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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

O’Donnell, Shaugn J.

Year: 1997
Complete Citation:
O’Donnell, Shaugn J. “Transformational voice leading in atonal music.” Ph.D. diss., City University of New York, 1997.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

O’Kelly, Kevin

Year: 1989
Complete Citation:
O’Kelly, Kevin. “The Songs of Charles Ives and the Cultural Contexts of Death.” Ph.D. diss., University of North Carolina, 1989.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Ober, William B.

Year: 1964
Complete Citation:
Ober, William B. Liner notes for Ives String Quartets. Kohon String Quartet. Vox STDL 501120, 1964, 33.3 RPM.
Source: Liner notes
IV. Individual Studies by Genre
B. Chamber Works

Oliver, Michael, Vivian Perlis, Wilfrid Mellers, and David Nicholls

Year: 1996
Complete Citation:
Oliver, Michael, Vivian Perlis, Wilfrid Mellers, and David Nicholls. “Panel Discussion: Charles Ives: The Unanswered Question.” The Unanswered Question [Festival]. Barbican Centre; Leadenhall Market; St. Giles Church, Cripplegate; London, United Kingdom, January 19 to 21, 1996.
Source: Panel Discussion
IV. Individual Studies by Genre
A. Orchestral and Band Works

Olson, Kenneth E.

Year: 1981
Complete Citation:
Olson, Kenneth E. Music and Muskets: Bands and Bandsmen of the American Civil War, 83. Contributions to the Study of Music and Dance, 1. Westport, CT: Greenwood Press, 1981.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Orr, N. Lee

Year: 1996
Complete Citation:
Orr, N. Lee. “Research Report.” Choral Journal, Vol. 37, No. 3 (1996): 49-52.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Osborne, William

Year: 1990
Complete Citation:
Osborne, William. “Charles Ives the Organist.” The American Organist (July 1990): 58-64.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Osowski, Kenneth M.

Year: 2005
Complete Citation:
Osowski, Kenneth M. “The continuing spirit of Emerson and Beethoven in Ives's Concord sonata.” D.M.A. thesis, Peabody Conservatory of Music, 2005.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Owens, Thomas Clarke

Year: 1999
Complete Citation:
Owens, Thomas Clarke. "Charles Ives and his American context: images of "Americanness" in the arts.” Ph.D. diss., Yale University, 1999.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Palmer, Kenneth Robert

Year: 1986
Complete Citation:
Palmer, Kenneth Robert. “A performer's guide to Charles Ives' piano sonata no. 2 "Concord, Mass., 1840-1860"; Quintet for piano and strings.” Ph.D. diss., Washington University, 1986.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Pappastavrou, George

Year: 1974
Complete Citation:
Pappastavrou, George. “Ives's Quarter-Tone Pieces.” Clavier 13/7, 1974, 31-32.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Park, Fye-kyung

Year: 2013
Complete Citation:
Park, Hye-kyung. “음악에서의 해체: 아이브즈 (C Ives)의 General William Booth Enters into Heaven에 나타나는 이항대립, 유표성, 음양.” 연세음악연구, no. 20 (2013): 103.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Park, Hyun

Year: 2008
Complete Citation:
Park, Hyun. “Selected American Violin Works and their European Context.” D.M.A. diss., University of Maryland, College Park, 2012.
Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Parr, Sean

Year: 2005
Complete Citation:
Parr, Sean. “Singing the Unsingable: Ives and His 114 Songs.” Paper presented at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.
Source: Conference paper
IV. Individual Studies by Genre
E. Songs

Parthun, Paul

Year: 1975-76
Complete Citation:
Parthun, Paul. “Concord, Charles Ives, and Henry Bellaman.” Student Musicologists at Minnesota 6 (1975-76): 66-86.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Patterson, Frank

Year: 1927
Complete Citation:
Patterson, Frank. “The Circus.” Musical Courier. February 10, 1927, 28.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Paul, David Christopher

Year: 2006
Complete Citation:
Paul, David Christopher. “Converging paths to the canon: Charles Ives, Gustav Mahler, and American culture.” Ph.D. Diss., University of California, Berkeley, 2006.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Perlis, Vivian

Year: 1996
Complete Citation:
Perlis, Vivian. “Ives Spirit Moves Brits.” Piano & Keyboard (1996): 12-14.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Pergament, Moses

Year: 1933
Complete Citation:
Pergament, Moses. “Fourth of July.” Svenska Dogbladet [Stockholm], November 1933, 35.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works

Perkins, Lawrence

Year: 1961
Complete Citation:
Perkins, Lawrence. “The Sonatas for Violin and Piano by Charles Ives.” Master’s Essay, Eastman School of Music, University of Rochester, 1961.
Notes:

Unpublished

Source: Master’s Thesis
IV. Individual Studies by Genre
B. Chamber Works