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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Crunden, Robert M.

Year: 1974
Complete Citation:
Crunden, Robert M. “Charles Ives: The Man and His Music: Charles Ives’ Innovative Nostalgia.” The Choral Journal, vol. 15, no. 4 (1974): 5-12.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Danuser, Hermann

Year: 1987
Complete Citation:
Danuser, Hermann. Amerikanische Musik seit Charles Ives: Interpretationen Quellentexte Komponistenmonographien. Laaber: Laaber Verlag, cop. 1987.
Source: Book
III. Book-Length Studies
B. Other

Denave, Laurent

Year: 2017
Complete Citation:
Denave, Laurent. Charles Ives: naissance de la modernité musicale aux États-Unis. Chateau-Gontier, France: Editions Aedam Musicae, 2017.
Source: Book
III. Book-Length Studies
B. Other

Engen, D. P.

Year: 1976
Complete Citation:
Engen, D. P. “The Choral Psalms of Charles Ives: A Performer's Analysis of Psalm 90.” Church Music (St. Louis) 1 (1976): 20-27.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Evans, Margaret R.

Year: 1982
Complete Citation:
Evans, Margaret R. Sacred Cantatas: An Annotated Bibliography, 1960-1979, 75. Jefferson, NC: McFarland & Company, 1982.
Notes:

Discusses Psalm 90.

Source: Book
IV. Individual Studies by Genre
D. Choral Works

Felsenfeld, Daniel

Year: 2004
Complete Citation:
Felsenfeld, Daniel. Charles Ives and Aaron Copland: A Listener’s Guide. Pompton Plains, NJ: Amadeus Press, 2004.
Notes:

Includes accompanying CD

Source: Book
III. Book-Length Studies
B. Other

Fenner, Lucie

Year: 2005
Complete Citation:
Fenner, Lucie. Erinnerung und Entlehnung im Werk von Charles Ives. Tutzing, Germany: Hans Schneider, 2005.
Source: Book
III. Book-Length Studies
B. Other

Gail, Dorothea

Year: 2018
Complete Citation:
Gail, Dorothea. Weird American music: Case Studies of Underground Resistance, BarlowGirl, Jackalope, Charles Ives, and Waffle House Music. Heidelberg, Germany: Universitätsverlag Winter, 2018.
Source: Book
III. Book-Length Studies
B. Other

Giebisch, Thomas

Year: 1993
Complete Citation:
Giebisch, Thomas. Take-off als Kompositionsprinzip bei Charles Ives. Kassel, Germany: Bosse, 1993.
Source: Book
III. Book-Length Studies
B. Other

Gilbert, Nina

Year: 1990
Complete Citation:
Gilbert, Nina. “Musica Practica.” The Choral Journal 31/2 (1990): 43-45.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1995
Complete Citation:
Gilbert, Nina. “Musica Practica.” The Choral Journal, vol. 36, no. 3 (1995): 49-52.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Grantham, Donald

Year: 1979
Complete Citation:
Grantham, Donald. “A Harmonic ‘Leitmotif’ System in Ives’s Psalm 90.” In Theory Only Vol. 5 no. 2 (May-June 1979): 3-14.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Hall, David

Year: 1967
Complete Citation:
Hall, David. “Review of Ives’ Choral Music, vol. I.” Hi-fi/Stereo Review, Vol. 18 (January 1967).
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Harris, Roger

Year: 1979
Complete Citation:
Harris, Roger. “Review of The Celestial Country.” Music and Musicians 27, no. 10 (June 1979): 64+.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Henderson, Clayton W.

Year: 1990
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. Bibliographies in American Music, 14, edited by James R. Heintze. Warren, MI: Harmonie Park Press, 1990.
Notes:

A collection of melo-dies (i.e., without their original harmonizations) that Ives used in his compositions. Part I: hymn tunes, patriotic songs, military music, pop-ular songs, college music, popular instrumental melodies, and some classical pieces. Part II: unknown tunes, [a list of] Ives's compositions with quotations, and musical incipits.

Source: Book
III. Book-Length Studies
B. Other
Year: 1990
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. Sterling Heights, MI: Harmonie Park Press, 1990.
Source: Book
III. Book-Length Studies
B. Other
Year: 2008
Complete Citation:
Henderson, Clayton W. The Charles Ives Tunebook. 2nd ed. Bloomington, IN: Indiana University Press, 2008.
Source: Book
III. Book-Length Studies
B. Other

Hitchcock, H. Wiley

Year: 1977
Complete Citation:
Hitchcock, H. Wiley. Ives: A Survey of the Music. New York, NY: Institute for Studies in American Music, 1977.
Source: Book
Reprints:

Hitchcock, H. Wiley. <i>Ives: A Survey of the Music</i>. 2nd ed. London, United Kingdom: Oxford University Press, 1983.

III. Book-Length Studies
B. Other
Year: 1977
Complete Citation:
Hitchcock, H. Wiley. Ives. London, England: Oxford University Press, 1977.
Source: Book
III. Book-Length Studies
B. Other

Ivashkin, Alexander

Year: 1991
Complete Citation:
Ivashkin, Alexander. Charlʹz Aĭvz i muzyka XX veka. Moscow, Russia: Sov. kompozitor, 1991.
Source: Book
III. Book-Length Studies
B. Other