Rathert, Wolfgang
Year: 2004
Complete Citation:
Rathert, Wolfgang. “Musik und Lyrik in der Musikgeschichte der USA.” In Musikalische Lyrik, edited by Hermann Danuser, 331-363. Handbuch der musikalischen Gattungen 8.2, edited by S. Mauser. Lilienthal, Germany: Laaber-Verlag, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 2004
Complete Citation:
Rathert, Wolfgang. “Hymne auf das Ende eines tragischen Tages. Charles Ives und sein “Orchestral Set No. 2.”” Neue Musikzeitung 5 (May 2004): 3-4.Source: Journal
IV. Individual Studies by Genre
E. Songs
Raynes, Bethany
Year: 2012
Complete Citation:
Raynes, Bethany. “Examination of musical works by Bach, Fauré, Ives, Sarasate, and Mendelssohn: research in conjunctioin with a graduate violin recital.” M.M. thesis, University of Texas at San Antonio, 2012.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Rayson, John Baird
Year: 1982
Complete Citation:
Rayson, John Baird. “The problem of style in the songs of Charles Ives.” M.A. Thesis, University College, Cardiff, 1982.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Reed, Alice S.
Year: 2005
Complete Citation:
Reed, Alice S. Charles Edward Ives and his Piano sonata no. 2 "Concord, Mass. 1840-1860.” Victoria, BC: Trafford Publishing, 2005.Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
Reichert, Linda
Year: 1996
Complete Citation:
Reichert, Linda. “Charles Ives and quarter-tone music: a transcription of "Three Quarter-tone Pieces for Two Pianos.” D.M.A. Thesis, Temple University, 1996.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Reinhard, Johnny
Year: 2004
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2005
Notes: An article explaining some of the decisions the author/conductor made in preparing a "realization" of the Universe Symphony for performance.
Source: Online article
IV. Individual Studies by Genre
A. Orchestral and Band Works
Reitz, Howard D.
Year: 1969
Complete Citation:
Reitz, Howard D. “Performance-related research document no. 1.” D.M.A. research project, University of Colorado, 1969.Source: D.M.A. Research Project
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Repertoire & Standards National Committee, and Barbara Tagg
Year: 2003
Complete Citation:
Repertoire & Standards National Committee and Barbara Tagg. “Resources: Books, Articles, Organizations and Web Sites Related to American Choral Music.” The Choral Journal 43/8 (2003): 57-71.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Repertoire & Standards National Committee Chairs
Year: 2003
Complete Citation:
Repertoire & Standards National Committee Chairs. “Selected American Choral Repertoire.” The Choral Journal, vol. 43, no. 8 (2003): 49-54.Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Rescigno, Eduardo
Year: 1967
Complete Citation:
Rescigno, Eduardo. “Ascoltando il disco: [Charles Edward Ives] Holi-days Symphony.” La Musica Moderna 1/26 (1967): 158--160.Notes: Discussion of “A Symphony: New England Holidays” for the inserted recording.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Reti, Rudolph
Year: 1958
Complete Citation:
Reti, Rudolph. Tonality, Atonality, Pantonality: A Study of Some Trends in Twentieth Century Music, 43, 63-65, 89, 149-151. New York, NY: Macmillan, 1958.Notes: Discusses Con-cord Sonata and Symphony No. 4.
Source: Book
Reprints: Reti, Rudolph. <i>Tonality in Modern Music</i>, 61, 82-84, 107, 171, 173. New York, NY: Collier Books, 1962. * Reti, Rudolph. <i>Tonalidad, Atonalidad, Pantonalidad</i>. Translated to Spanish by Joaquín Homs. Madrid, Spain: Rialp, 1965.
IV. Individual Studies by Genre
C. Keyboard Works
Rexroth, Dieter
Year: 1979
Complete Citation:
Rexroth, Dieter. “Ein amerikanischer Denkstil in der Concord-Sonate. Zu einem Aspekt des Transzendentalisten Charles E. Ives.” In Zwischen den Grenzen: Zum Aspekt des Nationalen in der Neuen Musik, 54-61. Frankfurter Studien, Vol. 3. Mainz, Germany: Schott, 1979.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Ribakove, Seymour L.
Year: 1962
Complete Citation:
Ribakove, Seymour L.. “A Prophet without Honor.” Keyboard Jr. 20/7 (April 1962): 1, 4.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Richardson, Paul Akers
Year: 1979
Complete Citation:
Richardson, Paul Akers. “A Guide for the Study of Solo Song Literature in the English Language by Selected Composers of the Twentieth Century.” Ph.D. diss., The Southern Baptist Theological Seminary, 1979.Source: Ph.D. Dissertation
IV. Individual Studies by Genre
E. Songs
Riepe, Russell
Year: 1969
Complete Citation:
Riepe, Russell. “Charles Ives: Robert Browning Overture.” M.A. Thesis, University of Rochester, 1969.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Riis, Thomas L.
Year: 2004
Complete Citation:
Riis, Thomas L. “Memory, Form, and Invention in Charles Ives's Fourth Violin Sonata.” Paper presented at The Society for American Music Conference [Session 8a]. Cleveland, Ohio, March 12, 2004.
Source: Conference
IV. Individual Studies by Genre
B. Chamber Works
Riley, Owen Howard
Year: 2003
Complete Citation:
Riley, Owen Howard. “Charles Ives, Duke Ellington, Aaron Copland: a search for an American identity in early twentieth century American music.” M.A. Thesis, California State University, Dominguez Hills 2003.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Rinehart, John McLain
Year: 1970
Complete Citation:
Rinehart, John McLain. “Ives’ Compositional Idioms: An Investigation of Selected Short Compositions as Microcosms of His Musical Language.” Ph.D. diss., Ohio State University, 1970.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
