipits.
Source: Book
III. Book-Length Studies
B. Other
Year: 1990
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. Sterling Heights, MI: Harmonie Park Press, 1990.Source: Book
III. Book-Length Studies
B. Other
