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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Albèra, Philippe

Year: 2001
Complete Citation:
Albèra, Philippe. “Mensch und Maschine.” Dissonanz (2001): 46-47.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Alexander, Shaina

Year: 1999
Complete Citation:
Alexander, Shaina. Charles Ives: His Life and Esthetic Theories. Morris Moore Series in Musicology, No. 11. Silver Spring, MD: Shazco, 1999.
Source: Book
III. Book-Length Studies
B. Other

Almen, Byron, and Robert Hatten

Year: 2012
Complete Citation:
Almen, Byron, and Robert Hatten. 2012. “Narrative Engagement with Twentieth -Century Music: Possibilities and Limits.” In Music and Narrative since 1900, edited by Michael Klein and Nicholas Reyland, 59--85. Bloomington, IN: Indiana University Press, 2012.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Ascough, Richard

Year: 1992
Complete Citation:
Ascough, Richard. “Letter: Challenging Centipede.” The Guardian, October 29, 1992.
Source: Magazine
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Baron, Carol

Year: 1994
Complete Citation:
Baron, Carol. “Meaning in the Music of Charles Ives.” In Metaphor: A Musi-cal Dimension. Australian studies in the history, philosophy, and social studies of music, 37-50. Sydney, Australia: Currency Press, 1991.
Source: Chapter in Book
Reprints:

Baron, Carol. “Meaning in the Music of Charles Ives.” In <i>Musicology: A Book Series</i>, 15. Basel: Gor-don and Breach, 1994.

VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Baron, Carol K.

Year: 1998
Complete Citation:
Baron, Carol K. “Some Theoretical Premises in Charles Ives's Music.” Lecture, University of Nevada, Reno, Nevada, February 1998.
Source: Lecture
VI. Topical Studies
G. Music Theory Analyses
Year: 2004
Complete Citation:
Baron, Carol K. “Efforts on Behalf of Democracy by Charles Ives and His Family: Their Religious Contexts.” Musical Quarterly 87.1 (April 2004): 6-43.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Block, Geoffrey

Year: 1996
Complete Citation:
Geoffrey Block. Ives: Concord Sonata. Cambridge Music Handbooks, general editor, Julian Rushton. Cambridge, United Kingdom: Cambridge University Press.
Source: Book
III. Book-Length Studies
B. Other

Block, Geoffrey, and J. Peter Burkholder (editors)

Year: 1996
Complete Citation:
Block, Geoffrey, and J. Peter Burkholder, eds. Charles Ives and the Classical Tradition. New Haven, CT: Yale University Press, 1996.
Source: Book
III. Book-Length Studies
B. Other

Block, Geoffrey and Julian Rushton

Year: 1996
Complete Citation:
Block, Geoffrey. Ives: Concord Sonata. Cambridge Music Handbooks. Cambridge: Cambridge University Press, 1996.
Source: Book
III. Book-Length Studies
B. Other

Broyles, Michael

Year: 1996
Complete Citation:
Broyles, Michael. "Charles Ives and the American Democratic Tradition." In Charles Ives and His World, 118-160. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Budiansky, Stephen

Year: 2014
Complete Citation:
Budiansky, Stephen. Mad Music: Charles Ives, the Nostalgic Rebel. Lebanon, NH: ForeEdge, 2014.
Source: Book
III. Book-Length Studies
B. Other

Burger, Peter

Year: 1974
Complete Citation:
Burger, Peter. Theorie der Avantgarde. Frankfurt am Main: Suhrkamp, 1974.
Source: Book
Reprints:

Burger, Peter. <i>Theorie der Avantgarde</i>. Frankfurt am Main: Suhrkamp, 2013.

VI. Topical Studies
G. Music Theory Analyses

Burkholder, J. Peter

Year: 1985
Complete Citation:
Burkholder, J. Peter. Charles Ives: The Ideas Behind the Music. New Haven: Yale University Press, 1985.
Source: Book
Reprints:

Burkholder, J. Peter. Charles Ives: The Ideas Behind the Music [<i>チャールズ・アイブズ : 音楽にひそむアメリカ思想 /<br></i>Chāruzu aibuzu: ongaku ni hisomu amerika shisō]. Translated by Kazuhiko Kimura. 旺史社,&nbsp;Tōkyō : Ōshisha, 1993.

III. Book-Length Studies
B. Other
Year: 1990
Complete Citation:
Burkholder, J. Peter. “The Critique of Tonality in the Early Experimental Music of Charles Ives.” Music Theory Spectrum 12/2 (Fall 1990): 203-223.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1995
Complete Citation:
Burkholder, J. Peter. “Rule-Breaking as a Rhetorical Sign.” In Festa Musicologica: Essays in Honor of George J. Buelow, edited by Thomas J. Mathiesen and Benito V. Rivera. Stuyvesant, NY: Pendragon, 1995.
Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
Year: 2012
Complete Citation:
Burkholder, J. Peter. “Stylistic Heterogeneity and Topics in the Music of Charles Ives.” Journal of Musicological Research 31 (2012): 166-199.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 2021
Complete Citation:
Burkholder, J. Peter. Listening to Charles Ives: Variations on His America. London, United Kingdom: Amadeus Press, 2021.
Notes:

Includes foreword by Leonard Slatkin.

Source: Book
III. Book-Length Studies
B. Other

Burkholder, J. Peter, ed.

Year: 1996
Complete Citation:
Charles Ives and His World, edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press.
Source: Book
III. Book-Length Studies
B. Other
Year: 1996
Complete Citation:
Burkholder, J. Peter, ed. Charles Ives and his World. Princeton, NJ: Princeton University Press, 1996.
Source: Book
III. Book-Length Studies
B. Other