decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

McDonald, Matthew James

Year: 2014
Complete Citation:
McDonald, Matthew James. Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives. Bloomington, IN: Indiana University Press, 2014.
Source: Book
III. Book-Length Studies
B. Other

Mellers, Wilfrid H.

Year: 1964
Complete Citation:
Mellers, Wilfrid H. “Jottings of Charles Ives” [Appendix I]. In Music in a New Found Land: Themes and Developments in the History of American Music, 441-443. London, United Kingdom: Barrie and Rockliff, 1964.
Source: Chapter in Book
VI. Topical Studies
I. Compositional Process

Milligan, Terry G.

Year: 1984
Complete Citation:
Milligan, Terry G. “Charles Ives: Musical Activity at Poverty Flat (1898-1908).” Journal of Band Research 20/1 (Fall 1984): 30-36.
Source: Journal
VI. Topical Studies
I. Compositional Process

Patterson, Frank

Year: 1922
Complete Citation:
Patterson, Frank. “The Perfect Modernist: A Little Primer of Basic Principles (Twelfth Installment).” Musical Courier, February 16, 1922, 7.
Source: Magazine/Journal
VI. Topical Studies
I. Compositional Process

Paul, David C.

Year: 2014
Complete Citation:
Paul, David C. Charles Ives in the mirror: American histories of an iconic composer. Urbana, Illinois: University of Illinois Press, 2014.
III. Book-Length Studies
B. Other

Perlis, Vivian

Year: 1974
Complete Citation:
Perlis, Vivan. Charles Ives Remembered: an Oral History. New Haven, CT: Yale University Press, 1974.
Notes:

2002 Edition contains foreword by J. Peter Burkholder.

Source: Book
Reprints:

Perlis, Vivan. <i>Charles Ives Remembered: an Oral History</i>. Champaign, IL: University of Illinois Press, 2002.

III. Book-Length Studies
B. Other

Perry, Rosalie Sandra

Year: 1974
Complete Citation:
Perry, Rosalie Sandra. Charles Ives and the American Mind. Kent, OH: Kent State University Press, 1974.
Source: Book
III. Book-Length Studies
B. Other

Rathert, Wolfgang

Year: 1997
Complete Citation:
Rathert, Wolfgang. “The idea of potentiality in the music of Charles Ives.” In Ives Studies, edited by Philip Lambert, 105-132. Cambridge, United Kingdom: Cambridge University Press, 1997.
Source: Chapter in Book
VI. Topical Studies
I. Compositional Process

Riedel, Johannes and Robert Oudal

Year: 1969
Complete Citation:
Riedel, Johannes and Robert Oudal. A Charles Ives primer; a tentative introduction to music ideas as found in Charles Ives’ music. Minneapolis, MN: University of Minnesota, 1969.
Source: Book
III. Book-Length Studies
B. Other

Starr, Larry.

Year: 1992
Complete Citation:
Starr, Larry. A Union of Diversities: Style in the Music of Charles Ives. New York, NY: Schirmer Books, 1992.
Source: Book
III. Book-Length Studies
B. Other

Swados, Elizabeth

Year: 1988
Complete Citation:
Swados, Elizabeth. Listening Out Loud: Becoming a Composer, 23, 40-42, 102. New York, NY: Harper and Row, 1988.
Notes:

Several mentions of Ives, especially regarding The Unanswered Question that her teacher, Henry Brant, introduced to her.

Source: Book
VI. Topical Studies
I. Compositional Process

Tadday, Ulrich

Year: 2004
Complete Citation:
Tadday, Ulrich. Musik-Konzepte 123 — Charles Ives. Munich, Germany: Edition Text und Kritik, 2004.
Source: Book
III. Book-Length Studies
B. Other

Vinay, Gianfranco and Marilène Raiola

Year: 2001
Complete Citation:
Vinay, Gianfranco and Marilène Raiola. Charles Ives et l'utopie sonore américaine. Paris, France: Tum et Michel de Maune, 2001.
Source: Book
III. Book-Length Studies
B. Other

Ward, Charles

Year: 1974
Complete Citation:
Ward, Charles. “Charles Ives’s Concept of Music.” Current Musicology, no. 18 (1974): 114-19.
Source: Journal
VI. Topical Studies
I. Compositional Process

Weiss, Mark

Year: 1977
Complete Citation:
Weiss, Mark. A Meditation on Charles Ives. Boston: Heron Press, 1977.
Source: Book
III. Book-Length Studies
B. Other

no author listed

Year: 1955
Complete Citation:
“Notes of the Day (Value of Technical Skill in Composing Music).” Monthly Musical Record 85/968 (July-August): 141-144.
Source: Journal
VI. Topical Studies
I. Compositional Process
Year: 1974
Complete Citation:
Ivesiana; Charles Ives (1874-1954): Zum hundertsten Geburtstag des “Vaters der amerikanischen Musik.” Hamburg, Germany: Peer Hamburg, 1974.
Source: Book
III. Book-Length Studies
B. Other
Year: 1983
Complete Citation:
Recordando a Charles Ives. Bogotá, Colombia: Centro Colombo Americano, 1983.
Source: Book/Pamphlet
III. Book-Length Studies
B. Other
Year: 2004
Complete Citation:
“Die Autorin und die Autoren.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 207-211. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
I. Compositional Process