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Bibliography

Eger, Joseph

Year: 2005
Complete Citation:
Eger, Joseph. Einstein's Violin: A Conductor's Notes on Music, 45-46, 144, 223, 372, 374. New York, NY: Jeremy P. Tarcher/Penguin, 2005.
Notes:

Tells of being an assistant conductor to Stokowski for Symphony No. 4 in Carnegie Hall. Also tells about a script to The Unanswered Question by Nancy Shear for Eleanor Roosevelt's one- hundredth birthday program (New York; Avery Fischer Hall).

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Eichler, Jeremy

Year: 2003
Complete Citation:
“Announcement of “All About Ives” Festival.” Juilliard Journal 19/4 December 2003).
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 2004
Complete Citation:
Eichler, Jeremy. “The American Canon’s Unabashed Patriot.” The New York Times (January 28, 2004) sec. B, 3.
Notes:

A review of the first program only.

Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Eidenbenz, Michael; Muggler, Fritz

Year: 2002
Complete Citation:
Eidenbenz, Michael and Fritz Muggler. ““Berichte: 88 Tasten Und Mehr: Piano,” Das 102. Tonkünstlerfest in Biel, 20-22.” Dissonanz (September 2002): 35-36.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Elkus, Jonathan

Year: 1974
Complete Citation:
Elkus, Jonathan. “Charles Ives and the American Band Tradition: A Centennial Tribute.” Vol. 4 of American Arts Pamphlet, American Arts Documentation Centre. Exeter, England: University of Exeter, 1974.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1991
Complete Citation:
Elkus, Jonathan. “Preface.” In Charles E. Ives, Thanksgiving and Forefathers’ Day, edited by Jonathan Elkus, iii-iv. New York, NY: Peer International, 1991.
Source: Chapter in Score
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 2005
Complete Citation:
Elkus, Jonathan. “Charles Ives's Manhattan.” In The wind band in and around New York ca. 1830-1950: essays presented at the 26th biennial conference of the College Band Directors National Association, New York, NY, Feb., 2005, edited by Frank J. Cipolla and Donald Hunsberger. Van Nuys, CA: Alfred Press, 2007.
Source: Chapter in Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Elson, J.

Year: 1978
Complete Citation:
Elson, J. “The Songs of Charles Ives (1874-1954).” The NATS Bulletin 35.1 (1978): 9-11.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Engen, D. P.

Year: 1976
Complete Citation:
Engen, D. P. “The Choral Psalms of Charles Ives: A Performer's Analysis of Psalm 90.” Church Music (St. Louis) 1 (1976): 20-27.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

Enke, Heinz

Year: 1967
Complete Citation:
Enke, Heinz. “Charles Ives' "The Unanswered Question.”” In Versuche musikalischer Analysen, edited by Peter Benary. Berlin, Germany: Merseburger Verlag, 1967.
Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works
Year: 1974
Complete Citation:
Enke, Heinz. “Charles Ives’ ‘The Unanswered Question’.” In Zur musikalischen Analyse, edited by Gerhard Schumacher, 232-240. Darmstadt, Germany: Wissenschaftliche Buchgesellschaft, 1974.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Epstein, Paul

Year: 1996
Complete Citation:
Epstein, Paul. “A Performer’s Note on Ives's First Sonata for Violin and Piano.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 27-28. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
IV. Individual Studies by Genre
B. Chamber Works

Ericson, John Q.

Year: 1988
Complete Citation:
Ericson, John Q. “Ives and the Band March.” Unpublished typescript, 1988.
Source: Unpublished typescript.
IV. Individual Studies by Genre
A. Orchestral and Band Works

Ericson, Raymond

Year: 1973
Complete Citation:
Ericson, Raymond. “Ives: American as Miami: Charles Ives in Miami Savonlinna Canpos Do Jordao Hemidemisemiquavers.” The New York Times, June 3, 1973, 145.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1974
Complete Citation:
Ericson, Raymond. “Music: Illuminating and Nostalgic Ives at Festival.” The New York Times, October 11, 1974, 23.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Escuder, Alejandro

Espina, Noni

Year: 1986
Complete Citation:
Espina, Noni. Vocal Solos for Christian Churches, 87-89. Metchuen, NJ: Scarecrow Press, 1986.
Notes:

With annotations for A Christmas Carol, Abide with Me, Forward into Light, His Exaltation, Hymn, Naught that Country Needeth, Religion,The Camp Meeting, The Collection, The Waiting Soul, and Watchman!

Source: Score
IV. Individual Studies by Genre
E. Songs

Estrin, Marc

Year: 2003
Complete Citation:
Estrin, Marc. “Essay after a Sonata: Concerning the Sublimation of Charles Ives.” New England Review, vol. 24, no. 2 (2003): 85-112.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Etkin Mariano, German Cancian, Carlos Mastropietro, and Maria Cecilia Villanueva

Year: 2001
Complete Citation:
Etkin Mariano, German Cancian, Carlos Mastropietro, and Maria Cecilia Villanueva. Superposicion y Gradualidad en Hallowe’en de Charles Ives. Research Group on Musical Analysis at the University of La Plata, Argentina. La Plata, Argentina: Editorial de la Universidad de La Plata, 2001.
Notes:

Translates to Superposition and Gradualism in Hallowe’en by Charles Ives

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Euteneuer-Rohrer, Ursula Henrietta

Year: 1980
Complete Citation:
Euteneuer-Rohrer, Ursula Henrietta. “Charles E. Ives’ ‘The Cage’: Eine Werkbetrachtung.” Neuland 1 (1980): 47-52.
Source: Journal
IV. Individual Studies by Genre
E. Songs