Image
decorative banner image

Bibliography

Stedman, Preston

Year: 1979
Complete Citation:
Stedman, Preston. The Symphony. Englewood Cliffs, NJ: Prentice-Hall, 1979.
Notes:

Only passing references. Expanded coverage in second edition.

Source: Book
Reprints:

Stedman, Preston. <i>The Symphony</i>, 350-365. 2nd ed. Englewood Cliffs, NJ: Prentice-Hall, 1992.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Stone, Kurt

Year: 1966
Complete Citation:
Stone, Kurt. “A Postscript on Ives’ Fourth.” The Musical Quarterly, Vol. 52 (1966).
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Stover, Harold

Year: 1997
Complete Citation:
Stover, Harold. “Charles Ives’s Variations on ‘America.’” American Organ-ist 31/11 (November 1997): 72-75.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Strack, Sandra S.

Year: 2013
Complete Citation:
Strack, Sandra S. Die Klavieretude im 20. Jhd.: Virtuose ‘Fingerübung für den Interpreten oder den Komponisten? - Analysen ausgewählter Beispiele. Marburg, Germany: Tectum Verlag, 2020.
IV. Individual Studies by Genre
C. Keyboard Works

Stringham, Edward J.

Year: 1921
Complete Citation:
Stringham, Edward J. “Ives Puzzles Critics with His Cubistic Sonata and ‘Essays’.” Rocky Mountain News (Denver), July 31, 1921, sec. 2, 1, 17.
Source: Newspaper
IV. Individual Studies by Genre
C. Keyboard Works

Struck-Schloen, Michael

Year: 1988
Complete Citation:
Struck-Schloen, Michael. “Köln, 24. Bis 27. Februar 1988: Internationales Symposion: ‘Charles Ives Und Die Amerikanische Musik.’” Die Musikforschung, vol. 41, no. 4 (1988): 356-357.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Stuck-Schoen, M.

Year: 1988
Complete Citation:
Stuck-Schloen, M. “Review of ‘Internationale Symposium’: "Köln, 24. bis 27. Februar 1988: International Symposium Charles Ives und die amerikanische Musik.” Die Musikforschung 41/4: 356-357.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Swafford, Jan

Year: 1989
Complete Citation:
Swafford, Jan. “The Trouble with Charlie.” Symphony 40/4 (July-August 1989): 78-81, 114-117.
Notes:

A brief biographical sketch.

Source: Magazine
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2013
Complete Citation:
Swafford, Jan. “Catching Up with Charles Ives.” Symphony, Vol. 64, No. 1 (2013): 54, 56.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Swanson, Alan

Year: 2001-2002
Complete Citation:
Swanson, Alan. “An Old Song Resung: A. O. Vinje, Edvard Grieg and Charles Ives.” Ars Lyrica 12 (2001--2002): 71--90.
Notes:

Detailed discussion of Aasmund Olafsen Vinje's poem "Gamle Moder" and its translations into German (by Edmund Lobedanz) and English (by Frederick Corder and Ives). Compares versions used by Ives for The Old Mother/Dualte Mutter {C086} and Die alte Mutter/My Dear Old Mother {C121}. In-cludes analyses and reprints of the songs.

Source: Journal
IV. Individual Studies by Genre
E. Songs

Swed, Mark

Year: 1996
Complete Citation:
Mark Swed. “Ives by BBC: Questions Raised and An-swered,” review of The Unanswered Question Festival; January 19 to 21: London. American Record Guide 59/4 (July-August): 38, 42.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Sweet, Michael

Year: 2014
Complete Citation:
Sweet, Michael. “Charles Ives: Concord Sonata (1919).” In Writing Interactive Music for Video Games: A Composer’s Guide. Upper Saddle River, NJ: Addison-Wesley, 2014.
Source: Chapter in Book
IV. Individual Studies by Genre
C. Keyboard Works

Sykes, James

Year: 1964
Complete Citation:
Sykes, James. “Program Notes on the Shorter Piano Pieces of Charles Ives.” Liner notes for The Short Piano Pieces of Charles Ives. Folkways FM 3348, 1964, 33.3 RPM.
Source: Liner notes
IV. Individual Studies by Genre
C. Keyboard Works

Szigeti, Joseph

Year: 1967
Complete Citation:
Szigeti, Joseph. With Strings Attached, 104, 134, 333. New York, NY: Alfred A. Knopf, 1967.
Notes:

States that Ives expressed approval of Szigeti’s performance of Sonata No. 4.

Source: Book
IV. Individual Studies by Genre
B. Chamber Works

Tagg, Barbara, and Linda Ferreira

Year: 2003
Complete Citation:
Tagg, Barbara, and Linda Ferreira. “A Celebration of American Choral Music: Past, Present, and Future.” The Choral Journal, vol. 43, no. 8 (2003): 7-8.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works
Year: 2003
Complete Citation:
Tagg, Barbara, and Linda Ferreira. “Fourteen Conductors Speak About American Choral Music.” The Choral Journal 43/8 (2003): 9-25.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Taruskin, Richard

Year: 1994
Complete Citation:
Taruskin, Richard. “Away With the Ives Myth: The 'Universe' Is Here at Last.” The New York Times. October 23, 1994, sec. H: 42. 
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1996
Complete Citation:
Taruskin, Richard. “Out of Hibernation, Ives's Mythical Beast.” The New York Times. June 2 1996, sec. 2, 26.
Source: Newspaper
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2009
Complete Citation:
Taruskin, Richard. “Two Stabs at the Universe.” In The Danger of Music: And Other Anti-Utopian Essays, 1st ed., 51-59. Berkeley, CA: University of California Press, 2009.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Tenney, James

Year: 1963
Complete Citation:
Tenney, James. “Some Notes on the Music of Charles Ives.” Liner notes for Songs by Charles Ives. Folkways Records, FM 3344,1966, LP.
Source: Liner Notes
IV. Individual Studies by Genre
E. Songs