Lotto, Albert
Year: 1978
Complete Citation:
Lotto, Albert. “Experimental aspects of the completed short piano pieces of Charles Ives: with an edition of the unpublished works.” D.M.A. Thesis, The Juilliard School, 1978.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Luck, Hartmut
Year: 2004
Complete Citation:
Luck, Hartmut. “Visionen einer andern Wirklichkeit: Die symphonischen Werke von Charles Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 123-137. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Lyle, Wilson
Year: 1985
Complete Citation:
Lyle, Wilson. Dictionary of Pianists, 140, 151, 183. New York, NY: Schirmer Books, 1985.Notes: p. 151: the first performance of Ives's Concord Sonata by John Kirkpatrick. p. 183 the first performance of Ives’s Sonata No. 1 by William Masselos.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
Lyman, Zachary
Year: 2010
Complete Citation:
Lyman, Zachary. “Realizing Ives's Universe Symphony: An Interview with Johnny Reinhard.” American Music, vol. 28, no. 4, (2010): 459-480.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Lyman, Zachary and Larry Austin
Year: 2008
Complete Citation:
Lyman, Zachary, and Larry Austin. “Completing Ives's Universe Symphony: An Interview with Larry Austin.” American Music, vol. 26, no. 4 (2008): 442-473.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Lyman, Zachary Taft
Year: 2007
Complete Citation:
Lyman, Zachary Taft. “Duality and process in "The greatest legend of American Music": a comparative study of realizations and completions of Charles Ives's Universe Symphony by Larry Austin, David Porter, and Johnny Reinhard.” Ph.D. diss., University of Iowa, 2007.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Lynn, Debra J.
Year: 1999
Complete Citation:
Lynn, Debra J. “Learning sequences for the experimental choral psalm settings of Charles Ives.” D.A. in Music, diss., Ball State University, 1999.Source: D.A. in Music Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Mabry, Sharon
Year: 1989
Complete Citation:
Mabry, Sharon. “New Directions: Contemporary Chamber Works.” NATS Journal 45/3 (January-February 1989): 44.Notes: Discussion of Sunrise.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works
Mack, Dieter
Year: 1994
Complete Citation:
Mack, Dieter. “Auf der Suche nach einer amerikanischen Musik? Zur Musiksprache von Charles Ives anhand der Three-Page-Sonata.” In Visionen und Aufhruche: Zur Krise der modernen Musik 1908-1933, edited by Gunther Metz. Hochschuldokumentationen zu Musikwissenschaft und Musikpadagogik Musikhochschule Freiburg No. 5. Kassel, Germany: Bosse, 1994, 201-233.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Magee, Noel Howard
Year: 1966
Complete Citation:
Magee, Noel Howard. “The Short Piano Works of Charles Ives.” M.M. Thesis, Indiana University, 1966.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Magers, Roy V.
Year: 1975
Complete Citation:
Magers, Roy V. “Aspects of Form in the Symphonies of Charles E. Ives.” Ph.D. diss., Indiana University, 1975.Source: Ph.D. dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Year: 1977
Complete Citation:
Magers, Roy V. “Charles Ives’s Optimism: or, The Program’s Progress.” In Music in American Society, 1776-1976: from Puritan Hymn to Synthesizer, edited by George McCue, 73-86. New Brunswick, NJ: Transaction Books, 1977.Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Maisel, Arthur
Year: 1981
Complete Citation:
Maisel, Arthur. “The ‘Fourth of July’ by Charles Ives. Mixed Harmonic Criteria in a 20th-Century Classic.” Theory and Practice VI (1981): 3-32.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Maltz, Richard Steven
Year: 1991
Complete Citation:
Maltz, Richard Steven. “Microtonal techniques in Charles Ives's 'Three quarter-tone pieces for two pianos, ' Harry Patch's 'And the seventh day petals fell in Petaluma', and Ben Johnston's 'Fourth string quartet’.” Ph.D. diss., University of South Carolina, 1991.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Mandel, Alan
Year: 1975-76
Complete Citation:
Mandel, Alan. “Charles Ives’s Music for the Piano.” Student Musicologists at Minnesota 6 (1975-76): 201-217.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2003
Complete Citation:
Mandel, Alan. “Piano Music by Elie Siegmeister, Kenneth Boulton.” American Music 21, no. 4 (Winter 2003): 532.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Mandel, Alan R.
Year: 1969
Complete Citation:
Mandel, Alan R. “The Keyboard Works of Charles Ives.” Lecture, American Musicological Society, Saint Louis, Missouri, De-cember 27--29, 1969.Notes: Points out that there are several versions of many of Ives’s compositions. Summary available in the “Abstracts of Papers Read at the Thirty--Third Annual Meeting of the American Musicological Society” (62--64).
Source: Lecture
IV. Individual Studies by Genre
C. Keyboard Works
Marks, Adam
Year: 2008
Complete Citation:
Marks, Adam. “American Piano Music. Program Notes.” Revue Française D'études Américaines, no. 117 (2008): 126-127.Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2008
Complete Citation:
Marks, Adam. “American Piano Music. Program Notes.” Revue Française D'études Américaines, no. 117 (2008): 126-127.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2008
Complete Citation:
Marks, Adam. “American Piano Music. Program Notes.” Revue Française D'études Américaines, no. 117 (2008): 126-127.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works