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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Cyr, Gordon

Year: 1971
Complete Citation:
Cyr, Gordon. “Intervallic Structural Elements in Ives’ Fourth Symphony.” Perspectives of New Music 9/2 and 10/1 (1971): 291-303.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1972
Complete Citation:
Cyr, Gordon. "Orchestral Music: by Charles Ives.” Notes, Vol. 29, Issue 2 (December 1972): 319.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Danner, Gregory

Year: 1984
Complete Citation:
Danner, Gregory “Ives’ Harmonic Language.” Journal of Musicological Research 5/1-2 (1984): 237-249.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Debruyn, Randall Keith

Year: 1975
Complete Citation:
Debruyn, Randall Keith. “Contrapuntal Structure in Contemporary Tonal Music: A Preliminary Study of Tonality in the 20th Century.” D.M.A. dis-s., University of Illinois, 1975.
Source: D.M.A. Dis-sertation
VI. Topical Studies
G. Music Theory Analyses

Decroupet, Pascal

Year: 1991
Complete Citation:
Decroupet, Pascal. “Charles Ives: Second Orchestral Set.” Academia. June 28, 1991. www.academia.edu/32762043/Charles_Ives_Second_orchestral_set.
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works

Denk, Jeremy

Year: 2012
Complete Citation:
Denk, Jeremy. “Flight of the Concord; Personal History.” The New Yorker, Vol. 87, No. 47 (2012): 24-29.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Dennison, Sam, ed.

Year: 1992
Complete Citation:
Dennison, Sam, ed. American Orchestral Music: Nationalists and Traditionalists in Early Twentieth-Century America. Boston, MA: G.K. Hall, 1992.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Dickinson, Peter

Year: 1996
Complete Citation:
Dickinson, Peter. “Style-modulation as a compositional technique: an inaugural lecture.” London, United Kingdom: Goldsmiths, University of London, 1996.
Source: Book/Lecture
VI. Topical Studies
G. Music Theory Analyses

Dobos, Lora Gingerich

Year: 1986
Complete Citation:
Dobos, Lora Gingerich. “A Technique for Melodic Motive Analysis in Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.
Notes:

Uses Sonata No. 4 for violin and piano for her example.

Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Donner, Gregory

Year: 1984-1985
Complete Citation:
Donner, Gregory. “Ives’s Harmonic Language.” Journal of Musicology 5 (1984-1985): 237-249.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Downes, Edward

Year: 1981
Complete Citation:
Downes, Edward. “Charles Ives.” In Guide to symphonic music. New York, NY: Walker, 1981.
IV. Individual Studies by Genre
A. Orchestral and Band Works

Downes, Olin

Year: 1940
Complete Citation:
Downes, Olin. “American Music Sung by Thomas.” The New York Times. March 25, 1940, 10.
Source: Newspaper
IV. Individual Studies by Genre
E. Songs

Drew, James

Year: 1968
Complete Citation:
Drew, James. “Information, Space and a New Time-Dialectic.” Journal of Music Theory 12/1 (Spring 1968): 86-103.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Duckworth, William

Year: 1999
Complete Citation:
Duckworth, William. “The Concord Sonata.” In 20/20: 20 new sounds of the 20th century. New York, NY: Schirmer Books, 1999.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Duke, John

Year: 1950
Complete Citation:
Duke, John. “American Song: 1900-1950.” Proceedings of the Music Teachers National Association 44 (1950): 31-34.
IV. Individual Studies by Genre
E. Songs

Dumm, Robert

Year: 1974
Complete Citation:
Dumm, Robert. “Performer’s Analysis of an Ives Piano Piece.” Clavier 13/7 (1974): 21-25.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Echols, Paul

Year: 1974
Complete Citation:
Echols, Paul. “The Music for Orchestra.” Music Educator's Journal 61/2 (October 1974): 29-41.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1974
Complete Citation:
Echols, Paul. Liner notes for Sonatas for Violin and Piano. Paul Zukofsky and Gilbert Kalish. Nonesuch HB-73025, 1974, 33.3 RPM.
Source: Liner notes
IV. Individual Studies by Genre
B. Chamber Works

Echols, Paul C.

Year: 1954
Complete Citation:
Echols, Paul C. “Editorial Note: 1979.” In Charles E. Ives, Sonata No. 1 for Piano, iv. New York, NY: Peer International, 1954.
Reprints:

Echols, Paul C. “Editorial Note: 1979.” In <i>Charles E. Ives, Sonata No. 1 for Piano</i>, iv. New York, NY: Peer International, 1990.

IV. Individual Studies by Genre
C. Keyboard Works

Eger, Joseph

Year: 2005
Complete Citation:
Eger, Joseph. Einstein's Violin: A Conductor's Notes on Music, 45-46, 144, 223, 372, 374. New York, NY: Jeremy P. Tarcher/Penguin, 2005.
Notes:

Tells of being an assistant conductor to Stokowski for Symphony No. 4 in Carnegie Hall. Also tells about a script to The Unanswered Question by Nancy Shear for Eleanor Roosevelt's one- hundredth birthday program (New York; Avery Fischer Hall).

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works