Image
Complete Citation:
Davenport, Linda G. “A Teaching Idea.” Sonneck Society for American Music Bulletin 16/3 (1990): 100.
Bibliography
Genres
Davenport, Linda G.
Year: 1990
Notes:
Applies to Sonata No. 2, "Concord, Mass., 1840-1860," for piano.
Source: Journal
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Denave, Laurent
Year: 2017
Complete Citation:
Denave, Laurent. Charles Ives: naissance de la modernité musicale aux États-Unis. Chateau-Gontier, France: Editions Aedam Musicae, 2017.Source: Book
III. Book-Length Studies
B. Other
B. Other
Dickinson, Peter
Year: 1968
Complete Citation:
Dickinson, Peter. “Charles Ives.” Music in Education 32/331 (May--June 1968): 138--140, 157.Notes:
Includes seven musical examples (139). Closes with the infamous misquotation of Schoenberg (157).
Source: Journal
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Domin, Wolfgang
Year: 1997
Complete Citation:
Domin, Wolfgang. “Unterricht: Schülerinnen und Schüler gehen eigene Wege: Charles Ives: “The Unanswered Question” in einem 9. Schuljahr.” Musik in der Schule, Vol. 10, No. 5 (1997): 240-244.Source: Journal
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Duckworth, William
Year: 1972
Complete Citation:
Duckworth, William. “Musical Pedagogy and the Fear of Crippling Individualism.” American Music Teacher, vol. 21, no. 3 (1972): 26-27.Source: Journal
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Felsenfeld, Daniel
Year: 2004
Complete Citation:
Felsenfeld, Daniel. Charles Ives and Aaron Copland: A Listener’s Guide. Pompton Plains, NJ: Amadeus Press, 2004.Notes:
Includes accompanying CD
Source: Book
III. Book-Length Studies
B. Other
B. Other
Fenner, Lucie
Year: 2005
Complete Citation:
Fenner, Lucie. Erinnerung und Entlehnung im Werk von Charles Ives. Tutzing, Germany: Hans Schneider, 2005.Source: Book
III. Book-Length Studies
B. Other
B. Other
Freer, Patrick K.
Year: 2014
Complete Citation:
Freer, Patrick K. “From the Academic Editor: ‘Years of Progress’—‘Music Educators Journal’ from 1964 to 1989 (Volumes 51-75).” Music Educators Journal, vol. 100, no. 3 (2014): 18-19.Source: Journal
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Friskin, James and Irwin Freundlich
Year: 1954
Complete Citation:
Friskin, James and Irwin Freundlich. Music for Piano: A Handbook of Concert and Teaching Material from 1580 to 1952. The Field of Music, Volume 5. New York, NY: Rinehart & Company, 1954.Source: Book
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Gail, Dorothea
Year: 2018
Complete Citation:
Gail, Dorothea. Weird American music: Case Studies of Underground Resistance, BarlowGirl, Jackalope, Charles Ives, and Waffle House Music. Heidelberg, Germany: Universitätsverlag Winter, 2018.Source: Book
III. Book-Length Studies
B. Other
B. Other
Giebisch, Thomas
Year: 1993
Complete Citation:
Giebisch, Thomas. Take-off als Kompositionsprinzip bei Charles Ives. Kassel, Germany: Bosse, 1993.Source: Book
III. Book-Length Studies
B. Other
B. Other
Gordon, Philip
Year: 1950
Complete Citation:
Gordon, Philip. “Rehearsing Contemporary Music.” Music Educators Journal, vol. 37, no. 2 (November-December 1950): 32-38.Source: Journal
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Henderson, Clayton W.
Year: 1990
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. Sterling Heights, MI: Harmonie Park Press, 1990.Source: Book
III. Book-Length Studies
B. Other
B. Other
Year: 1990
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. Bibliographies in American Music, 14, edited by James R. Heintze. Warren, MI: Harmonie Park Press, 1990.Notes:
A collection of melo-dies (i.e., without their original harmonizations) that Ives used in his compositions. Part I: hymn tunes, patriotic songs, military music, pop-ular songs, college music, popular instrumental melodies, and some classical pieces. Part II: unknown tunes, [a list of] Ives's compositions with quotations, and musical incipits.
Source: Book
III. Book-Length Studies
B. Other
B. Other
Year: 2008
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. 2nd ed. Bloomington, IN: Indiana University Press, 2008.Source: Book
III. Book-Length Studies
B. Other
B. Other
Heß, Frauke
Year: 1999
Complete Citation:
Heß, Frauke. “Der Mensch, ein Gewohnheitstier...- Hören jenseits ausgetretener Pfade. Unterrichtsanregungen zu Charles Ives.” Musik in der Schule, Vol. 12, No. 3 (1999): 130-135.Source: Journal
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Hitchcock, H. Wiley
Year: 1977
Complete Citation:
Hitchcock, H. Wiley. Ives. London, England: Oxford University Press, 1977.Source: Book
III. Book-Length Studies
B. Other
B. Other
Year: 1977
Complete Citation:
Hitchcock, H. Wiley. Ives: A Survey of the Music. New York, NY: Institute for Studies in American Music, 1977.Source: Book
Reprints:
Hitchcock, H. Wiley. <i>Ives: A Survey of the Music</i>. 2nd ed. London, United Kingdom: Oxford University Press, 1983.
III. Book-Length Studies
B. Other
B. Other
Howard, John
Year: 1995
Complete Citation:
Howard, John. “Hymn and a River.” In Performing and Responding. Cambridge Assignments in Music, edited by Roy Bennett, 22-25. Cambridge, United Kingdom: Cambridge University Press, 1995.Notes:
The author refers to <i>Three Places in New England</i>: The Housatonic at Stockbridge as the model. An accompanying compact disc is available.
Source: Book
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Ivashkin, Alexander
Year: 1991
Complete Citation:
Ivashkin, Alexander. Charlʹz Aĭvz i muzyka XX veka. Moscow, Russia: Sov. kompozitor, 1991.Source: Book
III. Book-Length Studies
B. Other
B. Other