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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Covey, Cyclone

Year: 1970
Complete Citation:
Covey, Cyclone. Review of Music in the United States, by H. Wiley Hitchcock. American Historical Review 75/4 (1970): 1177-1178.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Cox, Paul Walthen

Year: 1970
Complete Citation:
Cox, Paul Wathen. “An Analysis of Sonority Types in Selected Songs of Charles Ives.” M.M. thesis, Indiana University, 1970.
Notes:

Discusses certain sonorities, quartal and quintal chords, polychords, clusters, and hybrid sonorities. Thirty-eight songs analyzed. Appendix B lists 114 Songs in chronological order with authors of the texts.

Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Cox, Paul Wathen

Year: 1970
Complete Citation:
Cox, Paul Wathen. “An analysis of sonority tapes in selected songs of Charles Ives.” M.M. Thesis, Indiana University, 1970.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Craft, Robert

Year: 1977
Complete Citation:
Craft, Robert. Review of Charles Ives and His America, by Frank R. Rossiter. The Sunday Times of London. November 28, 1976, 40.
Source: Newspaper
Reprints:

Craft, Robert. “Ives’s World.” In <i>Current Convictions: Views and Reviews</i>. New York, NY: Alfred A. Knopf, 1977.

III. Book-Length Studies
C. Book Reviews

Crain, Timothy Mark

Year: 1995
Complete Citation:
Crain, Timothy Mark. “Rhythm and form in Ives's Scherzo (Over the pavements).” M.M. thesis, University of Alabama, 1995.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Crook, David W.

Year: 1980
Complete Citation:
Crook, David W. “Charles Ives and nineteenth century American household music.” B.A. thesis, Redlands, CA: University of Redlands, 1980.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Crunden, Robert M.

Year: 1972
Complete Citation:
Crunden, Robert M. Review of Charles Ives and American Culture: The Process of Development, 1874-1921, by Frank R. Rossiter. Anuario Interamericano de Investigacion Musical 8 (1972): 181-184.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1996
Complete Citation:
Robert M. Crunden. “On Charles Ives.” Modernism/Modernity 4/3 (September 1997): 154--159.
Notes:

Posits that Ives was a “progressive," not a “modernist"because of religion, sexuality, technology, and time.

Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1997
Complete Citation:
Crunden, Robert M. “On Charles Ives.” Modernism/Modernity 4/3 (September 1997): 154-159.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Curtis, Daniel

Year: 2008
Complete Citation:
Curtis, Daniel. “A conductor's thesis in three parts.” B.A. thesis, Amherst College, 2008.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Dalton, Kathleen M.

Year: 1993
Complete Citation:
Dalton, Kathleen M. Review of Charles Ives: “My Father’s Song”: A Psychoanalytic Biography, by Stuart Feder. The American Historical Review 98, no. 3 (June 1993): 960.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Darby, Joseph Eugene

Year: 1992
Complete Citation:
Darby, Joseph Eugene. “Charles Ives's second string quartet and the European tradition.” M.Mus. thesis, University of Illinois at Urbana-Champaign, 1992.
Source: M.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Daugherty, Michael

Year: 1982
Complete Citation:
Daugherty, Michael. “Goethe and Emerson: the link between aesthetic theories and compositional processes of Gustav Mahler and Charles Ives.” M.M.A. Thesis, Yale University, 1982.
Source: M.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

DeCesare, Ruth

Year: 1963
Complete Citation:
DeCesare, Ruth. Review of Essays Before a Sonata, The Majority and Other Writings, edited by Howard Boatwright. Music Journal 21/5 (May 1963): 62.
Source: Journal
III. Book-Length Studies
C. Book Reviews

DeLerma, Dominique-René

Year: 1974
Complete Citation:
DeLerma, Dominique-René. Review of Charles E. Ives: Discography, by Richard Warren Jr. American Reference Books Annual (1974): 400.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Dibelius, Ulrich

Year: 2005
Complete Citation:
Dibelius, Ulrich. Review of Charles Ives, edited by Ulrich Tadday. Österreichische Musikzeitschrift, Vol. 60, No. 4 (2005): 82-83.
Source: Magazine
III. Book-Length Studies
C. Book Reviews

Dickinson, Peter

Year: 1974
Complete Citation:
Dickinson, Peter. Review of Charles E. Ives: Memos, edited by John Kirkpatrick. Musical Times 115 (November 1974): 947-948.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1978
Complete Citation:
Dickinson. Peter. Review of Ives, by H. Wiley Hitchcock. The Musical Times 119 (March 1978): 239.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1993
Complete Citation:
Dickinson, Peter. Review of The Charles Ives Tunebook, by Clayton W. Henderson. Music & Letters 74/1 (1993): 116-117.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1999
Complete Citation:
Dickinson, Peter. Review of All Made of Tunes: Charles Ives and the Uses of Musical Borrowing, by J. Peter Burkholder. Music and Letters 80/3 (August 1999): 479-82.
Source: Journal
III. Book-Length Studies
C. Book Reviews