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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
(-) VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Young III, Harmon Griffith

Year: 1995
Complete Citation:
Young III, Harmon Griffith. “The Sacred Choral Music of Dave Brubeck: A Historical, Analytical, and Critical Examination.” Ph.D. diss., University of Florida, 1995.
Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Young, Jerry Lee

Year: 1980
Complete Citation:
Young, Jerry Lee. “Characteristics of traditional Western art music as symbolic and structural elements in the music of Charles E. Ives.” M.Mus. Thesis, University of Texas at Austin, 1980.
Source: M.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Zechel, Charles

Year: 1981
Complete Citation:
Zechel, Charles. “Not for sissy ears: stream-of-consciousness in the music of Charles Ives.” B.A. Thesis, Reed College, 1981.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Zimmermann, Walter and Larry Austin

Year: 1981
Complete Citation:
Austin, Larry and Walter Zimmermann. “Gespräch fiber die Rekonstruktion von Ives’ «Universe Symphony.»” Insel Music, edited by Walter Zimmermann. Cologne, Germany: Beginners Press, 1981.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Zobel, Mark

Year: 2006
Complete Citation:
Zobel, Mark. “Musical Borrowing and Religious Symbolism in Charles Ives’s Third Symphony.” Paper presented at the Thirty--second Conference of the Society for American Music. Chicago, Illinois, 2006.
Source: Conference paper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Zobel, Mark. The Third Symphony of Charles Ives. Hillsdale, NY: Pendragon Press, 2009.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Zobel, Mark A.

Year: 2005
Complete Citation:
Zobel., Mark A. “‘Music Close to the Soul and Deeply Felt’: The Use of American Hymn Tunes in Charles Ives’s Third Symphony.” Ph.D. diss., University of Colorado- Boulder, 2005.
Notes:

The author stresses his own interpretations of the protestant religious connotations of the hymn-tunes as used by Ives. See B1533.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

no author listed

Complete Citation:
“Exploring Ives’s Formal Vocabulary through His String Quartets.” Paper presented at Ives the Commuter. Bloomfield Presbyterian Church, Bloomfield, NJ, February 1999.
Notes:

Performers include Jennifer Sacher-Wiley and Denise Huizenga, violins; Renee Moore Skerik, viola; Jonathan Chenoweth, cello

IV. Individual Studies by Genre
B. Chamber Works
Year: 1902
Complete Citation:
“A New Cantata.” The New York Times, April 20, 1902, 14.
Source: Newspaper
Reprints:

“A New Cantata.” In <i>Charles Ives and His World</i>, compiled by Geoffrey Block and edited by J. Peter Burkholder, 275-276. Princeton, NJ: Princeton University Press, 1996.

IV. Individual Studies by Genre
D. Choral Works
Year: 1902
Complete Citation:
“Charles E. Ives’ Concert and New Cantata, ‘The Celestial Country.’” Musical Courier 44/17 (April 23, 1902): 34.
Source: Journal
Reprints:

“Charles E. Ives’ Concert and New Cantata, ‘The Celestial Country.’” In Charles Ives and His World, compiled by Geoffrey Block and edited by J. Peter Burkholder, 276-277. Princeton, NJ: Princeton University Press, 1996.

IV. Individual Studies by Genre
D. Choral Works
Year: 1921
Complete Citation:
“Concord Unconquered.” Musical Courier, April 28, 1921, 22.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1921
Complete Citation:
“A Futuristic Sonata.” Musical Advance, (April 1921): 16.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1922
Complete Citation:
“Music Club Hears Lecture Recital on Modern Sonata.” Atlantic Constitution, January 5, 1922, 10.
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1927
Complete Citation:
“Ives Composes Sonata in Modern Style.” Danbury Evening Times, November 19, 1927.
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1927
Complete Citation:
“Concord.” Birmingham Age-Herald (October 14, 1927).
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1932
Complete Citation:
“Contemporary American Music Heard.” New York Herald Tribune. May 2, 1932: 8.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1933
Complete Citation:
“4th Symphony.” Trend 2 (September-October 1933): 20.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1953
Complete Citation:
Ten Songs by Charles Ives. Musical Courier 148, no. 6 (November 15, 1953): 26.
Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1966
Complete Citation:
“Essays Before a Sonata: Prologue.” Boston Symphony Orchestra Programs. Eighth Program (November 25 and 26, 1966): 495-496, 498, 500-501, 503, 505.
Source: Concert Program
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1969
Complete Citation:
“Charles Ives “Evening.”” Milton Quarterly, vol. 3, no. 2 (1969): 23-23.
Source: Journal
IV. Individual Studies by Genre
E. Songs