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Bibliography

McDonald, Matthew James

Year: 2014
Complete Citation:
McDonald, Matthew James. Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives. Bloomington, IN: Indiana University Press, 2014.
Source: Book
III. Book-Length Studies
B. Other

Noroa, Daniel Quiroga

Year: 1996
Complete Citation:
Noroa, Daniel Quiroga. “Creadon Musical Chilena: Encargo ‘Charles Ives’ para Compositores.” Revista musical chilena 50 (July-December 1996): 85-85.
Source: Magazine
VI. Topical Studies
U. Institutions and Ives’ Legacy

Paul, David C.

Year: 2014
Complete Citation:
Paul, David C. Charles Ives in the mirror: American histories of an iconic composer. Urbana, Illinois: University of Illinois Press, 2014.
III. Book-Length Studies
B. Other

Perlis, Vivian

Year: 1974
Complete Citation:
Perlis, Vivan. Charles Ives Remembered: an Oral History. New Haven, CT: Yale University Press, 1974.
Notes:

2002 Edition contains foreword by J. Peter Burkholder.

Source: Book
Reprints:

Perlis, Vivan. <i>Charles Ives Remembered: an Oral History</i>. Champaign, IL: University of Illinois Press, 2002.

III. Book-Length Studies
B. Other

Perry, Rosalie Sandra

Year: 1974
Complete Citation:
Perry, Rosalie Sandra. Charles Ives and the American Mind. Kent, OH: Kent State University Press, 1974.
Source: Book
III. Book-Length Studies
B. Other

Riedel, Johannes and Robert Oudal

Year: 1969
Complete Citation:
Riedel, Johannes and Robert Oudal. A Charles Ives primer; a tentative introduction to music ideas as found in Charles Ives’ music. Minneapolis, MN: University of Minnesota, 1969.
Source: Book
III. Book-Length Studies
B. Other

Rothstein, Edward

Year: 1980
Complete Citation:
Rothstein, Edward. “Ives Country.” The New York Times, August 22, 1980, sec. C, 8.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy

Sanders, Donald

Year: 1976
Complete Citation:
Sanders, Donald. “Plaques Mark Homes of Ives, Ellington.” Boston Globe, August 17, 1976, 20.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy

Schuman, William

Year: 1940-1941
Complete Citation:
Schuman, William. “A Brief Study of Music Organizations Founded in the Interest of the Living Composer.” Twice a Year (Fall-Winter 1940 and Spring-Summer 1941) 5-6: 361--367.
Notes:

A brief but worthwhile sur-vey, especially of “The League of Composers” (365): “The Arrow Music Press is a cooperative venture. The composer pays all, or a portion of, the expense of publishing his compositions and in return receives all but a small fraction of the return. A very interesting catalogue has al-ready been issued by the press, which appears to be increasing its acti-vities.” With the Arrow Press imprint and its subsidiary Cos Cob Press, the following works of Ives were published: Sonata [No. 4] for violin and piano; Serenity; Sixty--Seventh Psalm; Charlie Rutlage; Evening; The Greatest Man', Walking; Seven Songs’, Third Symphony (“The Camp Meeting”) [CI 87); Sonata No. 2, “Concord, Mass., 1840--1860,” for piano; and Where the Eagle (in the Cos Cob Song Volume). The Cos Cob Press was later absorbed by the Arrow Music Press that in turn was merged into Associated Music Publishers. Ives and Walter Piston had the most titles in this catalogue. The article re-prints “Prologue” from Essays Before a Sonata.

Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy

Sherman, R.

Year: 1981
Complete Citation:
Sherman, R. “Ives Center Draws Young Composers.” The New York Times, July 26, 1981, CN16.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy

Starr, Larry.

Year: 1992
Complete Citation:
Starr, Larry. A Union of Diversities: Style in the Music of Charles Ives. New York, NY: Schirmer Books, 1992.
Source: Book
III. Book-Length Studies
B. Other

Tadday, Ulrich

Year: 2004
Complete Citation:
Tadday, Ulrich. Musik-Konzepte 123 — Charles Ives. Munich, Germany: Edition Text und Kritik, 2004.
Source: Book
III. Book-Length Studies
B. Other

Vinay, Gianfranco and Marilène Raiola

Year: 2001
Complete Citation:
Vinay, Gianfranco and Marilène Raiola. Charles Ives et l'utopie sonore américaine. Paris, France: Tum et Michel de Maune, 2001.
Source: Book
III. Book-Length Studies
B. Other

Weiss, Mark

Year: 1977
Complete Citation:
Weiss, Mark. A Meditation on Charles Ives. Boston: Heron Press, 1977.
Source: Book
III. Book-Length Studies
B. Other

no author listed

Year: 1965
Complete Citation:
“Gets Grant.” New York Amsterdam News, February 27, 1965, 16.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1966
Complete Citation:
“Move Composer's Home.” The Hartford Courant, September 20, 1966, 33D.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1974
Complete Citation:
Ivesiana; Charles Ives (1874-1954): Zum hundertsten Geburtstag des “Vaters der amerikanischen Musik.” Hamburg, Germany: Peer Hamburg, 1974.
Source: Book
III. Book-Length Studies
B. Other
Year: 1978
Complete Citation:
“The Charles Ives Society - Past, Present, and Future.” Newsletter - Institute for Studies in American Music 7, no. 2 (Spring 1978): 1, 12.
Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1980
Complete Citation:
“In the Name of Ives.” Newsletter - Institute for Studies in American Music IX, no. 2 (Spring 1980): 2.
Source: Newsletter
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1983
Complete Citation:
Recordando a Charles Ives. Bogotá, Colombia: Centro Colombo Americano, 1983.
Source: Book/Pamphlet
III. Book-Length Studies
B. Other