Henck, Herbert
Year: 2004
Complete Citation:
Henck, Herbert. “‘Do whatever seems natural or best to you’: Noten- text und Interpretation von Charles Ives’ Concord Sonata.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 116-122. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Hermann, Bernard
Year: 1945
Complete Citation:
Hermann, Bernard. “Four Symphonies by Charles Ives.” Modern Music, vol. 22, no. 6 (November-December 1945).Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Herrmann, Bernard
Year: 1945
Complete Citation:
Herrmann, Bernard. “Four Symphonies of Charles Ives.” Modern Music 22 (1945): 215-222.Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Hertz, David Michael
Year: 1996
Complete Citation:
Hertz, David Michael. “European Influences: Ives and the Piano.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 43-46. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1997
Complete Citation:
Hertz, David Michael. “Ives's Concord Sonata and the Texture of Music.” In Charles Ives and His World, edited by J. Peter Burkholder, 75-117. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Hewett, Ivan
Year: 2013
Complete Citation:
Hewett, Ivan. “The Latest in our Series on Short Works by the World’s Greatest Composers; Ivan Hewett’s Classic 50; no 21 Charles Ives - the Housatonic at Stockbridge.” Daily Telegraph, May 9, 2013, 27.Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Hines, Robert Stephen, ed.
Year: 1970
Complete Citation:
Hines, Robert Stephen, ed. The Orchestral Composer's Point of View: Essays on Twentieth -Cen-tury Music by Those Who Wrote It, 39-60. Norman, OK: The University of Oklahoma Press, 1970.Notes: An untitled essay by Elliott Carter mentions Ives several times (40, 58), indicating the difficulties of performing Ives’s orchestral works as well as the expan-siveness of Ives's orchestral scores. Several passing remarks about Ives in the articles by Ross Lee Finney and Gunther Schuller [Remarks that Ives’s music was not being performed by orchestral musicians in the 1940s.]
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Hinson, Maurice
Year: 1974-1975
Complete Citation:
Hinson, Maurice. “The Solo Piano Music of Charles Ives.” Piano Quarterly 88 (Winter 1974-1975): 32-35.Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 1983
Complete Citation:
Hinson, Maurice. Music for More Than One Piano: An Annotated Guide, 96-91. Bloomington, IN: Indiana University Press, 1983.Notes: Discusses Three Quarter-Tone Pieces for two pianos and Calcium Light Night.
Source: Book
IV. Individual Studies by Genre
C. Keyboard Works
Hinson, Maurice and Wesley Roberts
Year: 2014
Complete Citation:
Hinson, Maurice and Wesley Roberts. “I.” In Guide to the Pianist's Repertoire, Fourth Edition, 4th ed., 528-537. Bloomington, IN: Indiana University Press, 2014.Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works
Hitchcock, H. Wiley
Year: 1974
Complete Citation:
Hitchcock, H. Wiley. “Report on the Charles Ives Centennial Festival-Conference, 17-21 October 1974.” Newsletter - Institute for Studies in American Music 4, no. 1 (Fall 1974): 1.Source: Newsletter
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1977
Complete Citation:
Hitchcock, H. Wiley. “Charles Ives’s Book of 114 Songs.” In A Musical Offering: Essays in Honor of Martin Bernstein, edited by Edward H. Clinksdale and Claire Brook, 127-135. New York, NY: Pendragon Press, 1977.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Year: 1997
Complete Citation:
Hitchcock, H. Wiley. “‘A grand and glorious noise!’: Charles Ives as Lyri-cist.” American Music 15/1 (Spring 1997): 26-44.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1997
Complete Citation:
Hitchcock, H. Wiley. ““A grand and glorious noise!”: Charles Ives as Lyricist.” American Music 15/1 (1997): 26-44.Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 1999
Complete Citation:
Hitchcock, H. Wiley. “Ives’s 114 [+15] Songs and What He Thought of Them.” Journal of the American Musicological Society 52/1 (Spring 1999): 97-144. Source: Journal
IV. Individual Studies by Genre
E. Songs
Year: 2004
Complete Citation:
Hitchcock, H. Wiley. “Ives as Songwriter and Lyricist.” In 129 Songs, edited by H. Wiley Hitchcock, xvii--lxxi. Music of the United States of America, No. 12. Middle-town, WI: A--R Editions, 2004.Source: Chapter in Book
IV. Individual Studies by Genre
E. Songs
Hitchcock, H. Wiley, and Noel Zahler
Year: 1988
Complete Citation:
Hitchcock, H. Wiley, and Noel Zahler. “Just What Is Ives’s Unanswered Question?” Notes 44, No. 3 (March 1988).Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Hitchcock, H. Wiley and Vivian Perlis, eds.
Year: 1977
Complete Citation:
Hitchcock, H. Wiley and Vivian Perlis, eds. An Ives Celebration. Urbana, IL: University of Illinois Press, 1977.Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Hitchcock, H. Wiley, ed.
Year: 1974
Complete Citation:
Hitchcock, H. Wiley, ed. Charles Ives Centennial Festival-Conference. New York, NY: G. Schirmer and Associated Music Publishers, 1974.Source: Conference Publication
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Year: 2004
Complete Citation:
Hitchcock, H. Wiley. Critical Commentaries for Charles Ives - 129 Songs. Middleton, WI: A-R Editions, Inc., 2004.Source: Book
IV. Individual Studies by Genre
E. Songs
