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Bibliography

Perlis, Vivian

Year: 1996
Complete Citation:
Perlis, Vivian. “Ives Spirit Moves Brits.” Piano & Keyboard (1996): 12-14.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Peraino, Nancy Gibson

Year: 1965
Complete Citation:
Peraino, Nancy Gibson. “A study of the use of hymn tunes in four examples of music by Charles E. Ives.” M.M. Thesis, University of Wisconsin-Madison, 1965.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays

Pergament, Moses

Year: 1933
Complete Citation:
Pergament, Moses. “Fourth of July.” Svenska Dogbladet [Stockholm], November 1933, 35.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Perkins, Lawrence

Year: 1961
Complete Citation:
Perkins, Lawrence. “The Sonatas for Violin and Piano by Charles Ives.” Master’s Essay, Eastman School of Music, University of Rochester, 1961.
Notes:

Unpublished

Source: Master’s Thesis
IV. Individual Studies by Genre
B. Chamber Works

Perry, Rosalie Sandra

Year: 1969
Complete Citation:
Perry, Rosalie Sandra. “Charles Ives as a progressive.” M.A. Thesis, University of Texas at Austin, 1969.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Year: 1971
Complete Citation:
Perry, Rosalie Sandra. “Charles Ives and American Culture.” Ph.D. diss., University of Texas at Austin, 1971.
Source: Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Phelps, Thomas

Year: 1997
Complete Citation:
Phelps, Thomas. “‘As I Look Back on These Times’—über Charles Ives und seine Musik in drei Satze.” In Musik/Revolution: Festschrift für Georg Knepler zum 90. Geburststag, edited by Hanns--Werner Heister, 209-240. Volume 2. Hamburg, Germany: Von Bockel Verlag, 1997.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2004
Complete Citation:
Phelps, Thomas. “Manner, Muskeln, Diskussionen. Zum 2. Streich-quartett.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 85-105. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
B. Chamber Works

Pilkington, Steve

Year: 2007
Complete Citation:
Pilkington, Steve. “G is for genius: the life and works of Charles Ives.” In The ABC's of American church music: a first primer. Ph.D. diss., Drew University, 2008.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Pinotti, Cintia Maria Annichino

Year: 2002
Complete Citation:
Pinotti, Cintia Maria Annichino. “O Salmo 150 de Ernest Mahle: questões composicionais e interpretativas.” Master’s thesis, Universidade de São Paulo, 2002.
Source: Master’s Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Plinkiewisch, Helen

Year: 1955
Complete Citation:
Plinkiewisch, Helen. “A contribution to the understanding of the Music of Charles Ives, Roy Harris and Aaron Copland: a report of a type C project.” D.M.E. diss., Columbia University, 1955.
Source: D.M.E. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Pohly, Linda

Year: 1995
Complete Citation:
Pohly, Linda. “Alleluia! Sacred Choral Music in New England.” American Music 13, no. 1 (Spring 1995): 124-126.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Porter, Cecelia

Year: 1998
Complete Citation:
Porter, Cecelia. “Classical Music: Organist Gregory D’Agostino.” The Washington Post (1998): C4.
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works

Porter, David

Year: 1998
Complete Citation:
Porter, David. “Reconstructing the Emerson Concerto.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.
Source: Conference paper
Reprints:

“Reconstructing the Emerson Concerto.” College Music Symposium (1999) 39: 27--42.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Porter, David G.

Year: 1998
Complete Citation:
Porter, David G. “On the Reconstruction of Charles Ives’s ‘Emerson’ Piano Concerto.” Unpublished commentary, 1998.
Source: Unpublished commentary.
IV. Individual Studies by Genre
A. Orchestral and Band Works

Porter, David Gray

Year: 1980
Complete Citation:
Porter, David Gray. “The Third Orchestral Set of Charles Edward Ives.” M.A. thesis, California State University, Fullerton, 1980.
Source: M.A. Thesis
IV. Individual Studies by Genre
A. Orchestral and Band Works

Porter, David H.

Complete Citation:
Porter, David H. “From Plato to piano strings: An ‘Outward Bound’ for the mind.” The Chronicle of Higher Education 42, no. 28 (March 22, 1996): A52.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Porter, Ellen Jane Lorenz

Complete Citation:
Porter, Ellen Jane Lorenz. “A Treasure of Camp-Meeting Spirituals.” Ph.D. diss., Union Graduate School, Cincinnati, Ohio, 1978.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Pozzi, Raffaele

Year: 1985
Complete Citation:
Pozzi, Raffaele. “Polemica antiurbana ed isolamento ideologico in ‘Central Park in the Dark’ di Charles Ives.” Nuova Rivista Musicale Italiana 19 (1985): 471-481.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Preissing, Christopher Andrew

Year: 2008
Complete Citation:
Preissing, Christopher Andrew. “Intermedical relationships among component arts in combined art works.” D.M.A. diss., University of Illinois at Urbana-Champaign, 2008.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations