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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Albèra, Philippe

Year: 2001
Complete Citation:
Albèra, Philippe. “Mensch und Maschine.” Dissonanz (2001): 46-47.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Almen, Byron, and Robert Hatten

Year: 2012
Complete Citation:
Almen, Byron, and Robert Hatten. 2012. “Narrative Engagement with Twentieth -Century Music: Possibilities and Limits.” In Music and Narrative since 1900, edited by Michael Klein and Nicholas Reyland, 59--85. Bloomington, IN: Indiana University Press, 2012.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Ascough, Richard

Year: 1992
Complete Citation:
Ascough, Richard. “Letter: Challenging Centipede.” The Guardian, October 29, 1992.
Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Baron, Carol

Year: 1994
Complete Citation:
Baron, Carol. “Meaning in the Music of Charles Ives.” In Metaphor: A Musi-cal Dimension. Australian studies in the history, philosophy, and social studies of music, 37-50. Sydney, Australia: Currency Press, 1991.
Source: Chapter in Book
Reprints:

Baron, Carol. “Meaning in the Music of Charles Ives.” In <i>Musicology: A Book Series</i>, 15. Basel: Gor-don and Breach, 1994.

VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Baron, Carol K.

Year: 2004
Complete Citation:
Baron, Carol K. “Efforts on Behalf of Democracy by Charles Ives and His Family: Their Religious Contexts.” Musical Quarterly 87.1 (April 2004): 6-43.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Bernlef, J., and Reinbert de Leeuw

Year: 1969
Complete Citation:
Bernlef, J., and Reinbert de Leeuw. Charles Ives. Amsterdam: DeBezige Bij, 1969.
Notes:

Pages 133-209 of 1969 publication are reprinted in 1975-1976 publication.

Source: Book
Reprints:

Bernlef, J., and Reinbert de Leeuw. “<i>Charles Ives—Zijn Muziek: Inleiding, Ives’ Gebruik van Muzikaal Materiaal</i> [Charles Ives—His Music: Introduction, Ives’ use of musical material].” Translated by Bertus Polman. <i>Student Musicologists at Minnesota</i> 6 (1975-76): 128-191.

III. Book-Length Studies
A. Biographies

Broyles, Michael

Year: 1996
Complete Citation:
Broyles, Michael. "Charles Ives and the American Democratic Tradition." In Charles Ives and His World, 118-160. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Budiansky, Stephen

Year: 2013
Complete Citation:
Budiansky, Stephen. “Ives, Diabetes, and His ‘Exhausted Vein’ of Composition.” American Music 31.1 (Spring 2013): 1-25.
Source: Journal
VI. Topical Studies
I. Compositional Process
Year: 2014
Complete Citation:
Budiansky, Stephen. Mad Music: Charles Ives, the Nostalgic Rebel. Lebanon, NH: ForeEdge, 2014.
Source: Book
III. Book-Length Studies
A. Biographies

Cadieu, Martine

Year: 1975
Complete Citation:
Cadieu, Martine. Charles Ives. Paris, France: Discothèque de France, 1975.
Source: Book
III. Book-Length Studies
A. Biographies

Callens, Johan

Year: 1991
Complete Citation:
Callens, Johan. “The Spirit of Charles Ives.” In American Literature and the Arts. Brussels, Belgium: VUBPress, 1991.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Carlson, Michael

Year: 1996
Complete Citation:
Carlson, Michael. “The Discomposing Composer.” Specta-tor 277/8781 (November 2, 1996): 44.
Notes:

“[H]is marvelous 'From Hanover Square North' ranks with Nielsen's Fifth as the most moving reactions to the Great War.”

Source: Journal
VI. Topical Studies
I. Compositional Process

Cave II, Lawrence Harold

Year: 1984
Complete Citation:
Cave II, Lawrence Harold. “Abstract: The Role of the Organ in Ives’ Develop-ment as Composer.” Sonneck Society for American Music Bulletin 10 (Fall 1984): 62.
Source: Journal
VI. Topical Studies
I. Compositional Process

Cazden, Norman

Year: 1955
Complete Citation:
Cazden, Norman. “Realism in Abstract Music.” Music and Letters XXXVI (January 1955): 38.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Cowell, Henry and Sidney

Year: 1955
Complete Citation:
Cowell, Henry and Sidney. Charles Ives and His Music. New York, NY: Oxford University Press, 1955.
Notes:

From 1969 Second Edition: Additions include “Some Corrections and Amplifications,” “List of Published Compositions,” “List of Re-corded Compositions,” and “Additional Entries” ap-pended to the bibliography. * From 1971 Spanish translation: Prologue by Juan Carlos Paz especially for this edition (p. 5-22) entitled “Charles E. Ives, un fenomeno musical. ... El musico creador mas potente y personal que haya surgido en America.” * From 1983 Third Edition: Includes a reprint of “Ivesiana: ‘More Than Something Just Usual’” as a Foreword, a “Supplementary List of Published Compositions,” a “Supplementary List of Recorded Compositions,” and a “Supplementary Bibliography.”

Source: Book
Reprints:

Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. New York, NY: Oxford University Press, 1966. * Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. Second Edition. New York, NY: Oxford University Press, 1969. * Cowell, Henry and Sidney. <i>Charles Ives and His Music </i>[Charles Ives y su musica]. Translated to Spanish by Floreal Mazia. Argentina: Rodolfo Alonso Editor, 1971. * Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. New York, NY: Oxford University Press, 1974. * Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. Translated to Polish by Andrzej Darowski. Krakow, Poland: Polskie Wydawnictwo Muzyczne, 1982. * Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. New York, NY: Da Capo Press, 1983.

III. Book-Length Studies
A. Biographies

Crunden, Robert M.

Year: 1972
Complete Citation:
Crunden, Robert M. “From Self to Society, 1919-1941.” In Transitions in American Thought Series. Englewood Cliffs, NJ: Prentice-Hall, 1972.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Dayton, Daryl D.

Year: 1972
Complete Citation:
Dayton, Daryl D. Charles Ives: American musical pioneer. ICS Thematic Program, 1972.
Source: Book
III. Book-Length Studies
A. Biographies

Denahan, Donal

Year: 1982
Complete Citation:
Henahan, Donal. “When the Music Ceases to Sound: Ego, Morale or Changing Times Can Cause Composers to Quit at Their Peak.” Kansas City Star. April 25, sec. K, 10.
Notes:

“In 1916 he finished Symphony No. 4, and that was it: for the next 40 years, until his death in 1954 at the age of 79, Ives sat silent in Con-necticut.”

Source: Newspaper
VI. Topical Studies
I. Compositional Process

Feder, Stuart

Complete Citation:
Feder, Stuart. “The Nostalgia of Charles Ives: An Essay in Affects and Music.” The Annual of Psychoanalysis Vol. 10 (1982), pp. 301-332.
Source: Journal
Reprints:

Feder, Stuart. “The Nostalgia of Charles Ives: An Essay in Affects and Music.” In <i>Psychoanalytic Explorations in Music</i>, edited by Stuart Feder, Richard L. Karmel, and George H. Pollock, 233-266. Volume 3 of <i>Applied Psychoanalysis Series</i>. Madison, CT: International Universities Press, 1990.

VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1980
Complete Citation:
Feder, Stuart. “Decoration Day: A Boyhood Memory of Charles Ives.” The Musical Quarterly Vol. 66, No. 2 (April 1980): 234-261.
Source: Journal
Reprints:

Feder, Stuart. “Decoration Day: A Boyhood Memory of Charles Ives.” <i>Annual of Psychoanalysis</i> (1981) 9: 265-316.

VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions