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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Albèra, Philippe

Year: 2001
Complete Citation:
Albèra, Philippe. “Mensch und Maschine.” Dissonanz (2001): 46-47.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Almen, Byron, and Robert Hatten

Year: 2012
Complete Citation:
Almen, Byron, and Robert Hatten. 2012. “Narrative Engagement with Twentieth -Century Music: Possibilities and Limits.” In Music and Narrative since 1900, edited by Michael Klein and Nicholas Reyland, 59--85. Bloomington, IN: Indiana University Press, 2012.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Ascough, Richard

Year: 1992
Complete Citation:
Ascough, Richard. “Letter: Challenging Centipede.” The Guardian, October 29, 1992.
Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Baron, Carol

Year: 1994
Complete Citation:
Baron, Carol. “Meaning in the Music of Charles Ives.” In Metaphor: A Musi-cal Dimension. Australian studies in the history, philosophy, and social studies of music, 37-50. Sydney, Australia: Currency Press, 1991.
Source: Chapter in Book
Reprints:

Baron, Carol. “Meaning in the Music of Charles Ives.” In <i>Musicology: A Book Series</i>, 15. Basel: Gor-don and Breach, 1994.

VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Baron, Carol K.

Year: 2004
Complete Citation:
Baron, Carol K. “Efforts on Behalf of Democracy by Charles Ives and His Family: Their Religious Contexts.” Musical Quarterly 87.1 (April 2004): 6-43.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Beales, Brendan and Judith Webster

Year: 1993
Complete Citation:
Beales, Brendan and Judith Webster. The unanswered question. North of England education tour: teacher's pack. London, United Kingdom: London Royal Philharmonic Orchestra, 1993.
Source: Book
VI. Topical Studies
T. Ives in Music Education

Bernlef, J., and Reinbert de Leeuw

Year: 1969
Complete Citation:
Bernlef, J., and Reinbert de Leeuw. Charles Ives. Amsterdam: DeBezige Bij, 1969.
Notes:

Pages 133-209 of 1969 publication are reprinted in 1975-1976 publication.

Source: Book
Reprints:

Bernlef, J., and Reinbert de Leeuw. “<i>Charles Ives—Zijn Muziek: Inleiding, Ives’ Gebruik van Muzikaal Materiaal</i> [Charles Ives—His Music: Introduction, Ives’ use of musical material].” Translated by Bertus Polman. <i>Student Musicologists at Minnesota</i> 6 (1975-76): 128-191.

III. Book-Length Studies
A. Biographies

Bessom, Malcolm E.

Year: 1974
Complete Citation:
Bessom, Malcolm E. “Overtones.” Music Educator's Journal 61/2 (October 1974): 5.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Broyles, Michael

Year: 1996
Complete Citation:
Broyles, Michael. "Charles Ives and the American Democratic Tradition." In Charles Ives and His World, 118-160. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Budiansky, Stephen

Year: 2014
Complete Citation:
Budiansky, Stephen. Mad Music: Charles Ives, the Nostalgic Rebel. Lebanon, NH: ForeEdge, 2014.
Source: Book
III. Book-Length Studies
A. Biographies

Buechner, Alan

Year: 1974
Complete Citation:
Buechner, Alan. "Ives in the Classroom: A Teaching Guide to Two Compo-sitions." Music Educator's Journal 61/2 (October 1974): 64-70.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Cadieu, Martine

Year: 1975
Complete Citation:
Cadieu, Martine. Charles Ives. Paris, France: Discothèque de France, 1975.
Source: Book
III. Book-Length Studies
A. Biographies

Callens, Johan

Year: 1991
Complete Citation:
Callens, Johan. “The Spirit of Charles Ives.” In American Literature and the Arts. Brussels, Belgium: VUBPress, 1991.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Camus, Raoul F. and Roger Kamien

Year: 1996
Complete Citation:
Camus, Raoul F. and Roger Kamien. “Charles Ives.” In Study guide and student workbook to accompany Kamien Music: an appreciation. New York, NY: Mcgraw Hill, 1996.
Source: Chapter in Book
VI. Topical Studies
T. Ives in Music Education

Cazden, Norman

Year: 1955
Complete Citation:
Cazden, Norman. “Realism in Abstract Music.” Music and Letters XXXVI (January 1955): 38.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Clüver, Claus

Year: 1991
Complete Citation:
Clüver, Claus. “Musical Trainrides in the Classroom.” Indiana Theory Review 12 (1991): 163-1-85.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Cotton, Martin

Year: 1999
Complete Citation:
Cotton, Martin. “Plug in and Play.” Music Teacher, Vol. 78, No. 2 (1999): 24-25.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Cowell, Henry and Sidney

Year: 1955
Complete Citation:
Cowell, Henry and Sidney. Charles Ives and His Music. New York, NY: Oxford University Press, 1955.
Notes:

From 1969 Second Edition: Additions include “Some Corrections and Amplifications,” “List of Published Compositions,” “List of Re-corded Compositions,” and “Additional Entries” ap-pended to the bibliography. * From 1971 Spanish translation: Prologue by Juan Carlos Paz especially for this edition (p. 5-22) entitled “Charles E. Ives, un fenomeno musical. ... El musico creador mas potente y personal que haya surgido en America.” * From 1983 Third Edition: Includes a reprint of “Ivesiana: ‘More Than Something Just Usual’” as a Foreword, a “Supplementary List of Published Compositions,” a “Supplementary List of Recorded Compositions,” and a “Supplementary Bibliography.”

Source: Book
Reprints:

Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. New York, NY: Oxford University Press, 1966. * Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. Second Edition. New York, NY: Oxford University Press, 1969. * Cowell, Henry and Sidney. <i>Charles Ives and His Music </i>[Charles Ives y su musica]. Translated to Spanish by Floreal Mazia. Argentina: Rodolfo Alonso Editor, 1971. * Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. New York, NY: Oxford University Press, 1974. * Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. Translated to Polish by Andrzej Darowski. Krakow, Poland: Polskie Wydawnictwo Muzyczne, 1982. * Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>. New York, NY: Da Capo Press, 1983.

III. Book-Length Studies
A. Biographies

Crunden, Robert M.

Year: 1972
Complete Citation:
Crunden, Robert M. “From Self to Society, 1919-1941.” In Transitions in American Thought Series. Englewood Cliffs, NJ: Prentice-Hall, 1972.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Davenport, Linda G.

Year: 1990
Complete Citation:
Davenport, Linda G. “A Teaching Idea.” Sonneck Society for American Music Bulletin 16/3 (1990): 100.
Notes:

Applies to Sonata No. 2, "Concord, Mass., 1840-1860," for piano.

Source: Journal
VI. Topical Studies
T. Ives in Music Education