decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
(-) IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Lyman, Zachary

Year: 2010
Complete Citation:
Lyman, Zachary. “Realizing Ives's Universe Symphony: An Interview with Johnny Reinhard.” American Music, vol. 28, no. 4, (2010): 459-480.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Lyman, Zachary and Larry Austin

Year: 2008
Complete Citation:
Lyman, Zachary, and Larry Austin. “Completing Ives's Universe Symphony: An Interview with Larry Austin.” American Music, vol. 26, no. 4 (2008): 442-473.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Mabry, Sharon

Year: 1989
Complete Citation:
Mabry, Sharon. “New Directions: Contemporary Chamber Works.” NATS Journal 45/3 (January-February 1989): 44.
Notes:

Discussion of Sunrise.

Source: Journal
IV. Individual Studies by Genre
B. Chamber Works

Macdonald, Calum

Year: 1995
Complete Citation:
Macdonald, Calum. Charles Ives: the unanswered question, Barbican Centre Friday 19 - Sunday 21 January, 1996. London, United Kingdom: BBC Radio 3, 1995.
Source: Program Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
B. Concert Series

Mack, Dieter

Year: 1994
Complete Citation:
Mack, Dieter. “Auf der Suche nach einer amerikanischen Musik? Zur Musiksprache von Charles Ives anhand der Three-Page-Sonata.” In Visionen und Aufhruche: Zur Krise der modernen Musik 1908-1933, edited by Gunther Metz. Hochschuldokumentationen zu Musikwissenschaft und Musikpadagogik Musikhochschule Freiburg No. 5. Kassel, Germany: Bosse, 1994, 201-233.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Magers, Roy V.

Year: 1977
Complete Citation:
Magers, Roy V. “Charles Ives’s Optimism: or, The Program’s Progress.” In Music in American Society, 1776-1976: from Puritan Hymn to Synthesizer, edited by George McCue, 73-86. New Brunswick, NJ: Transaction Books, 1977.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Maisel, Arthur

Year: 1981
Complete Citation:
Maisel, Arthur. “The ‘Fourth of July’ by Charles Ives. Mixed Harmonic Criteria in a 20th-Century Classic.” Theory and Practice VI (1981): 3-32.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1989
Complete Citation:
Maisel, Arthur. “Conference: Ives.” Musical Times 130/106 (February 1989): 107.
Notes:

Report on meeting of the New York Chapter of the American Musicological Society in the Sulzburger Parlour of Barnard College, Columbia University, New York. Session regarding claims set forth by Maynard Solomon. H. Wiley Hitchcock, moderator, with a panel of James Sinclair, Paul Echols, Philip Lambert, J. Peter Burkholder, and Vivian Perlis. Solomon was present to respond.

Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Mandel, Alan

Year: 1975-76
Complete Citation:
Mandel, Alan. “Charles Ives’s Music for the Piano.” Student Musicologists at Minnesota 6 (1975-76): 201-217.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2003
Complete Citation:
Mandel, Alan. “Piano Music by Elie Siegmeister, Kenneth Boulton.” American Music 21, no. 4 (Winter 2003): 532.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Mandel, Alan R.

Year: 1969
Complete Citation:
Mandel, Alan R. “The Keyboard Works of Charles Ives.” Lecture, American Musicological Society, Saint Louis, Missouri, De-cember 27--29, 1969.
Notes:

Points out that there are several versions of many of Ives’s compositions. Summary available in the “Abstracts of Papers Read at the Thirty--Third Annual Meeting of the American Musicological Society” (62--64).

Source: Lecture
IV. Individual Studies by Genre
C. Keyboard Works

Marks, Adam

Year: 2008
Complete Citation:
Marks, Adam. “American Piano Music. Program Notes.” Revue Française D'études Américaines, no. 117 (2008): 126-127.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2008
Complete Citation:
Marks, Adam. “American Piano Music. Program Notes.” Revue Française D'études Américaines, no. 117 (2008): 126-127.
Source: Magazine
IV. Individual Studies by Genre
C. Keyboard Works
Year: 2008
Complete Citation:
Marks, Adam. “American Piano Music. Program Notes.” Revue Française D'études Américaines, no. 117 (2008): 126-127.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Marsh, Robert C.

Year: 1967
Complete Citation:
Marsh, Robert C. The Cleveland Orchestra. Cleveland, OH: World Pub-lishing, 1967.
Notes:

Cites performances of From the Steeples and the Mountains, Scherzo: Over the Pavements,Symphony No. 2, The Unanswered Question, and Variations on “America” (orchestrated by William Schuman). Numerous passing remarks about Ives, especially the re-pertoire performed by the Cleveland Orchestra.

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Maske, Ulrich

Year: 1971
Complete Citation:
Maske, Ulrich. “Charles Ives in seiner Kammermusik für drei bis sechs Instrumente.” In Kölner Beiträge zur Musikforschung, Vol. 64. Regensburg, Germany: G. Bosse, 1971.
Source: Book
IV. Individual Studies by Genre
B. Chamber Works

Masselos, William

Year: 1954
Complete Citation:
Masselos, William. “Preface.” In Charles E. Ives, Sonata no. 1 for Piano, edited by Paul C. Echols with additional corrections by John A. Buchanan and Jerry E. Bramblett. New York, NY: Peer International, 1954, 1979.
Source: Preface to Score
IV. Individual Studies by Genre
C. Keyboard Works

Masterson, David Joseph

Year: 2001
Complete Citation:
Masterson, David Joseph. “An Analytic of Experimental Time in Charles Ives's Concord Sonata.” D.M.A. research project, University of Illinois, 2001.
Source: D.M.A. Research Project
IV. Individual Studies by Genre
C. Keyboard Works

Matter, Lothar

Year: 1988
Complete Citation:
Mattner, Lothar. “Komponierren ohne Heiligenschein: Kölner Festival: ‘Charles Ives und die amerikanische Musik.’” Neue Zeitschrift für Musik 149 (May 1988): 46.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Mauldin, Walt

Year: 1991
Complete Citation:
Mauldin, Walt. “The Influence of Gregg Smith on Twentieth-Century Choral Literature as a Composer and Conductor.” The Bulletin of Historical Research in Music Education 12/2 (1991): 83-99.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works