Henahan, Donal
Year: 1996
Complete Citation:
Henahan, Donal. “Bring in da Noise,” review of Charles Ives: A Life with Music, by Jan Swafford. New York Times Book Review (August 4): 11--12.Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Henderson, C.W.
Year: 2008
Complete Citation:
Henderson, C. W. Review of Selected Correspondence of Charles Ives, edited by Thomas C. Owens. Notes, Vol. 64, No. 4 (2008): 748-750.Source: Journal
III. Book-Length Studies
C. Book Reviews
Henderson, Clayton
Year: 1996
Complete Citation:
Henderson, Clayton. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Choice 33/8, April 1996, 13-20.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Henry, Barbara D.
Year: 1970
Complete Citation:
Henry, Barbara D. Review of Charles Edward Ives, 1874-1954: A Bibliography of his Music, by Dominique-René De Lerma. Library Journal 95/15 (September 1, 1970): 27-88.Notes: Suggests that this is a valuable source book because the Kirkpatrick catalogue had limited distribution.
Source: Journal
Reprints: Henry, Barbara D. “Library Journal Book Review 1970.” New York/London, United Kingdom: R.R. Bowker, 1970: 26.
III. Book-Length Studies
C. Book Reviews
Herrmann, Bernard
Year: 1955
Complete Citation:
Herrmann, Bernard. “Yankee Composer.” Review of Charles Ives and His Music, by Henry Cowell. Saturday Review 38, no. 3 (January 15, 1955): 27-28.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Herzfeld, Gregor
Year: 2007
Complete Citation:
Herzfeld, Gregor. Zeit als Prozess und Epiphanie in der experimentellen amerikanischen Musik: Charles Ives bis La Monte Young. Stuttgart, Germany: Franz Steiner Verlag, 2007.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Hesselink, Paul and Frieda Myers
Year: 1991
Complete Citation:
Hesselink, Paul and Frieda Myers. “Ives and Quarter Tones.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.Source: Conference paper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Heyman, Katherine
Year: 1928
Complete Citation:
Heyman, Katherine. “Do You Like Modern Music?” Radio Speech-Sorbonne (Paris) (March 8, 1928).Source: Radio Speech
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Hfelman, Harold
Year: 1955
Complete Citation:
1955 - H[arold] Hfelman]. "A Father of American Music."Musical Opinion (1956 January) 79/940: 217.Source: Journal
III. Book-Length Studies
C. Book Reviews
Hick, Brian
Complete Citation:
Hick, Brian. Review of Classical Music and Postmodern Knowledge, by Lawrence Kramer. Musical Opinion 119, Winter 1996, 239.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Higbee, Dale
Year: 1970
Complete Citation:
Higbee, Dale. Review of Charles Edward Ives, 1874-1954: A Bibliography of his Music, by Dominique-René De Lerma. American Recorder 11/4 (Fall 1970): 147.III. Book-Length Studies
C. Book Reviews
Highet, Gilbert
Year: 1957
Complete Citation:
Highet, Gilbert. “The Fascination of What’s Difficult.” In Talents and Geniuses: The Pleasures of Appreciation. New York, NY: Oxford University Press: 48-55.Source: Chapter in Book
Reprints: Highet, Gilbert. “The Fascination of What Is Difficult.” Guil-ford, CT: Jeffrey Norton Publishers, 1970.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Hirsch, Alan
Year: 1995
Complete Citation:
Hirsch, Alan. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Booklist 92, December 15, 1995, 678.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Hirsch, Alan. Review of Charles Ives: A Life with Music, by Jan Swafford. Booklist 92/14, March 15, 1996, 12-33.Source: Magazine
III. Book-Length Studies
C. Book Reviews
Hitchcock, H. Wiley
Year: 1987
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives und seine Zeit.” In Amerikanische Musik seit Charles Ives: Interpretationen, Quellentexte, Komponistenmonographien. Laaber, Germany: Lauber-Verlag (1987): 21-29.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1993
Complete Citation:
Hitchcock, H. Wiley. Review of “My Father’s Song”: A Psychoanalytic Biography, by Stuart Feder. Journal of the American Musicological Society 46/2 (Summer 1993): 319-329.Source: Journal
III. Book-Length Studies
C. Book Reviews
Hitchcock, Wiley H.
Year: 1988
Complete Citation:
Hitchcock, Wiley H. Review of Perfect Pitch: A Life Story. Institute for Studies in American Music Newsletter 17/1 (May 1988): 14.Source: Newsletter
III. Book-Length Studies
C. Book Reviews
Howard, John Tasker
Year: 1942
Complete Citation:
Howard, John Tasker. This Modern Music: A Guide for the Bewildered Listener, 131-133, 179, 194. New York, NY: Crowell, 1942.Notes: Ives is treated super-ficially in a chapter on polytonality, with Psalm 67 used as an example Howard comments on the polyrhythms of “Washington's Birthday” and Ives's use of tone clusters.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Hume, Paul
Year: 1955
Complete Citation:
Hume, Paul. “A New Book on Ives’ Music.” Washington Post and Times-Herald (June 12) H: 10.Source: Newspaper
III. Book-Length Studies
C. Book Reviews
Hutton, Edna Rait
Complete Citation:
Hutton, Edna Rait. Review of Charles Edward Ives, 1874-1954: A Bibliography of his Music, by Dominique-René De Lerma. Pan Pipes (January 1972) 64/2: 30.III. Book-Length Studies
C. Book Reviews