Image
Complete Citation:
Overmyer, Grace. “Quarter -Tones and Less.” American Mercury- 12/46 (Octo-ber 1927): 207-210.
Bibliography
Genres
Overmyer, Grace
Year: 1827
Notes:
An article dealing with infinite tunings (1/4, 1/8, 1/16 tones); cites concert of 1925 February 14 for the Franco-American Musical Society (music by Hans Barth and Ives; Barth and Sigmund Klein, pianos). States that Ives is “a New York business man and an enthusiastic musical amateur.”
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Pappastavrou, George
Year: 1974
Complete Citation:
Pappastavrou, George. “Ives's Quarter-Tone Pieces.” Clavier 13/7, 1974, 31-32.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Park, Fye-kyung
Year: 2013
Complete Citation:
Park, Hye-kyung. “음악에서의 해체: 아이브즈 (C Ives)의 General William Booth Enters into Heaven에 나타나는 이항대립, 유표성, 음양.” 연세음악연구, no. 20 (2013): 103.Source: Journal
IV. Individual Studies by Genre
E. Songs
E. Songs
Parr, Sean
Year: 2005
Complete Citation:
Parr, Sean. “Singing the Unsingable: Ives and His 114 Songs.” Paper presented at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.Source: Conference paper
IV. Individual Studies by Genre
E. Songs
E. Songs
Parthun, Paul
Year: 1975-76
Complete Citation:
Parthun, Paul. “Concord, Charles Ives, and Henry Bellaman.” Student Musicologists at Minnesota 6 (1975-76): 66-86.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Patterson, Frank
Year: 1927
Complete Citation:
Patterson, Frank. “The Circus.” Musical Courier. February 10, 1927, 28.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Perlis, Vivian
Year: 1996
Complete Citation:
Perlis, Vivian. “Ives Spirit Moves Brits.” Piano & Keyboard (1996): 12-14.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Pergament, Moses
Year: 1933
Complete Citation:
Pergament, Moses. “Fourth of July.” Svenska Dogbladet [Stockholm], November 1933, 35.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Perkins, Lawrence
Year: 1961
Complete Citation:
Perkins, Lawrence. “The Sonatas for Violin and Piano by Charles Ives.” Master’s Essay, Eastman School of Music, University of Rochester, 1961.Notes:
Unpublished
Source: Master’s Thesis
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Peyser, Joan
Year: 1971
Complete Citation:
Joan Peyser. The New Music: The Sense behind the Sound. New York, NY: Delacorte, 1971.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Phelps, Thomas
Year: 1997
Complete Citation:
Phelps, Thomas. “‘As I Look Back on These Times’—über Charles Ives und seine Musik in drei Satze.” In Musik/Revolution: Festschrift für Georg Knepler zum 90. Geburststag, edited by Hanns--Werner Heister, 209-240. Volume 2. Hamburg, Germany: Von Bockel Verlag, 1997.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Year: 2004
Complete Citation:
Phelps, Thomas. “Manner, Muskeln, Diskussionen. Zum 2. Streich-quartett.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 85-105. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works
B. Chamber Works
Piekut, Benjamin
Year: 2019
Complete Citation:
Piekut, Benjamin. “Introduction: What Was Experimentalism?” In Experimentalism Otherwise. Berkeley, California: University of California Press, 2019.Source: Newsletter
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Pleasants, Henry
Year: 1955
Complete Citation:
Pleasants, Henry. The Agony of Modern Music. New York, NY: Simon and Schuster.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Pohly, Linda
Year: 1995
Complete Citation:
Pohly, Linda. “Alleluia! Sacred Choral Music in New England.” American Music 13, no. 1 (Spring 1995): 124-126.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
D. Choral Works
Porter, Cecelia
Year: 1998
Complete Citation:
Porter, Cecelia. “Classical Music: Organist Gregory D’Agostino.” The Washington Post (1998): C4.Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works
Porter, David
Year: 1998
Complete Citation:
Porter, David. “Reconstructing the Emerson Concerto.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.Source: Conference paper
Reprints:
“Reconstructing the Emerson Concerto.” College Music Symposium (1999) 39: 27--42.
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Porter, David G.
Year: 1998
Complete Citation:
Porter, David G. “On the Reconstruction of Charles Ives’s ‘Emerson’ Piano Concerto.” Unpublished commentary, 1998.Source: Unpublished commentary.
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Porter, David Gray
Year: 1980
Complete Citation:
Porter, David Gray. “The Third Orchestral Set of Charles Edward Ives.” M.A. thesis, California State University, Fullerton, 1980.Source: M.A. Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works
A. Orchestral and Band Works
Porter, David H.
Complete Citation:
Porter, David H. “From Plato to piano strings: An ‘Outward Bound’ for the mind.” The Chronicle of Higher Education 42, no. 28 (March 22, 1996): A52.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
C. Keyboard Works