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Bibliography

Carson, Gerald

Year: 1965
Complete Citation:
Carson, Gerald. “The Piano in the Parlor.” American Heritage, December 1965.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works

Carter, Chandler

Year: 2001
Complete Citation:
Carter, Chandler. “‘Coke Cans and Chain Mail’: Contemplating Diver-sity and Unity in Charles Ives’s Tom Sails Away.” Paper presented at Annual Meeting of the Music Theory Society of New York State. New York University, New York, New York, April 8, 2001.
Source: Conference Paper
IV. Individual Studies by Genre
E. Songs

Charles, Sydney Robinson

Year: 1967
Complete Citation:
Charles, Sydney Robinson. “The Use of Borrowed Materials in Ives’ Second Symphony.” The Music Review, 28/2 (May, 1967): 102-111.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Chasins, Abram

Year: 1979
Complete Citation:
Chasins, Abram. Leopold Stokowski: A Profile, 219, 236-237, 242. New York, NY: Hawthorne Books, 1979.
Notes:

Discusses Stokowski’s performance of Ives Symphony No. 4, and Stokowski’s list which includes the Robert Browning Overture and Symphony No. 4.

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Chau, Paul S.

Year: 1982
Complete Citation:
Chau, Paul S. “The piano trio paul chau.” D.M.A. diss., University of Colorado, 1982.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Chernov, Eric B.

Year: 2009
Complete Citation:
Chernov, Eric B. “Where the truer beauties lie: analytical issues in four unbarred songs by Charles Ives.” Ph.D. Dissertation, State University of New York at Buffalo, 2009.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Chien, Gloria

Year: 2004
Complete Citation:
Chien, Gloria. “Comic and cosmic : the idiosyncratic humor of Charles Ives as illustrated in his scherzos and take-offs.” D.M.A. Thesis, New England Conservatory of Music, 2004.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Childs, Andrew S.

Year: 2004
Complete Citation:
Childs, Andrew S. “The Children’s Hour: The Thematic Voice of Childhood in the Songs of Charles Ives.” D.M.A. diss., Univer-sity of Washington, 2004.
Source: D.M.A. Dissertation
IV. Individual Studies by Genre
E. Songs
Year: 2004
Complete Citation:
Childs, Andrew S. “The children's hour: the thematic use of childhood in the songs of Charles Ives.” D.M.A. Thesis, University of Washington, 2004.
Source: D.M.A. Thesis
A. Dissertations

Chmaj, Betty E.

Year: 1989
Complete Citation:
Chmaj, Betty E. "Charles Ives and the Concord Sonata.” In Poetry and the fine arts: papers from the poetry sessions of the European Association for American Studies Biennial Conference, Rome 1984, edited by Hagenbüchle, Roland and Jacqueline Saunier-Ollier.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Christy, Van A.

Year: 1979
Complete Citation:
Christy, Van A. Foundations in Singing, 56-60. 4th ed. Dubuque, IA: Wm. C. Brown Company, 1979.
Notes:

Includes examples from At Sea, At the River, Evening, The Indians, and Remembrance.

Source: Book
IV. Individual Studies by Genre
E. Songs

Christiansen, Larry A.

Year: 1969
Complete Citation:
Christiansen, Larry A. “Charles E. Ives and the Sixty-Seventh Psalm.” Music: The AGO & RCCO Magazine III, February 1969, 20-21.
Source: Magazine
IV. Individual Studies by Genre
D. Choral Works
Year: 1969
Complete Citation:
Christiansen, Larry A. “Charles E. Ives and the Sixty--Seventh Psalm.” Music/AGO-RCCO Magazine 3/2 (February 1969): 20-21.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Clark, Sondra Rae

Complete Citation:
Clark, Sondra Rae. “Ives and the Assistant Soloist.” Clavier 13/7 (1974): 17-20, 30.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1966
Complete Citation:
Clark, Sondra Rae. “The Transcendental Philosophy of Charles E. Ives as Expressed in ‘The Second Sonata for Pianoforte, “Concord, Mass., 1840-1860,”’” Master’s Thesis, San Jose State College, 1966.
Notes:

Unpublished Master’s Thesis

Source: Master’s Thesis
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1972
Complete Citation:
Clark, Sondra Rae. “The Evolving Concord Sonata: A Study of Choices and Variants in the Music of Charles Ives.” Ph.D. diss., Stanford University, 1972.
Source: Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1974
Complete Citation:
Clark, Sondra Rae. “The Elements of Choice in Ives’s Concord Sonata.” The Musical Quarterly 60 (1974): 167-186.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1974
Complete Citation:
Clark, Sondra Rae. “The Element of Choice in Ives’s ‘Concord Sonata.’” Musical Quarterly 60/2 (April 1974): 167-186.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Clooney, Denise von Glahn

Year: 1995
Complete Citation:
Clooney, Denise von Glahn. “Reconciliations: Time, Space, and the American Place in Music of Charles Ives.” Ph.D. diss., University of Washington, 1995.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Coakley, John P.

Year: 1982
Complete Citation:
Coakley, John P. “The artistic process as religious enterprise: the vocal texts of Charles Ives and the poetry of E.E. Cummings.” Ph.D. diss., Brown University, 1982.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations