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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Weaver, Michael Alan

Year: 2006
Complete Citation:
Weaver, Michael Alan. “Ives, Charles.” In Works for the viola by Pulitzer Prize winning composers: an annotated bibliography. Lewiston, NY: E. Mellen Press, 2006.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works

Webster, David

Year: 1967
Complete Citation:
Webster, David. “He Found the Lost Symphony.” Philadelphia Inquirer. February 19, 1967.
Notes:

Regarding Theodore A. Seder of the Fleisher Music Collection and his editorial work on the score to Symphony No. 4.

Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Wennerstrom, Mary

Year: 1969
Complete Citation:
Wennerstrom, Mary. Anthology of Twentieth-Century Music. New York, NY: Appleton-Century-Crofts, 1969.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Wilder, Robert D.

Year: 1969
Complete Citation:
Wilder, Robert D. “The Americas: Charles Ives (1874-1954).” In Twentieth-century Music. Dubuque, IA: W.C. Brown Co. Publishers, 1969.
VII. Entries in Larger Volumes
A. Textbook Accounts

William R. Martin and Julius Drossin

Year: 1980
Complete Citation:
William R. Martin and Julius Drossin. Music of the twentieth century. Englewood Cliffs, NJ: Prentice-Hall, 1980.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Williams, Thomas

Year: 1991
Complete Citation:
Williams, Thomas. “Songs of Ives.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.
Source: Conference paper
IV. Individual Studies by Genre
E. Songs

Woodward, Angela

Year: 2016
Complete Citation:
Woodward, Angela. Liner notes to Charles Ives "Psalm 90.” In Origins and other stories. Ann Arbor, MI: Dzanc Books, 2016.
Source: Book
IV. Individual Studies by Genre
D. Choral Works

Wuellner, Guy S.

Year: 1973
Complete Citation:
Wuellner, Guy S. “The Smaller Piano Works of Charles Ives.” American Music Teacher 22/5 (April-May 1973): 14-16.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Yates, Peter

Year: 1967
Complete Citation:
Yates, Peter. Twentieth-Century Music. London, United Kingdom: Pantheon Books, 1967.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Yellin, Victor F.

Year: 1974
Complete Citation:
Yellin, Victor F. “Rezension der Schallplatteneinspielung von “The Celestial Country.” Musical Quarterly 60 (1974): 500-508.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Zimmermann, Walter and Larry Austin

Year: 1981
Complete Citation:
Austin, Larry and Walter Zimmermann. “Gespräch fiber die Rekonstruktion von Ives’ «Universe Symphony.»” Insel Music, edited by Walter Zimmermann. Cologne, Germany: Beginners Press, 1981.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Zobel, Mark

Year: 2006
Complete Citation:
Zobel, Mark. “Musical Borrowing and Religious Symbolism in Charles Ives’s Third Symphony.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Zobel, Mark. The Third Symphony of Charles Ives. Hillsdale, NY: Pendragon Press, 2009.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

no author listed

Complete Citation:
“Exploring Ives’s Formal Vocabulary through His String Quartets.” Paper presented at Ives the Commuter. Bloomfield Presbyterian Church, Bloomfield, NJ, February 1999.
Notes:

Performers include Jennifer Sacher-Wiley and Denise Huizenga, violins; Renee Moore Skerik, viola; Jonathan Chenoweth, cello

IV. Individual Studies by Genre
B. Chamber Works
Year: 1902
Complete Citation:
“Charles E. Ives’ Concert and New Cantata, ‘The Celestial Country.’” Musical Courier 44/17 (April 23, 1902): 34.
Source: Journal
Reprints:

“Charles E. Ives’ Concert and New Cantata, ‘The Celestial Country.’” In Charles Ives and His World, compiled by Geoffrey Block and edited by J. Peter Burkholder, 276-277. Princeton, NJ: Princeton University Press, 1996.

IV. Individual Studies by Genre
D. Choral Works
Year: 1902
Complete Citation:
“A New Cantata.” The New York Times, April 20, 1902, 14.
Source: Newspaper
Reprints:

“A New Cantata.” In <i>Charles Ives and His World</i>, compiled by Geoffrey Block and edited by J. Peter Burkholder, 275-276. Princeton, NJ: Princeton University Press, 1996.

IV. Individual Studies by Genre
D. Choral Works
Year: 1921
Complete Citation:
“Concord Unconquered.” Musical Courier, April 28, 1921, 22.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1921
Complete Citation:
“A Futuristic Sonata.” Musical Advance, (April 1921): 16.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1922
Complete Citation:
“Music Club Hears Lecture Recital on Modern Sonata.” Atlantic Constitution, January 5, 1922, 10.
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1927
Complete Citation:
“Concord.” Birmingham Age-Herald (October 14, 1927).
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works