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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Taubman, Howard

Year: 1958
Complete Citation:
Taubman, Howard. “Forget Posterity.” The New York Times. November 23, 1958, sec. 2, 11.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Téllez, José Luis

Year: 2004
Complete Citation:
Téllez, José Luis. “Charles Ives: Las Paradojas del Profeta.” Scherzo: Revista de Música, Vol. 19 (2004): 110-115.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship

Tenney, James

Year: 1963
Complete Citation:
Tenney, James. “Some Notes on the Music of Charles Ives.” Liner notes for Songs by Charles Ives. Folkways Records, FM 3344,1966, LP.
Source: Liner Notes
IV. Individual Studies by Genre
E. Songs

Thompson, William Curt

Year: 2004
Complete Citation:
Thompson, William Curt. “The Fourth Sonata for Violin and Piano (“Children’s Day at the Camp Meeting”) by Charles Ives: Contextual, Structural, and Stylistic Considerations." D.M.A. dissertation. Rice University, 2004.
Source: D.M.A. Dissertation
IV. Individual Studies by Genre
B. Chamber Works

Thomson, Virgil

Year: 1949
Complete Citation:
Thomson, Virgil. “New Symphonies.” New York Herald Tribune. Feb-ruary 20, 1949, sec. 5, 5.
Source: Newspaper
Reprints:

Thomson, Virgil. “New Symphonies.” In <i>Music Right and Left</i>, 108-111. New York, NY: Henry Holt, 1951.

IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1971
Complete Citation:
Thomson, Virgil. “The Ives Case.” New York Review of Books 14, no. 10, May 21, 1970, 9--11.
Source: Magazine
Reprints:

Thomson, Virgil. “The Ives Case.” In <i>American Music Since 1910</i>, 22-30. New York: Holt, Rinehart and Winston, 1971. * Thomson, Virgil. “The Ives Case.” <i>A Virgil Thomson Reader</i>, 460-67. Boston: Houghton Mifflin, 1981. * Thomson, Virgil. “The Ives Case.” In <i>Virgil Thomson: The State of Music & Other Writings</i>, edited by Tim Page. New York, NY: Library of America, 2016.

VI. Topical Studies
S. Reception Studies and Related Scholarship

Thurmaier, David

Year: 2006
Complete Citation:
Thurmaier, David. “Kaboom! The Development of Explosions in The Fourth of July by Charles Ives.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2013
Complete Citation:
Thurmaier, David. “Charles Ives and the Horn.” The Horn Call: Journal of the International Horn Society, Vol. 43, No. 2 (2013): 59-63.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Tick, Judith

Year: 1993
Complete Citation:
Tick, Judith. 1993. “Charles Ives and Gender Ideology.” In Musicology and Difference: Gender and Sexuality in Music Scholarship, edited by Ruth Solie, 125--147. Berkeley, CA: University of California Press.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Tipton, Julius R.

Year: 1970
Complete Citation:
Tipton, Julius R. “Some Observations on the Choral Style of Charles Ives.” American Choral Review, Vol. 12, No. 3 (1970): 99.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1970
Complete Citation:
Tipton, Julius R. “Some Observations of the Choral Style of Charles Ives.” American Choral Review 12/3 (July 1970): 99-105.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Tischer, Matthias

Year: 2004
Complete Citation:
Tischer, Matthias. “Vielheit und Einheit im Dialog: Stichworte zu Charles Ives’ Musik für Theaterorchester.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 157--162. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Toncitch, Vonya

Year: 1972
Complete Citation:
Toncitch, Voya. “‘Three Page Sonata’ by Charles Ives.” Melos 5 (Septem-ber-October 1972): 277-279.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Treat, William Upton

Year: 1933
Complete Citation:
Treat, William Upton. “Aspects of the Modern Art-Song.” The Musical Quarterly XXIV, 1 (January 1933): 11-30.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Treybig, Joel

Year: 2007
Complete Citation:
Treybig, Joel. “Understanding “The Unanswered Question.”” ITG Journal: The International Trumpet Guild, Vol. 31, No. 3 (2007): 32-35, 46.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Trott, Donald

Year: 1991
Complete Citation:
Trott, Donald. “The Choral Music of Charles Ives.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.
Source: Conference paper
IV. Individual Studies by Genre
D. Choral Works

Tryon, Winthrop P.

Complete Citation:
Tryon, Winthrop P. “New Yorker Writing Music for Quarter-Tone Piano.” Christian Science Monitor, January 13, 1925, 10.
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1924
Complete Citation:
Winthrop P. Tryon. “Folksong and Hymn Tunes of America.” Christian Science Monitor (November 29, 1924): 18.
Source: Newspaper
IV. Individual Studies by Genre
E. Songs
Year: 1925
Complete Citation:
Tryon, Winthrop P. “Quarter-Tone Experiments.” Christian Science Monitor, February 7, 1925, 8.
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works

Tyler, Charles Ives

Year: 1977
Complete Citation:
Tyler, Charles Ives. “Charles Ives.” Piano Today 17/3 (1977): 8, 10, 54.
Notes:

Part of a pair of articles entitled “American Transcendentalism: Two Compos-ers in the Pioneer Tradition.” Reminiscences by Charles Ives's grand- son about how Ives disliked milk. [The other article is “Ruth Crawford Seeger” by Judith Tick.]

Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works