Image
Complete Citation:
Albèra, Philippe. “Mensch und Maschine.” Dissonanz (2001): 46-47.
Bibliography
Genres
Albèra, Philippe
Year: 2001
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Almen, Byron, and Robert Hatten
Year: 2012
Complete Citation:
Almen, Byron, and Robert Hatten. 2012. “Narrative Engagement with Twentieth -Century Music: Possibilities and Limits.” In Music and Narrative since 1900, edited by Michael Klein and Nicholas Reyland, 59--85. Bloomington, IN: Indiana University Press, 2012.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Ascough, Richard
Year: 1992
Complete Citation:
Ascough, Richard. “Letter: Challenging Centipede.” The Guardian, October 29, 1992.Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Baron, Carol
Year: 1994
Complete Citation:
Baron, Carol. “Meaning in the Music of Charles Ives.” In Metaphor: A Musi-cal Dimension. Australian studies in the history, philosophy, and social studies of music, 37-50. Sydney, Australia: Currency Press, 1991.Source: Chapter in Book
Reprints:
Baron, Carol. “Meaning in the Music of Charles Ives.” In <i>Musicology: A Book Series</i>, 15. Basel: Gor-don and Breach, 1994.
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Baron, Carol K.
Year: 1998
Complete Citation:
Baron, Carol K. “Some Theoretical Premises in Charles Ives's Music.” Lecture, University of Nevada, Reno, Nevada, February 1998.Source: Lecture
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 2004
Complete Citation:
Baron, Carol K. “Efforts on Behalf of Democracy by Charles Ives and His Family: Their Religious Contexts.” Musical Quarterly 87.1 (April 2004): 6-43.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Bernlef, J., and Reinbert de Leeuw
Year: 1969
Complete Citation:
Bernlef, J., and Reinbert de Leeuw. Charles Ives. Amsterdam: DeBezige Bij, 1969.Notes:
Pages 133-209 of 1969 publication are reprinted in 1975-1976 publication.
Source: Book
Reprints:
Bernlef, J., and Reinbert de Leeuw. “<i>Charles Ives—Zijn Muziek: Inleiding, Ives’ Gebruik van Muzikaal Materiaal</i> [Charles Ives—His Music: Introduction, Ives’ use of musical material].” Translated by Bertus Polman. <i>Student Musicologists at Minnesota</i> 6 (1975-76): 128-191.
III. Book-Length Studies
A. Biographies
A. Biographies
Broyles, Michael
Year: 1996
Complete Citation:
Broyles, Michael. "Charles Ives and the American Democratic Tradition." In Charles Ives and His World, 118-160. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Budiansky, Stephen
Year: 2014
Complete Citation:
Budiansky, Stephen. Mad Music: Charles Ives, the Nostalgic Rebel. Lebanon, NH: ForeEdge, 2014.Source: Book
III. Book-Length Studies
A. Biographies
A. Biographies
Burger, Peter
Year: 1974
Complete Citation:
Burger, Peter. Theorie der Avantgarde. Frankfurt am Main: Suhrkamp, 1974.Source: Book
Reprints:
Burger, Peter. <i>Theorie der Avantgarde</i>. Frankfurt am Main: Suhrkamp, 2013.
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Burkholder, J. Peter
Year: 1990
Complete Citation:
Burkholder, J. Peter. “The Critique of Tonality in the Early Experimental Music of Charles Ives.” Music Theory Spectrum 12/2 (Fall 1990): 203-223.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1995
Complete Citation:
Burkholder, J. Peter. “Rule-Breaking as a Rhetorical Sign.” In Festa Musicologica: Essays in Honor of George J. Buelow, edited by Thomas J. Mathiesen and Benito V. Rivera. Stuyvesant, NY: Pendragon, 1995.Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 2012
Complete Citation:
Burkholder, J. Peter. “Stylistic Heterogeneity and Topics in the Music of Charles Ives.” Journal of Musicological Research 31 (2012): 166-199.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Cadieu, Martine
Year: 1975
Complete Citation:
Cadieu, Martine. Charles Ives. Paris, France: Discothèque de France, 1975.Source: Book
III. Book-Length Studies
A. Biographies
A. Biographies
Callens, Johan
Year: 1991
Complete Citation:
Callens, Johan. “The Spirit of Charles Ives.” In American Literature and the Arts. Brussels, Belgium: VUBPress, 1991.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Cazden, Norman
Year: 1955
Complete Citation:
Cazden, Norman. “Realism in Abstract Music.” Music and Letters XXXVI (January 1955): 38.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Christiansen, Erik
Year: 1996
Complete Citation:
Christensen, Erik. The Musical Timespace: A Theory of Music Listening. Alborg, Denmark: Alborg University Press, 1996.Source: Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1996
Complete Citation:
Christensen, Erik. “Nota-tion Examples and Graphs.” In The Music Timespace: A Theory of Music Listening. Volume 2. Alborg, Denmark: Alborg University Press, 1996.Notes:
<i>The Unan-swered Question </i>and <i>Central Park in the Dark </i>are chosen for consider-ation. Each is analyzed by five basic listening dimensions: timbre, pulse, pitch height space, movement, and intensity.
Source: Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Cowell, Henry
Year: 1954
Complete Citation:
Cowell, Henry. “The Music and Motives of Charles Ives." Center 1 (August-September 1954): 2-5.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Cowell, Henry and Sidney
Year: 1955
Complete Citation:
Cowell, Henry and Sidney. Charles Ives and His Music. New York, NY: Oxford University Press, 1955.Notes:
From 1969 Second Edition: Additions include “Some Corrections and Amplifications,” “List of Published Compositions,” “List of Re-corded Compositions,” and “Additional Entries” ap-pended to the bibliography. * From 1971 Spanish translation: Prologue by Juan Carlos Paz especially for this edition (p. 5-22) entitled “Charles E. Ives, un fenomeno musical. ... El musico creador mas potente y personal que haya surgido en America.” * From 1983 Third Edition: Includes a reprint of “Ivesiana: ‘More Than Something Just Usual’” as a Foreword, a “Supplementary List of Published Compositions,” a “Supplementary List of Recorded Compositions,” and a “Supplementary Bibliography.”
Source: Book
Reprints:
Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. New York, NY: Oxford University Press, 1966. * Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. Second Edition. New York, NY: Oxford University Press, 1969. * Cowell, Henry and Sidney. <i>Charles Ives and His Music </i>[Charles Ives y su musica]. Translated to Spanish by Floreal Mazia. Argentina: Rodolfo Alonso Editor, 1971. * Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. New York, NY: Oxford University Press, 1974. * Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. Translated to Polish by Andrzej Darowski. Krakow, Poland: Polskie Wydawnictwo Muzyczne, 1982. * Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. New York, NY: Da Capo Press, 1983.
III. Book-Length Studies
A. Biographies
A. Biographies