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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
(-) VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Meister, Barbara

Year: 1980
Complete Citation:
Meister, Barbara. An Introduction to the Art Song, 189-191. New York, NY: Taplinger Publishing Company, 1980.
Notes:

Discusses When General William Booth Enters into Heaven, “probably the most representative of the lot” (i.e., the songs], 190 (considers The Chil-dren's Hour, The Circus Band, The Greatest Man, The Housatonic at Stockbridge (“One of Ives's most evocative songs...an atmospheric, moody piece of simple serenity. One senses reverie, time suspended, peace.”), In Flanders Fields, The Last Reader, Maple Leaves, The Side- Show, They Are There!,The Things Our Fathers Loved, Tom Sails Away, Two Little Flowers), 191 (“He was the first major thoroughly American composer”).

Source: Book
IV. Individual Studies by Genre
E. Songs

Melick, Jennifer

Year: 2013
Complete Citation:
Melick, Jennifer. “To Market, To Market.” Symphony, Vol. 64, No. 1 (2013): 53.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Mercado, Mario

Year: 2004
Complete Citation:
Mercado, Mario. “Ives: The View from the Podium.” In Charles Ives: An American Original in Context, 28, 30. Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.
Source: Program Booklet
IV. Individual Studies by Genre
A. Orchestral and Band Works

Meredith, Austin

Year: 1997
Complete Citation:
Meredith, Austin. “Brant’s Adaptation of Ives's ‘Concord, Mass., 1840-1860.’” The Thoreau Society Bulletin, no. 220 (1997): 3.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Meyer, Felix

Year: 1991
Complete Citation:
Source: Book
Reprints:

Meyer, Felix. <i>The art of speaking extravagantly: eine vergleichende Studie der ‘Concord Sonata’ und der ‘Essays before a Sonata’ von Charles Ives</i>. Publikationen Der Schweizerischen Musikforschenden Gesellschaft, vol. 34. Bern, Switzerland: Haupt, 1991.

IV. Individual Studies by Genre
C. Keyboard Works
Year: 2000
Complete Citation:
Meyer, Felix. “Transformation and adaptation: the evolution of Charles Ives's song “From ‘Paracelsus.’” In The Rosaleen Moldenhauer memorial: music history from primary sources: a guide to the Moldenhauer Archives. Washington, D.C.: Library of Congress, 2000.
Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. “Adaption - Transformation - Rekomposition. Zu Einigen Liedbearbeitungen Von Charles Ives.” Archiv Für Musikwissenschaft, vol. 60, no. 2 (2003): 115-135.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 2003
Complete Citation:
Meyer, Felix. Adaptation - Transformation - Rekomposition: zu einigen Liedbearbeitungen von Charles Ives. Stuttgart, Germany: Franz Steiner Verlag, 2003.
Source: Book
IV. Individual Studies by Genre
E. Songs

Mickelsen, William Cooper

Year: 1970
Complete Citation:
Mickelsen, William Cooper. “Hugo Riemann's history of harmonic theory with a translation of Harmonielehre.” Ph.D. diss., Indiana University, 1970.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Mihura, Brian L.

Year: 1982
Complete Citation:
Mihura, Brian L. “The Great Jew's Harp Hunt of 1954.” Verundzwanzigsteljahrsschrift der Internationalen Maultrommelvirtuosengenossenschaft 1 (1982): 44-48.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Mikhashoff, Yvar

Complete Citation:
Mikhashoff, Yvar. A thematic survey of the first movement (Emerson) of the Sonata no. 2, “Concord, Mass. 1840-1860” of Charles Ives. Unpublished manuscript. Yvar Mikhashoff Papers. Mss. 10, Folder 6. Music Library, University at Buffalo. 198?.
IV. Individual Studies by Genre
C. Keyboard Works

Miller, Ashleé Michele

Year: 2016
Complete Citation:
Miller, Ashleé Michele. “Charles Ives on the Nature of Experience: The Compositional Design and Aesthetic Programs of Three Orchestral Works.” D.M.A. diss., Graduate Center CUNY, 2016.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Miller, Edward Oehler

Year: 1970
Complete Citation:
Miller, Edward Oehler. “The Dilemma of Charles Ives.” A.B. honors thesis, Harvard University, 1970.
Source: A.B. Honors Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Miller, Kenneth E.

Year: 1983
Complete Citation:
Miller, Kenneth E. Principles of Singing, 198. Englewood Cliffs, NJ: Pren-tice-Hall, 1983.
Notes:

Discusses When Stars Are in the Quiet Skies.

Source: Book
IV. Individual Studies by Genre
E. Songs

Milligan, Terry Gilbert

Year: 1978
Complete Citation:
Milligan, Terry Gilbert. “Charles Ives: a study of the works for chamber ensemble written between 1898 and 1908 which utilize wind instruments.” D.M.A. diss., University of Texas at Austin, 1978.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1982
Complete Citation:
Milligan, Terry Gilbert. “Charles Ives: A Survey of the Works for Chamber Ensemble Which Utilize Wind Instruments.” Journal of Band Research 18, no. 1 (Fall 1982): 60-68.
Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Misener, Katharine L.

Year: 2000
Complete Citation:
Misener, Katharine L. “Ives as Innovator? Considerations of Sources, Biography, and Style for His Songs Based on Models.” M.A. thesis, University of Ottawa 2000.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Misener, Katharine Lynn

Year: 2000
Complete Citation:
Misener, Katharine Lynn. “Ives as innovator?: considerations of sources, biography, and style for his songs based on models.” M.A. Thesis, University of Ottawa, 2000.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Mitchell, Rosanne

Year: 1971
Complete Citation:
Mitchell, Rosanne. “Contributions of Charles Ives to contemporary American song literature.” M.A. Thesis, Texas Woman's University, 1971.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Monnier, Verena

Year: 2002
Complete Citation:
Monnier, Verena. “Die Einheit in der Vielfalt: Analyse der “Studies” für Klavier von Charles E. Ives.” Magisterarbeit Thesis, Freiburg im Breisgau: Albert-Ludwigs-Universität, 2002.
Source: Magisterarbeit Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses