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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Blake, Andrew

Year: 1996
Complete Citation:
Blake, Andrew. Review of Charles E. Ives, by Leo Schrade. History: The Journal of the Historical Association 83/272 (1998): 686.
Notes:

Claims that Ives was adopted as “a national musical mascot during Amer-ica’s great patriotic moment of the early 1940s.”

Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1998
Complete Citation:
Blake, Andrew. “Charles Ives and His World.” History, vol. 83, no. 272 (October 1998): 686.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Blassnigg, Katharina

Year: 2008
Complete Citation:
Blassnigg, Katharina. Review of Charles Ives Reconsidered, by Gayle Sherwood Magee. Leonardo, vol. 42, no. 1 (2009): 78-80.
Source: Book
III. Book-Length Studies
C. Book Reviews

Block, Geoffrey

Year: 1985
Complete Citation:
Block, Geoffrey. Review of Charles Ives: The Ideas behind the Music, by J. Peter Burkholder. Journal of Musicology 5/2 (Spring 1987): 308-311.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1992
Complete Citation:
Block, Geoffrey. Review of The Evolving Keyboard Style of Charles Ives, by Michael John Alexander. American Music 10 (Spring 1992): 98-100.
III. Book-Length Studies
C. Book Reviews
Year: 1992
Complete Citation:
Block, Geoffrey. Review of The Charles Ives Tunebook, by Clayton W. Henderson. Notes 49/1 (September 1992): 134-136.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 1992
Complete Citation:
Block, Geoffrey. Review of The art of speaking extravagantly: eine vergleichende Studie der ‘Concord Sonata’ und der ‘Essays before a Sonata’ von Charles Ives, by Felix Meyer. Notes 48/4 (June 1992): 1297-1299.
Source: Journal
III. Book-Length Studies
C. Book Reviews
Year: 2000
Complete Citation:
Block, Geoffrey. “Review of Symphony No. 1 by Charles Ives.” Notes 57/2 (December 2000): 461-64.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 2000
Complete Citation:
Block, Geoffrey. “Music Reviews: Charles E. Ives, Symphony No. 1, Critical Edition Edited by James B. Sinclair.” Notes 57, no. 2, (December 2000): 461-464.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 2000
Complete Citation:
Block, Geoffrey. Review of Charles E. Ives, “Symphony No. 1,” edited by James B. Sinclair. Notes 57, no. 2 (December 2000): 461.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 2001
Complete Citation:
Block, Geoffrey. Music & Letters 82/3 (August 2001): 470-472.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Boatwright, Howard

Year: 1979
Complete Citation:
Boatwright, Howard. “Reviewed Work: Sunrise, for Voice, Violin and Piano by Charles Ives, John Kirkpatrick.” Notes 35, no. 3 (March 1979): 729-730.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1979
Complete Citation:
Boatwright, Howard. “Vocal and Choral Music by C. Ives.” Notes 35, no. 3 (March 1979).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1979
Complete Citation:
Boatwright, Howard. “Reviewed Work: Sunrise, for Voice, Violin and Piano by Charles Ives, John Kirkpatrick.” Notes 35, no. 3 (March 1979): 729-730.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Borowski, Felix

Year: 1955
Complete Citation:
Borowski, Felix. “An Early American ‘Modern.’” Chicago Sun-Times 2 (January 16, 1955): 5.
Source: Newspaper
III. Book-Length Studies
C. Book Reviews

Brooks, Williams

Year: 1993
Complete Citation:
Brooks, Williams. Review of A Union of Diversities: Style in the Music of Charles Ives, by Larry Starr. American Music 11, no. 4 (Winter 1993): 488-491.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Brooks, William Fordyce

Year: 1993
Complete Citation:
Brooks, William Fordyce. Review of A Union of Diversities, by Larry Starr. American Music 11/4 (Winter 1993): 488-491.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Browning, James

Year: 1972
Complete Citation:
Browning, James. Review of Memos, by Charles Ives. Music Journal 30/10 (December 1972): 49.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Brown, John Robert

Year: 2012
Complete Citation:
Brown, John Robert. “Book Review: “Moral Fire: Musical Portraits from America’s Fin de Siècle,” by Joseph Horowitz.” Classical Music (2012): 83.
Source: Journal
III. Book-Length Studies
C. Book Reviews

Bruhn, Christopher

Year: 2015
Complete Citation:
Bruhn, Christopher. Review of Charles E. Ives: Symphony no. 4, edited by William Brooks, James B. Sinclair, Kenneth Singleton, and Wayne D. Shirley. Journal of the Society for American Music, vol. 9, no. 3 (2015): 357-360.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions