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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Bogulavsky, Johanna

Year: 1995
Complete Citation:
Bogulavsky, Johanna. “Reception theory as a technique for musical analysis : the case of Charles E. Ives' "Putnam's Camp”.” M.M. thesis, Columbia University, 1995.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Borgman, George Allan

Year: 1953
Complete Citation:
Borgman, George Allan. “Nationalism in Contemporary Music.” M.M. thesis, Indiana University, 1953.
Notes:

Numerous citations for Ives.

Source: M.M. thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bowden, Derek T.

Year: 2004
Complete Citation:
Bowden, Derek T. “Musical journeys across the American landscape: American sense of place and landscape revealed through national anthems and selected works of Aaron Copland and Charles Ives.” M.A. Thesis, University of Delaware, 2004.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bowman, David

Year: 1996
Complete Citation:
Bowman, David. “Three Songs by Fauré, Ives and Gershwin.” Music Teacher, Vol. 75, No. 11 (1996): 15, 17-19, 21.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Bozynski, Michelle Carole

Year: 1995
Complete Citation:
Bozynski, Michelle Carole. “Transcendentalism and social context as meaning in the music of Charles Ives: a case study of The things our fathers loved.” M.Mus. Thesis, University of Alberta, 1995.
Source: M.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bradley, David

Year: 1995
Complete Citation:
Bradley, David. “Songs of Charles Ives & Ernst Bacon.” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 52, No. 2 (1995): 75-76.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Brandt, R. Lynne

Year: 1998
Complete Citation:
Brandt, R. Lynne. “Transcendentalism and intertextuality in Charles Ives's war songs of 1917.” M.M. Thesis, University of North Texas, 1998.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Briggs, John

Year: 1955
Complete Citation:
Briggs, John. “24 Ives Songs.” The New York Times. June 5, 1955, sec. 2: 11.
Source: Newspaper
IV. Individual Studies by Genre
E. Songs
Year: 1965
Complete Citation:
Briggs, John. “Notes on the Program.” New York Philharmonic Program (1965): 17.
Source: Concert Program
IV. Individual Studies by Genre
A. Orchestral and Band Works

Brion, Keith, James Sinclair, and Jonathan Elkus

Year: 1974
Complete Citation:
Brion, Keith, James Sinclair, and Jonathan Elkus. “Ives for Band.” Instrument 29 (October 1974): 60-62.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Brodhead, Thomas M.

Complete Citation:
Brodhead, Thomas M. “Ives 4th Symphony 2nd Movement: Color-Coded Quotation Analysis.” Unpublished manuscript.
Source: Unpublished manuscript.
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1994
Complete Citation:
Brodhead, Thomas M. “Ives’s Celestial Railroad and his Fourth Symphony.” American Music 12, No. 4 (1994): 389-424.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Brooks, William

Year: 1974
Complete Citation:
Brooks, William. “Unity and Diversity in Charles Ives’s Fourth Symphony.” Anuario interamericano de investigacion musical/Yearbook for Inter-American Musical Research 10 (1974): 5-49.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1974
Complete Citation:
Brooks, William. “Unity and Diversity in Charles Ives’s Fourth Symphony.” Yearbook for inter-American Musical Research 10 (1974): 5-49.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1984
Complete Citation:
Brooks, William. “A Drummer Boy Looks Back: Percussion in Ives’ ‘Fourth Symphony’.” Percussive Notes 22 (1984): 4-45.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1984
Complete Citation:
Brooks, William. “A Drummer-Boy Looks Back: Percussion in Ives’s Fourth Symphony.” Percussionist 22, no. 6 (1984), p. 4-45.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works

Bruce-Clyne, Katherine

Year: 1993
Complete Citation:
Bruce-Clyne, Katherine. “Analyses of ten songs by Charles Edward Ives.” M.A. thesis, City College of New York, 1993.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bruhn, Christopher

Year: 2005
Complete Citation:
Bruhn, Christopher. “‘A Shamelessly Personal Batch of Choices’: The Kirkpatrick ‘Copy’ of Ives's Concord Sonata.” Paper presented at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.
Source: Conference paper
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2011
Complete Citation:
Bruhn, Christopher. “The Transitive Multiverse of Charles Ives’s ‘Concord’ Sonata.” Journal of Musicology 28.2 (Spring 2011): 166-194.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Bruzaud, Radosveta

Year: 2004
Complete Citation:
Bruzaud, Radosveta. “La Notion de Musique à Programme dans les Poèmes Symphoniques de Charles Ives.” L’éducation Musicale (2004): 21-29.
Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works