Image
Complete Citation:
Alexander, Shaina. Charles Ives: His Life and Esthetic Theories. Morris Moore Series in Musicology, No. 11. Silver Spring, MD: Shazco, 1999.
Bibliography
Genres
Alexander, Shaina
Year: 1999
Source: Book
III. Book-Length Studies
B. Other
B. Other
Anderson, William
Year: 1975
Complete Citation:
Anderson, William. “Editorially Speaking: Composer Charles Ives Enters History.” Stereo Review 34/3 (March 1975): 4.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Austin, Larry
Year: 1976
Complete Citation:
Austin, Larry. “Reconstruction of Ives’ Universe Symphony.” In Desert Plants: Conversations with 23 American Musicians, interviewed by Walter Zimmermann, 207-220. Vancouver, BC: A.R.C. Publications, 1976.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Year: 1985
Complete Citation:
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modem Performance from Sketches for His Universe Symphony.” Percussionist 23, no. 6 (1985): 58-84.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Bales, Richard and Charles Seeger
Year: 1950
Complete Citation:
Bales, Richard and Charles Seeger. “Tone Roads No. 1 for Chamber Orchestra (performable also as chamber music).” New York: Peer International Corp., 1949. Notes 7/3 (June 1950): 432-433.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Banyai, Istvan
Year: 2004
Complete Citation:
Banyai, Istvan. Illustration, 2004. New Yorker, June 7, 2004, 97.Source: Illustration
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Block, Geoffrey
Year: 1996
Complete Citation:
Geoffrey Block. Ives: Concord Sonata. Cambridge Music Handbooks, general editor, Julian Rushton. Cambridge, United Kingdom: Cambridge University Press.Source: Book
III. Book-Length Studies
B. Other
B. Other
Year: 1997
Complete Citation:
Block, Geoffrey. “Remembrance of Dissonances Past: The Two Published Editions of Ives’s Concord Sonata.” In Ives Studies, edited by Philip Lambert, 27-50. Cambridge, UK: Cambridge University Press, 1997.Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Year: 1997
Complete Citation:
Block, Geoffrey. “Remembrance of Dissonances Past: The Two Published Editions of Ives’s Concord Sonata.” In Ives Studies, edited by Philip Lambert, 27-50. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Block, Geoffrey, and J. Peter Burkholder (editors)
Year: 1996
Complete Citation:
Block, Geoffrey, and J. Peter Burkholder, eds. Charles Ives and the Classical Tradition. New Haven, CT: Yale University Press, 1996.Source: Book
III. Book-Length Studies
B. Other
B. Other
Block, Geoffrey and Julian Rushton
Year: 1996
Complete Citation:
Block, Geoffrey. Ives: Concord Sonata. Cambridge Music Handbooks. Cambridge: Cambridge University Press, 1996.Source: Book
III. Book-Length Studies
B. Other
B. Other
Bower, Tim
Year: 2001
Complete Citation:
Bower, Tim. Caricature. New Yorker, 2001 January 22): 17.Source: Caricature
Reprints:
Reproduced: announcement for an American Composers Orchestra concert.
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Breger, Leonard
Year: 1997
Complete Citation:
Leonard Breger. “Homage: Charles Ives 4th Symphony,” acrylic collage on cut-out shape masonite, 1997. Composer Homages Series.Notes:
Includes a likeness of Ives.
Source: Acrylic Cutout
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Brotman, Adolf E.
Complete Citation:
Brotman, Adolf E. Sketch/line drawing. Music Journal (March 1966) 24/3: 47.Notes:
Based on a photograph by Halley Erskine. See frontispiece of Burk’s <i>Omnibus</i>.
Source: Drawing
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Brown, Ray
Year: 1932
Complete Citation:
Brown, Ray. “Saminsky Revises Music of Our Day.” Modern Music (November--December 1939) 17/1: 65-66.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices
Budiansky, Stephen
Year: 2014
Complete Citation:
Budiansky, Stephen. Mad Music: Charles Ives, the Nostalgic Rebel. Lebanon, NH: ForeEdge, 2014.Source: Book
III. Book-Length Studies
B. Other
B. Other
Burk, James M.
Year: 1973
Complete Citation:
See: James M. Burk. “From Our Readers.” Music Journal 31/10 (De-cember 1973): 38.Source: Postage Stamp
XVI. Photographs and Artwork
C. Other
C. Other
Burk, James Mack
Year: 1977
Complete Citation:
Burk, James Mack. An Hour with Ives. 1977. In The Charles Ives Festival- Conference, Oc-tober 19, 1974: Brooklyn.Source: Photograph
Reprints:
Made around the Ives house in West Redding and Danbury. [No original photographs of Ives.] Also includes slides made from other photographs including those printed in books. The James Mack Burk Collection also con-tains prints of photographs taken and printed by Sipprell, Erskine, and Rathburn.
XVI. Photographs and Artwork
A. Photographs
A. Photographs
Burkholder, J. Peter
Year: 1985
Complete Citation:
Burkholder, J. Peter. Charles Ives: The Ideas Behind the Music. New Haven: Yale University Press, 1985.Source: Book
Reprints:
Burkholder, J. Peter. Charles Ives: The Ideas Behind the Music [<i>チャールズ・アイブズ : 音楽にひそむアメリカ思想 /<br></i>Chāruzu aibuzu: ongaku ni hisomu amerika shisō]. Translated by Kazuhiko Kimura. 旺史社, Tōkyō : Ōshisha, 1993.
III. Book-Length Studies
B. Other
B. Other
Year: 1996
Complete Citation:
Burkholder, J. Peter “Models and Sources.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 39-43. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
A. Editing Practices