Cornett-Murtada, Vanessa
Year: 2004
Complete Citation:
Cornett-Murtada, Vanessa. “Quotation, revolution, and American culture: the use of folk tunes and the influence of Charles Ives in Frederic Rzewski's North American ballads for solo piano.” D.M.A. Thesis, University of North Carolina at Greensboro, 2004.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Covington, Katherine Russell
Year: 1982
Complete Citation:
Covington, Katherine Russell. “A Study of Textural Stratification in 20th- century Compositions.” Ph.D. diss., Indiana University, 1982.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Cuffiani, Barbara
Year: 1996
Complete Citation:
Cuffiani, Barbara. “Gli Studi per pianoforte di Charles Edward Ives: studio sulla genesi e la tradizione dei testi musicali.” Ph.D. diss., Università di Pavia, 1996.Source: Ph.D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Danuser, Hermann
Year: 1987
Complete Citation:
Danuser, Hermann. Amerikanische Musik seit Charles Ives: Interpretationen Quellentexte Komponistenmonographien. Laaber: Laaber Verlag, cop. 1987.Source: Book
III. Book-Length Studies
B. Other
Davies, Hilary W.
Year: 1987
Complete Citation:
Davies, Hilary W. "The correlation between source and style in the music of Ives.” Ph.D. diss., University of Wales, 1987.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Davis, Joel Scott
Year: 2011
Complete Citation:
Davis, Joel Scott. “The Populist Variations: The Role of Hymnody in the Music of Charles Ives, Aaron Copland, and John Adams.” D.M.A. diss., Claremont Graduate University, 2011.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Davies, John Nigel
Year: 1973
Complete Citation:
Davies, John Nigel. “Two aspects of the American avant-garde: Charles Ives and John Cage: a dissertation.” Ph.D. diss., 1973.Source: Book
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Davy, Rebecca Evers
Year: 2008
Complete Citation:
Davy, Rebecca Evers. “The First Piano Sonata of Charles Ives: An Analytical and Historical Study.” Ph.D. diss., University of Southern California, 2008.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Denave, Laurent
Year: 2017
Complete Citation:
Denave, Laurent. Charles Ives: naissance de la modernité musicale aux États-Unis. Chateau-Gontier, France: Editions Aedam Musicae, 2017.Source: Book
III. Book-Length Studies
B. Other
Dosches, Barbara
Year: 1970
Complete Citation:
Dosches, Barbara. “‘Substance’ and ‘Manner’ in the Music of Charles Ives.” D.M.A. document, University of Colorado, 1970.Source: D.M.A. Document
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Doscher, Barbara M.
Year: 1970
Complete Citation:
Doscher, Barbara M. “”Substance" and "manner" in the music of Charles Ives.” D.M.A. Thesis, University of Colorado, 1970.Source: D.M.A. Thesis
A. Dissertations
Easter, Stanley Eugene
Year: 1969
Complete Citation:
Easter, Stanley Eugene. “A Study Guide for the Performance of Twent-ieth Century Music from Selected Ballet Repertoires for Trombones and Tuba.” Ed.D. diss., Columbia University, 1969.Notes: Dis-cusses (in Chapter III) music for twelve ballets including Ivesiana {E216}, especially Central Park in the Dark, and A Set of Theater Pieces ("In the Inn" and "In the Night").
Source: Ed.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Eiseman, David
Year: 1972
Complete Citation:
Eiseman, David. “Charles Ives and the European Symphonic Tradition: A Historical Reappraisal.” Ph.D. diss., University of Illinois, 1972.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1972
Complete Citation:
Eiseman, David. “Charles Ives and the European tradition: a historical reappraisal.” Ph.D. diss., University of Illinois, 1972.Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Evseeva, Marina
Year: 1989
Complete Citation:
Evseeva, Marina. “Fortepiannaja sonata v tvorcestve kompozitorov SSA XX veka: Carl’z Ajvz, Aaron Koplend, Vinsent Persiketti.” Ph.D. diss., Gosudarstvennaja Konservatorija, Moscow, 1989.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Ewing, James William
Year: 1965
Complete Citation:
Ewing, James William. “A study of selected songs of Charles Edward Ives.” D. Mus. thesis, Northwestern University.Source: D.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Fairfield, Patrick K.
Year: 2000
Complete Citation:
Fairfield, Patrick K. “Representations of gender and sexuality in the music and writings of Charles Ives.” Ph.D. diss., Brandeis University, 2000.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Felsenfeld, Daniel
Year: 2004
Complete Citation:
Felsenfeld, Daniel. Charles Ives and Aaron Copland: A Listener’s Guide. Pompton Plains, NJ: Amadeus Press, 2004.Notes: Includes accompanying CD
Source: Book
III. Book-Length Studies
B. Other
Fenner, Lucie
Year: 2005
Complete Citation:
Fenner, Lucie. Erinnerung und Entlehnung im Werk von Charles Ives. Tutzing, Germany: Hans Schneider, 2005.Source: Book
III. Book-Length Studies
B. Other
Fessel, Pablo
Year: 2006
Complete Citation:
Fessel, Pablo. “Heterogeneidad y concreción en la simultneidad musical. Una caracterización teórica e histórica del concepto de textura.” Doctoral thesis, Universidad de Buenos Aires, 2005.Source: Doctoral Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
