Image
Complete Citation:
Chmaj, Betty E. “Sonata for American studies: perspectives on Charles Ives.” Cambridge, United Kingdom: Cambridge University Press, 1979.
Bibliography
Genres
Chmaj, Betty E.
Year: 1978
Source: Book
III. Book-Length Studies
B. Other
B. Other
Cooke, Antony
Year: 2012
Complete Citation:
Cooke, Antony. Charles Ives and his Road to the Stars: a Guide to the Music and the Man. Charleston, SC: Estrella Books, 2012.Source: Book
III. Book-Length Studies
B. Other
B. Other
Year: 2015
Complete Citation:
Cooke, Antony. Charles Ives's Musical Universe: Unlocking the Code... Reassessing his Provenance. West Conshohocken, PA: Infinity Publishing, 2015.Source: Book
III. Book-Length Studies
B. Other
B. Other
Copland, Aaron
Year: 1972
Complete Citation:
Copland, Aaron. Music and Imagination. Cambridge, MA: Harvard University Press, 1972.Source: Book
V. General Music Studies
C. Other
C. Other
Crawford, John C. and Dorothy L. Crawford
Year: 1993
Complete Citation:
Crawford, John C. and Dorothy L. Crawford. Charles Ives. In Expressionism in Twentieth-Century Music. Bloomington, IN: Indiana University Press, 1993.Source: Chapter in Book
V. General Music Studies
C. Other
C. Other
Danuser, Hermann
Year: 1987
Complete Citation:
Danuser, Hermann. Amerikanische Musik seit Charles Ives: Interpretationen Quellentexte Komponistenmonographien. Laaber: Laaber Verlag, cop. 1987.Source: Book
III. Book-Length Studies
B. Other
B. Other
Davis, Francis
Year: 1987
Complete Citation:
Davis, Francis. “Jazz Quartet’s New Work Owes a Debt to Charles Ives.” The Philadelphia Inquirer, October 10, 1987.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Denave, Laurent
Year: 2017
Complete Citation:
Denave, Laurent. Charles Ives: naissance de la modernité musicale aux États-Unis. Chateau-Gontier, France: Editions Aedam Musicae, 2017.Source: Book
III. Book-Length Studies
B. Other
B. Other
Dubal, David
Year: 2001
Complete Citation:
Dubal, David. The essential canon of classical music. New York, NY: North Point Press, 2001.Source: Book
V. General Music Studies
C. Other
C. Other
Duke, Vernon [Vladimir Dukelsky]
Year: 1963
Complete Citation:
Duke, Vernon [Vladimir Dukelsky]. Listen Here! A Critical Essay on Music Depreciation. New York, NY: Ivan Obolensky, 1963.Notes:
Gives numerous interesting and incisive remarks about various musical topics and com- posers; places Ives high in the overall picture of American music.
Source: Book
V. General Music Studies
C. Other
C. Other
Dunning, Jennifer
Year: 1985
Complete Citation:
Dunning, Jennifer. “Dance: Sokolow Group in a Suite Set to Ives.” The New York Times, December 15, 1985.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Emons, Hans
Year: 2017
Complete Citation:
Emons, Hans. Komplizenschaften: zur Beziehung zwischen Musik und Kunst in der amerikanischen Moderne. Berlin, Germany: Frank & Timme, Verlag für wissenschaftliche Literatur, 2017.Source: Book
V. General Music Studies
C. Other
C. Other
Epperson, Gordon
Year: 1967
Complete Citation:
Epperson, Gordon. The Musical Symbol, A Study of the Philosophic Theory of Music. New York, New York: Da Capo Press, 1986.Source: Book
V. General Music Studies
C. Other
C. Other
Ewen, David
Year: 1968
Complete Citation:
Ewen, David. The World of Twentieth-Century Music. Englewood Cliffs, NJ: Prentice-Hall, 1968.Source: Book
V. General Music Studies
C. Other
C. Other
Felsenfeld, Daniel
Year: 2004
Complete Citation:
Felsenfeld, Daniel. Charles Ives and Aaron Copland: A Listener’s Guide. Pompton Plains, NJ: Amadeus Press, 2004.Notes:
Includes accompanying CD
Source: Book
III. Book-Length Studies
B. Other
B. Other
Fenner, Lucie
Year: 2005
Complete Citation:
Fenner, Lucie. Erinnerung und Entlehnung im Werk von Charles Ives. Tutzing, Germany: Hans Schneider, 2005.Source: Book
III. Book-Length Studies
B. Other
B. Other
Ferris, Jean
Year: 2010
Complete Citation:
Ferris, Jean. America’s Musical Landscape. Boston, MA: McGraw-Hill, 2010.Source: Book
V. General Music Studies
C. Other
C. Other
Gail, Dorothea
Year: 2018
Complete Citation:
Gail, Dorothea. Weird American music: Case Studies of Underground Resistance, BarlowGirl, Jackalope, Charles Ives, and Waffle House Music. Heidelberg, Germany: Universitätsverlag Winter, 2018.Source: Book
III. Book-Length Studies
B. Other
B. Other
Giebisch, Thomas
Year: 1993
Complete Citation:
Giebisch, Thomas. Take-off als Kompositionsprinzip bei Charles Ives. Kassel, Germany: Bosse, 1993.Source: Book
III. Book-Length Studies
B. Other
B. Other
Helm, Everett
Year: 1963
Complete Citation:
Helm, Everett. “Three Hits and a Miss.” Musical America 83/2 (February 1963): 52.Source: Journal
V. General Music Studies
C. Other
C. Other