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Bibliography

Oja, Carol J.

Year: 1988
Complete Citation:
Oja, Carol J. “Cos Cob Press and the American Composer.” Notes 45, no. 2 (December 1988): 227.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Olson, Mark

Year: 2006
Complete Citation:
Olson, Mark. “Parallel Lives: Charles Ives and Aaron Copland: A Listener’s Guide.” Music Educators Journal 92, no. 4, (March 2006): 20.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Orr, N. Lee

Year: 2008
Complete Citation:
Orr, N. Lee. Dudley Buck, 51-52. Urbana, IL: University of Illinois Press, 2008.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Overbeeke, Emanuel

Year: 2002
Complete Citation:
Overbeeke, Emanuel. “Boeken: “American Mavericks,” bij Susan Key and Larry Rothe (ed.).” Mens en Melodie, Vol. 57, No. 6 (2002): 232-233.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Owens, Thomas

Year: 2005
Complete Citation:
Owens, Thomas. “Chord and Dissonance: The Relationship of Peter Yates and Charles Ives and the Role of Los Angeles in the Reception of Ives’s Music.” Paper presented at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.
Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Owens, Tom

Year: 2006
Complete Citation:
Owens, Tom. “Concord and Dissonance: The Relationship of Peter Yates and Charles Ives and the Role of Los Angeles in the Reception of Ives's Music.” Paper presented at Joint Meeting of Amer-ican Musicological Society and Society for Music Theory. November 3, 2006.
Source: Paper at Conference
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Page, Tim

Year: 1987
Complete Citation:
Page, Tim. “Judging Composers: High Notes, and Low.” The New York Times, March 22, 1987.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Pannain, Guido

Year: 1932
Complete Citation:
Pannain, Guido. Modern Composers. Translated from Italian by Michael R. Bonavia. London, United Kingdom: J.M. Dent.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Paul, David C.

Year: 2005
Complete Citation:
Paul, David C. “Conversing Paths to Canonicity: Charles Ives, Gustav Mahler, and American Culture.” Ph.D. diss., University of Cali-fornia at Berkeley, 2005.
Notes:

Awarded the Alvin H. Johnson A.M.S. 50 Fellow-ship.

Source: Ph.D. Dissertation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2006
Complete Citation:
Paul, David C. 2006. “From American Ethnographer to Cold War Icon: Charles Ives through the Eyes of Henry and Sidney Cowell.” Journal of the American Musicological Society 59, no. 2 (Summer 2006): 399--458.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2006
Complete Citation:
Paul, David C. “From American Ethnographer to Cold War Icon: Charles Ives through the Eyes of Henry and Sidney Cowell.” Journal of the American Musicological Society 59/2 (Summer 2006): 399--457.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Pavlyshyn, Stepanii︠a︡ Stefanivna

Year: 1979
Complete Citation:
Pavlyshyn, Stepanii︠a︡ Stefanivna. Charlz Aĭvz. Moscow, USSR: Sov. kompozitor, 1979.
Source: Book
III. Book-Length Studies
A. Biographies

Perlis, Vivian

Year: 1993
Complete Citation:
Perlis, Vivian. “Ives and Copland as Subjects of Oral History.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.
Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Pestalozza, Luigi

Year: 2000
Complete Citation:
Pestalozza, Luigi. “Busoni e Ives.” Musica/Realtar 21/61 (March 2000): 133-151.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Peterson, Thomas Elliott

Year: 1967
Complete Citation:
Peterson, Thomas Elliott. “The Music of Carl Ruggles in Relation to the 20th Century.” In The Music of Carl Ruggles. Ph.D. diss., University of Washington, 1967.
Notes:

Chapter 8 “The Music of Carl Ruggles in Relation to the 20th Century” compares Ruggles to Ives.

Source: Chapter in Ph.D. Disser-tation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Pettitt, Stephen

Year: 2003
Complete Citation:
Pettitt, Stephen. “Emily, Ives and an Everchanging Wind: A Edition.” Standard (London, England), May 12, 2003.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Petzet, John M.

Year: 2011
Complete Citation:
Petzet, John M. “Matthew Harris’s Shakespeare Songs The Bard's Lyrics Meet American Popular Music.” Choral Journal, Vol. 52, No. 1 (2011): 34-49.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Pollack, Howard

Year: 1999
Complete Citation:
Pollack, Howard. Aaron Copland: The Life and Work of an Uncommon Man. New York, NY: Henry Holt and Co., 1999.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2006
Complete Citation:
Pollack, Howard. George Gershwin: His Life and Work. Berkeley, CA: University of California Press, 2006.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Pouzzi, Raffaele, and Louise Forster

Year: 1988
Complete Citation:
Pozzi, Raffaele, and Louise Forster. “Elliott Carter Talking.” Tempo, no. 167 (1988): 14-17.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers