decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
(-) VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Cooney, Denise Van Glahn

Year: 1996
Complete Citation:
Cooney, Denise Van Glahn. “A Sense of Place: Charles Ives and ‘Putnam’s Camp, Redding, Connecticut.” American Music 14/3 (Fall 1996): 276-312.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Cooney, Denise Von Glahn

Year: 1997
Complete Citation:
Cooney, Denise Von Glahn. “New Sources for The ‘St. Gaudens’ in Boston Common (Colonel Robert Gould Shaw and His Colored Regiment).” Musical Quarterly 8 (Spring 1997): 13-50.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Copland, Aaron

Year: 1934
Complete Citation:
Copland, Aaron. “One Hundred and Fourteen Songs.” Modern Music (January--February 1934) 11/2: 59--64.
Notes:

Discussion of selected songs.

Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1934
Complete Citation:
Copland, Aaron. “One Hundred and Fourteen Songs.” Modern Music, 11/2 (January 1934): 59-64.
Source: Journal
Reprints:

Copland, Aaron. “One Hundred and Fourteen Songs.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder, 307-312. Princeton, NJ: Princeton University Press, 1996.

IV. Individual Studies by Genre
E. Songs

Cornett-Murtada, Vanessa

Year: 2004
Complete Citation:
Cornett-Murtada, Vanessa. “Quotation, revolution, and American culture: the use of folk tunes and the influence of Charles Ives in Frederic Rzewski's North American ballads for solo piano.” D.M.A. Thesis, University of North Carolina at Greensboro, 2004.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Covington, Katherine Russell

Year: 1982
Complete Citation:
Covington, Katherine Russell. “A Study of Textural Stratification in 20th- century Compositions.” Ph.D. diss., Indiana University, 1982.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Cowell, Henry.

Year: 1949
Complete Citation:
Cowell, Henry. “Review of Three-Page Sonata.” The Musical Quarterly vol. 35 (1949).
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Cox, Paul Walthen

Year: 1970
Complete Citation:
Cox, Paul Wathen. “An Analysis of Sonority Types in Selected Songs of Charles Ives.” M.M. thesis, Indiana University, 1970.
Notes:

Discusses certain sonorities, quartal and quintal chords, polychords, clusters, and hybrid sonorities. Thirty-eight songs analyzed. Appendix B lists 114 Songs in chronological order with authors of the texts.

Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Cox, Paul Wathen

Year: 1970
Complete Citation:
Cox, Paul Wathen. “An analysis of sonority tapes in selected songs of Charles Ives.” M.M. Thesis, Indiana University, 1970.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Crain, Timothy Mark

Year: 1995
Complete Citation:
Crain, Timothy Mark. “Rhythm and form in Ives's Scherzo (Over the pavements).” M.M. thesis, University of Alabama, 1995.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Crane, Frederick

Year: 1982
Complete Citation:
Crane, Frederick. “How Should the Jew’s Harp Part of ‘Washington’s Birth-day' be played?” Verundzwanzigsteljahrsschrift der Internationalen Maultrommelvirtuosengenossenschaft 1 (1982): 49-57.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Crook, David W.

Year: 1980
Complete Citation:
Crook, David W. “Charles Ives and nineteenth century American household music.” B.A. thesis, Redlands, CA: University of Redlands, 1980.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Crunden, Robert M.

Year: 1974
Complete Citation:
Crunden, Robert M. “Charles Ives’ Innovative Nostalgia.” The Choral Journal 15/4 (December 1974): 5-12.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 1974
Complete Citation:
Crunden, Robert M. “Charles Ives: The Man and His Music: Charles Ives’ Innovative Nostalgia.” The Choral Journal, vol. 15, no. 4 (1974): 5-12.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Crutchfield, Will

Year: 1985
Complete Citation:
Crutchfield, Will. “The ‘Concord’ Sonata: An American Masterpiece.” Opus 1, no. 4 (June 1985): 21-22.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Cuffiani, Barbara

Year: 1996
Complete Citation:
Cuffiani, Barbara. “Gli Studi per pianoforte di Charles Edward Ives: studio sulla genesi e la tradizione dei testi musicali.” Ph.D. diss., Università di Pavia, 1996.
Source: Ph.D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Curtis, Daniel

Year: 2008
Complete Citation:
Curtis, Daniel. “A conductor's thesis in three parts.” B.A. thesis, Amherst College, 2008.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Cyr, Gordon

Year: 1971
Complete Citation:
Cyr, Gordon. “Intervallic Structural Elements in Ives’ Fourth Symphony.” Perspectives of New Music 9/2 and 10/1 (1971): 291-303.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1972
Complete Citation:
Cyr, Gordon. "Orchestral Music: by Charles Ives.” Notes, Vol. 29, Issue 2 (December 1972): 319.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Darby, Joseph Eugene

Year: 1992
Complete Citation:
Darby, Joseph Eugene. “Charles Ives's second string quartet and the European tradition.” M.Mus. thesis, University of Illinois at Urbana-Champaign, 1992.
Source: M.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses