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Bibliography

Kolodin, Irving

Year: 1939
Complete Citation:
Kolodin, Irving. “Pianist Plays Work by Ives.” New York Sun, January 21, 1939.
Source: Newspaper/Book
Reprints:

Kolodin, Irving. “Pianist Plays Work by Ives.” In <i>Charles Ives and His World</i>, 321-322. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1965
Complete Citation:
Kolodin, Irving. “A Dream of a Dream—New Ives Hence.” Saturday Review, May 15, 1965.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kopetz, Barry E.

Year: 1991
Complete Citation:
Kopetz, Barry E. “Charles Ives's Variations on ‘America’: An Interpretive Analysis.” Instrumentalist 45/9 (April 1991): 20-28, 75-79. 
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

Kosman, Joshua

Year: 1991
Complete Citation:
Kosman, Joshua. “Conductor Thomas Juggles a Dazzling Ives Fourth.” San Francisco Chronicle, November 22, 1991: C4.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1999
Complete Citation:
Kosman, Joshua. “Symphony Traverses Ives’ Emotional Terrain.” San Fran-cisco Chronicle, October 2, 199,: B1.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kostelanetz, André and Gloria Hammond

Year: 1981
Complete Citation:
Kostelanetz, André and Gloria Hammond. Echoes- Memoirs of Andre Kostelanetz, 181. New York, NY: Harcourt Brace Jovanovich, 1981.
Notes:

Credits Leopold Stokowski as being “the first to play Gustav Mahler in the U. S., to give the American composer Charles Ives a hearing, and to introduce Le sacre du printemps here.”

Source: Book
IV. Individual Studies by Genre
A. Orchestral and Band Works

Kozinn, Allan

Year: 1989
Complete Citation:
Kozinn, Allan. “The Organ Works Charles Ives Wrote or Played.” The New York Times, October 26, 1989, sec. C, 18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1990
Complete Citation:
Kozinn, Allan. “Choral Group And Ives’s Radicalism.” New York Times, November 14, 1990, sec. C, 25.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1996
Complete Citation:
Kozinn, Allan. “On Ives, the Arguments Continue.” The New York Times, February 28, 1996.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1998
Complete Citation:
Kozinn, Allan. “Honoring Bernstein and His American Roots.” The New York Times. 1998: E5.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Kozinn, Allan. “Two Yankee Iconoclasts Juxtaposed on the Piano: Review.” The New York Times, April 10, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Kozinn, Allan. “Emerson and Beethoven Portrayed as Kindred Spirits.” The New York Times, January 15, 2003, E2.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2006
Complete Citation:
Kozinn, Allan. “Energy from Classical and Pop, Charles Ives to Frank Zappa: Review.” The New York Times, May 11, 2006.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2014
Complete Citation:
Kozinn, Allan. “Ives’s Study Resurrected, Inch by Inch: The Arts/Cultural Desk.” The New York Times, March 5, 2014.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2015
Complete Citation:
Kozinn, Alan. “Duo Deliver Charles Ives’ Mercurial, Musical Mood Shifts.” Portland Press Herald, November 20, 2015.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kozzin, Allan

Year: 1989
Complete Citation:
Kozzin, Allan. “Review/Recital; the Organ Works Charles Ives Wrote Or Played: Review.” The New York Times, October 26, 1989.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kraft, Leo

Year: 1990
Complete Citation:
Kraft, Leo. “Afterglow / Charles Ives.” In Gradus: the second year and after: an integrated approach to harmony, counterpoint, and analysis. New York, NY: W.W. Norton, 1990.
Source: Book
IV. Individual Studies by Genre
E. Songs

Kramer, A. Walter

Year: 1921
Complete Citation:
Kramer, A. Walter. “A Pseudo-literary Sonata!!!” Musical America (April 2, 1921): 36.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

Kramer, Jonathan D.

Year: 1988
Complete Citation:
Notes:

Includes Charles Ives Symphony No. 2, Symphony No. 4, and Three Places in New England

Source: Book
Reprints:

Kramer, Jonathan D. <i>Listen to the music: a self-guided tour through the orchestral repertoire</i>. New York, NY: Schirmer Books.

IV. Individual Studies by Genre
A. Orchestral and Band Works

Kramer, Lawrence

Year: 2008
Complete Citation:
Kramer, Lawrence. “Music and the Politics of Memory: Charles Ives’s A Symphony: New England Holidays.” Journal of the Society for American Music 2/4 (2008): 459--475.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works