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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
(-) VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Thoegersen, Peter Alexander

Year: 2012
Complete Citation:
Thoegersen, Peter Alexander. “Polytempic polymicrotonal music: “a road less traveled”.” Urbana, Illinois: University of Illinois at Urbana-Champaign, 2012.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Thomas, Philip

Year: 1996
Complete Citation:
Thomas, Phillip. “Music for One or More Alternately Tuned Acoustic Pianos, 1920-1993: Trends in Melody, Harmony, and Technique.” Ph.D. diss., University of Cincinnati, 1996.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Thompson, Bradley L.

Year: 2006
Complete Citation:
Thompson, Bradley L. “A matter of time: a lecture-recital on temporal issues in selected songs of Charles Ives.” D.M.A. Thesis, University of Colorado, 2006.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Thompson, William Curt

Year: 2004
Complete Citation:
Thompson, William Curt. “The Fourth Sonata for Violin and Piano (“Children’s Day at the Camp Meeting”) by Charles Ives: Contextual, Structural, and Stylistic Considerations." D.M.A. dissertation. Rice University, 2004.
Source: D.M.A. Dissertation
IV. Individual Studies by Genre
B. Chamber Works

Thomson, Alexander J.

Year: 1969
Complete Citation:
Thomson, Alexander J. “Charles Ives: An Analysis and Application of His Scoring Techniques.” M.S. thesis, Western Connecticut State Uni-versity, 1969.
Source: M.S. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Year: 1969
Complete Citation:
Thomson, Alexander J. “Charles Ives: an analysis and application of his scoring technique.” M.S. Thesis, Western Connecticut State University, 1969.
Source: M.S. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Thomson, Virgil

Year: 1949
Complete Citation:
Thomson, Virgil. “New Symphonies.” New York Herald Tribune. Feb-ruary 20, 1949, sec. 5, 5.
Source: Newspaper
Reprints:

Thomson, Virgil. “New Symphonies.” In <i>Music Right and Left</i>, 108-111. New York, NY: Henry Holt, 1951.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Thurmaier, David

Year: 2006
Complete Citation:
Thurmaier, David. “Kaboom! The Development of Explosions in The Fourth of July by Charles Ives.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2013
Complete Citation:
Thurmaier, David. “Charles Ives and the Horn.” The Horn Call: Journal of the International Horn Society, Vol. 43, No. 2 (2013): 59-63.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Thurmaier, David Paul

Year: 2006
Complete Citation:
Thurmaier, David Paul. “Time and Compositional Process in Charles Ives’s Holidays Symphony.” Ph.D. diss., Indiana University, 2006.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Tipton, Julius R.

Year: 1970
Complete Citation:
Tipton, Julius R. “Some Observations on the Choral Style of Charles Ives.” American Choral Review, Vol. 12, No. 3 (1970): 99.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1970
Complete Citation:
Tipton, Julius R. “Some Observations of the Choral Style of Charles Ives.” American Choral Review 12/3 (July 1970): 99-105.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Tischer, Matthias

Year: 2004
Complete Citation:
Tischer, Matthias. “Vielheit und Einheit im Dialog: Stichworte zu Charles Ives’ Musik für Theaterorchester.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 157--162. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Toncitch, Vonya

Year: 1972
Complete Citation:
Toncitch, Voya. “‘Three Page Sonata’ by Charles Ives.” Melos 5 (Septem-ber-October 1972): 277-279.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Treat, William Upton

Year: 1933
Complete Citation:
Treat, William Upton. “Aspects of the Modern Art-Song.” The Musical Quarterly XXIV, 1 (January 1933): 11-30.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Treybig, Joel

Year: 2007
Complete Citation:
Treybig, Joel. “Understanding “The Unanswered Question.”” ITG Journal: The International Trumpet Guild, Vol. 31, No. 3 (2007): 32-35, 46.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Trott, Donald

Year: 1991
Complete Citation:
Trott, Donald. “The Choral Music of Charles Ives.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.
Source: Conference paper
IV. Individual Studies by Genre
D. Choral Works

Tryon, Winthrop P.

Complete Citation:
Tryon, Winthrop P. “New Yorker Writing Music for Quarter-Tone Piano.” Christian Science Monitor, January 13, 1925, 10.
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1924
Complete Citation:
Winthrop P. Tryon. “Folksong and Hymn Tunes of America.” Christian Science Monitor (November 29, 1924): 18.
Source: Newspaper
IV. Individual Studies by Genre
E. Songs
Year: 1925
Complete Citation:
Tryon, Winthrop P. “Quarter-Tone Experiments.” Christian Science Monitor, February 7, 1925, 8.
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works