Image
Complete Citation:
Lambert, Philip, ed. Ives Studies. Cambridge, UK: Cambridge University Press, 1997.
Bibliography
Genres
Lambert, Philip (editor)
Year: 1997
Source: Book
III. Book-Length Studies
B. Other
B. Other
Lyle, Wilson
Year: 1985
Complete Citation:
Lyle, Wilson. Dictionary of Pianists, 140, 151, 183. New York, NY: Schirmer Books, 1985.Notes:
p. 151: the first performance of Ives's Concord Sonata by John Kirkpatrick. p. 183 the first performance of Ives’s Sonata No. 1 by William Masselos.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Mack, Dieter
Year: 1994
Complete Citation:
Mack, Dieter. “Auf der Suche nach einer amerikanischen Musik? Zur Musiksprache von Charles Ives anhand der Three-Page-Sonata.” In Visionen und Aufhruche: Zur Krise der modernen Musik 1908-1933, edited by Gunther Metz. Hochschuldokumentationen zu Musikwissenschaft und Musikpadagogik Musikhochschule Freiburg No. 5. Kassel, Germany: Bosse, 1994, 201-233.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Magee, Gayle Sherwood
Year: 2008
Complete Citation:
Magee, Gayle Sherwood. Charles Ives Reconsidered. Music in American Life. Urbana, IL: University of Illinois Press, 2008.Source: Book
III. Book-Length Studies
B. Other
B. Other
Mandel, Alan
Year: 1975-76
Complete Citation:
Mandel, Alan. “Charles Ives’s Music for the Piano.” Student Musicologists at Minnesota 6 (1975-76): 201-217.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 2003
Complete Citation:
Mandel, Alan. “Piano Music by Elie Siegmeister, Kenneth Boulton.” American Music 21, no. 4 (Winter 2003): 532.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Mandel, Alan R.
Year: 1969
Complete Citation:
Mandel, Alan R. “The Keyboard Works of Charles Ives.” Lecture, American Musicological Society, Saint Louis, Missouri, De-cember 27--29, 1969.Notes:
Points out that there are several versions of many of Ives’s compositions. Summary available in the “Abstracts of Papers Read at the Thirty--Third Annual Meeting of the American Musicological Society” (62--64).
Source: Lecture
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Marks, Adam
Year: 2008
Complete Citation:
Marks, Adam. “American Piano Music. Program Notes.” Revue Française D'études Américaines, no. 117 (2008): 126-127.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 2008
Complete Citation:
Marks, Adam. “American Piano Music. Program Notes.” Revue Française D'études Américaines, no. 117 (2008): 126-127.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Year: 2008
Complete Citation:
Marks, Adam. “American Piano Music. Program Notes.” Revue Française D'études Américaines, no. 117 (2008): 126-127.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Masselos, William
Year: 1954
Complete Citation:
Masselos, William. “Preface.” In Charles E. Ives, Sonata no. 1 for Piano, edited by Paul C. Echols with additional corrections by John A. Buchanan and Jerry E. Bramblett. New York, NY: Peer International, 1954, 1979.Source: Preface to Score
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Masterson, David Joseph
Year: 2001
Complete Citation:
Masterson, David Joseph. “An Analytic of Experimental Time in Charles Ives's Concord Sonata.” D.M.A. research project, University of Illinois, 2001.Source: D.M.A. Research Project
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
McCrae, Elizabeth
Year: 1974
Complete Citation:
McCrae, Elizabeth. “The Piano Music.” Music Educators Journal 61/2 (1974): 53-57.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
McDonald, Matthew James
Year: 2014
Complete Citation:
McDonald, Matthew James. Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives. Bloomington, IN: Indiana University Press, 2014.Source: Book
III. Book-Length Studies
B. Other
B. Other
Meyer, Felix
Year: 1991
Complete Citation:
Source: Book
Reprints:
Meyer, Felix. <i>The art of speaking extravagantly: eine vergleichende Studie der ‘Concord Sonata’ und der ‘Essays before a Sonata’ von Charles Ives</i>. Publikationen Der Schweizerischen Musikforschenden Gesellschaft, vol. 34. Bern, Switzerland: Haupt, 1991.
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Mikhashoff, Yvar
Complete Citation:
Mikhashoff, Yvar. A thematic survey of the first movement (Emerson) of the Sonata no. 2, “Concord, Mass. 1840-1860” of Charles Ives. Unpublished manuscript. Yvar Mikhashoff Papers. Mss. 10, Folder 6. Music Library, University at Buffalo. 198?.IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Nicholas, Jeremy
Year: 2012
Complete Citation:
Nicholas, Jeremy. “Music of My Life: Marc-André Hamelin.” International Piano (2012): 88.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Nishiyama, Keiko
Year: 1991
Complete Citation:
Nishiyama, Keiko. “Die Bedeutung der Zitate in Charles Ives’ zweiter Klaviersonate (Concord, Mass., 1840-60).” Diss., Hochschule für Musik und Theater, Hamburg, 1991.Source: Dissertation
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Osborne, William
Year: 1990
Complete Citation:
Osborne, William. “Charles Ives the Organist.” The American Organist (July 1990): 58-64.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Pappastavrou, George
Year: 1974
Complete Citation:
Pappastavrou, George. “Ives's Quarter-Tone Pieces.” Clavier 13/7, 1974, 31-32.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works