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Bibliography

Alexander, Shaina

Year: 1999
Complete Citation:
Alexander, Shaina. Charles Ives: His Life and Esthetic Theories. Morris Moore Series in Musicology, No. 11. Silver Spring, MD: Shazco, 1999.
Source: Book
III. Book-Length Studies
B. Other

Anderson, William

Year: 1975
Complete Citation:
Anderson, William. “Editorially Speaking: Composer Charles Ives Enters History.” Stereo Review 34/3 (March 1975): 4.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Austin, Larry

Year: 1976
Complete Citation:
Austin, Larry. “Reconstruction of Ives’ Universe Symphony.” In Desert Plants: Conversations with 23 American Musicians, interviewed by Walter Zimmermann, 207-220. Vancouver, BC: A.R.C. Publications, 1976.
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1985
Complete Citation:
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modem Performance from Sketches for His Universe Symphony.” Percussionist 23, no. 6 (1985): 58-84.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Bales, Richard and Charles Seeger

Year: 1950
Complete Citation:
Bales, Richard and Charles Seeger. “Tone Roads No. 1 for Chamber Orchestra (performable also as chamber music).” New York: Peer International Corp., 1949. Notes 7/3 (June 1950): 432-433.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Baron, Carol K.

Year: 1998
Complete Citation:
Baron, Carol K. “Some Theoretical Premises in Charles Ives's Music.” Lecture, University of Nevada, Reno, Nevada, February 1998.
Source: Lecture
VI. Topical Studies
G. Music Theory Analyses

Block, Geoffrey

Year: 1996
Complete Citation:
Geoffrey Block. Ives: Concord Sonata. Cambridge Music Handbooks, general editor, Julian Rushton. Cambridge, United Kingdom: Cambridge University Press.
Source: Book
III. Book-Length Studies
B. Other
Year: 1997
Complete Citation:
Block, Geoffrey. “Remembrance of Dissonances Past: The Two Published Editions of Ives’s Concord Sonata.” In Ives Studies, edited by Philip Lambert, 27-50. Cambridge, United Kingdom: Cambridge University Press, 1997.
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1997
Complete Citation:
Block, Geoffrey. “Remembrance of Dissonances Past: The Two Published Editions of Ives’s Concord Sonata.” In Ives Studies, edited by Philip Lambert, 27-50. Cambridge, UK: Cambridge University Press, 1997.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Block, Geoffrey, and J. Peter Burkholder (editors)

Year: 1996
Complete Citation:
Block, Geoffrey, and J. Peter Burkholder, eds. Charles Ives and the Classical Tradition. New Haven, CT: Yale University Press, 1996.
Source: Book
III. Book-Length Studies
B. Other

Block, Geoffrey and Julian Rushton

Year: 1996
Complete Citation:
Block, Geoffrey. Ives: Concord Sonata. Cambridge Music Handbooks. Cambridge: Cambridge University Press, 1996.
Source: Book
III. Book-Length Studies
B. Other

Brown, Ray

Year: 1932
Complete Citation:
Brown, Ray. “Saminsky Revises Music of Our Day.” Modern Music (November--December 1939) 17/1: 65-66.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Budiansky, Stephen

Year: 2014
Complete Citation:
Budiansky, Stephen. Mad Music: Charles Ives, the Nostalgic Rebel. Lebanon, NH: ForeEdge, 2014.
Source: Book
III. Book-Length Studies
B. Other

Burger, Peter

Year: 1974
Complete Citation:
Burger, Peter. Theorie der Avantgarde. Frankfurt am Main: Suhrkamp, 1974.
Source: Book
Reprints:

Burger, Peter. <i>Theorie der Avantgarde</i>. Frankfurt am Main: Suhrkamp, 2013.

VI. Topical Studies
G. Music Theory Analyses

Burkholder, J. Peter

Year: 1985
Complete Citation:
Burkholder, J. Peter. Charles Ives: The Ideas Behind the Music. New Haven: Yale University Press, 1985.
Source: Book
Reprints:

Burkholder, J. Peter. Charles Ives: The Ideas Behind the Music [<i>チャールズ・アイブズ : 音楽にひそむアメリカ思想 /<br></i>Chāruzu aibuzu: ongaku ni hisomu amerika shisō]. Translated by Kazuhiko Kimura. 旺史社,&nbsp;Tōkyō : Ōshisha, 1993.

III. Book-Length Studies
B. Other
Year: 1990
Complete Citation:
Burkholder, J. Peter. “The Critique of Tonality in the Early Experimental Music of Charles Ives.” Music Theory Spectrum 12/2 (Fall 1990): 203-223.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1995
Complete Citation:
Burkholder, J. Peter. “Rule-Breaking as a Rhetorical Sign.” In Festa Musicologica: Essays in Honor of George J. Buelow, edited by Thomas J. Mathiesen and Benito V. Rivera. Stuyvesant, NY: Pendragon, 1995.
Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
Year: 1996
Complete Citation:
Burkholder, J. Peter “Models and Sources.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 39-43. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 2012
Complete Citation:
Burkholder, J. Peter. “Stylistic Heterogeneity and Topics in the Music of Charles Ives.” Journal of Musicological Research 31 (2012): 166-199.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 2021
Complete Citation:
Burkholder, J. Peter. Listening to Charles Ives: Variations on His America. London, United Kingdom: Amadeus Press, 2021.
Notes:

Includes foreword by Leonard Slatkin.

Source: Book
III. Book-Length Studies
B. Other