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Bibliography

Fruchterman, Alessandra Astete

Year: 2018
Complete Citation:
Fruchterman, Alessandra Astete. “A red point in a green land: the setting of art song in foreign language by Barber, Britten, and Ives.” M.M. thesis, Belmont University, 2018.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Fruehwald, Robert Douglas

Year: 1985
Complete Citation:
Fruehwald, Robert Douglas. “Motivic transformation in the "Thoreau" movement of Charles Ives' Concord Sonata.” Ph. D. Dissertation, Washington, University 1985.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Frye, Daniel W.

Year: 1974
Complete Citation:
Frye, Daniel W. ““In summer fields" by Charles E. Ives.” M.M.E. thesis, Bowling Green University, Ohio, 1974.
Source: M.M.E. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Gabbi, Marianna Paone

Year: 1978
Complete Citation:
Gabbi, Marianna Paone. “Charles Ives, the violin sonatas: a lecture recital, together with three recitals of selected works of L. v. Beethoven, J. Brahms, E. Chausson, C. Debussy, W. Latham, G. Tartini, and A. Vivaldi.” D.M.A. diss., North Texas State University, 1978.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gaburo, Kenneth Louis

Year: 1962
Complete Citation:
Gaburo, Kenneth Louis. “Studies in Pitch Symmetry in Twentieth Cen-tury Music.” D.M.A. diss., University of Illinois, 1962.
Notes:

Chapter IV includes references to music by Ives.

Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gaede, Annemarie

Year: 1986
Complete Citation:
Gaede, Annemarie. “Analyse der Concord Sonate von Charles. Hausarbeit zur Staatlichen Prüfung für Musikschullehrer und selbständige Musiklehrer.” Term paper, Staatliche Hochschule für Musik Rheinland, 1986.
Notes:

Betreut von Prof. Jecker und Prof. Löbner.

Source: Academic Paper
IV. Individual Studies by Genre
C. Keyboard Works

Gail, Dorothea

Year: 2004
Complete Citation:
Gail, Dorothea. “The Concord Sonata of Charles Ives: An Analysis of the Individuation of the Musical- Autonomous Logic of the Form.” Paper read at a The Congress of the German Society for Music Theory [Twentieth Century Session]. Cologne, Germany, October 16, 2004.
Source: Conference Paper
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2005
Complete Citation:
Gail, Dorothea. “The Second Movement of Charles Ives’s Fourth Symphony: An Analytical Approach to Form and Structure.” Paper presented at Twentieth Century Music Conference. Society for Music Analysis. University of Sussex, Falmer, Brighton, United Kingdom, August 28, 2005.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2008
Complete Citation:
Gail, Dorothea. “Die 4. Symphonie von Charles Ives, Quellen—Werk- struktur—religios-asthetischer Kontext.” Ph.D. diss., Hochschule fur Musik und darstellende Kunst, Frankfurt am Main, 2008.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 2009
Complete Citation:
Gail, Dorothea. Charles E. Ives’ Fourth Symphony. Hofheim, Germany: Wolke, 2009.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Gail, Dorothea. Charles E. Ives Fourth Symphony: Quellen - Analyse - Deutung. Bd. 3. Hofheim, Germany: Wolke-Verlag, 2009.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Gammill, Ellen Reed

Year: 1975
Complete Citation:
Gammill, Ellen Reed. “The transcendental philosophy of Charles E. Ives.” M.M. thesis, Southern Methodist University, 1975.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Gann, Kyle

Year: 1996
Complete Citation:
Gann, Kyle. “Now in Technicolor.” Village Voice 41/11, March 12, 1996, 66.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1996
Complete Citation:
Gann, Kyle. “Master of the Universe.” Village Voice 41/23, June 4, 1996, 58. 
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2004
Complete Citation:
Gann, Kyle. “Conservative Praise: Saving Charles Ives’s Symphonies from His Fans.” Symphony 55/3 (May-June 2004): 13--17.
Notes:

Makes a strong case for performances of the first three symphonies.

Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2005
Complete Citation:
Gann, Kyle. “Music: Reconstructing The Universe.” The Village Voice, Vol. 50, No. 37. September 6, 2005: 90.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2017
Complete Citation:
Gann, Kyle. Charles Ives’s Concord Essays after a Sonata. Music in American Life Series. Champaign, IL: University of Illinois Press, 2017.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works

Gardner, Kara Anne

Year: 1999
Complete Citation:
Gardner, Kara Anne. “Living the Ladies’ Smiles: The Feminization of American Music and the Modern Reaction (Amy Beach, Edward MacDowell, Charles Ives).” Ph.D. diss., Stanford University, 1999.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Year: 1999
Complete Citation:
Gardner, Kara Anne. “Living by the Ladies' Smiles: The Feminization of American Music and the Modernist Reaction.” Ph.D. diss., Stanford University, 1999.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 2004
Complete Citation:
Gardner, Kara Anne. “Antimodernism, ‘The Celestial Railroad,’ and ‘The Comedy’ of Charles Ives.” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.
Source: Conference
IV. Individual Studies by Genre
C. Keyboard Works