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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
(-) IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Martin, John

Year: 1954
Complete Citation:
Martin, John. “Ballet Presents ‘Ivesiana’ Suite.” The New York Times. September 15, 1954: 38.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Maske, Ulrich

Year: 1971
Complete Citation:
Maske, Ulrich. “Charles Ives in seiner Kammermusik für drei bis sechs Instrumente.” In Kölner Beiträge zur Musikforschung, Vol. 64. Regensburg, Germany: G. Bosse, 1971.
Source: Book
IV. Individual Studies by Genre
B. Chamber Works

Mason, Redfern

Year: 1933
Complete Citation:
Mason, Redfern. “Recital Made Up of Moderns.” San Francisco Examiner. April 26, 1933, 17.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Masselos, William

Year: 1954
Complete Citation:
Masselos, William. “Preface.” In Charles E. Ives, Sonata no. 1 for Piano, edited by Paul C. Echols with additional corrections by John A. Buchanan and Jerry E. Bramblett. New York, NY: Peer International, 1954, 1979.
Source: Preface to Score
IV. Individual Studies by Genre
C. Keyboard Works

Masterson, David Joseph

Year: 2001
Complete Citation:
Masterson, David Joseph. “An Analytic of Experimental Time in Charles Ives's Concord Sonata.” D.M.A. research project, University of Illinois, 2001.
Source: D.M.A. Research Project
IV. Individual Studies by Genre
C. Keyboard Works

Matthew-Walker, Robert

Year: 1997
Complete Citation:
Matthew-Walker, Robert. “Reviews: Concerts: Andrew Ball at the Wigmore.” Musical Opinion Supplement (1997): 9-10.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Mauldin, Walt

Year: 1991
Complete Citation:
Mauldin, Walt. “The Influence of Gregg Smith on Twentieth-Century Choral Literature as a Composer and Conductor.” The Bulletin of Historical Research in Music Education 12/2 (1991): 83-99.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

McCalla, James

Complete Citation:
McCalla, James. “Time Present and Time Past: Two Sonatas for Violin and Piano by Charles Ives.” In Twentieth-Century Chamber Music. New York, NY: Routledge, 2003.
IV. Individual Studies by Genre
B. Chamber Works

McCrae, Elizabeth

Year: 1974
Complete Citation:
McCrae, Elizabeth. “The Piano Music.” Music Educators Journal 61/2 (1974): 53-57.
Source: Journal
IV. Individual Studies by Genre
C. Keyboard Works

McCray, James

Year: 1996
Complete Citation:
McCray, James. “Music for Voices and Organ: Psalm 14.” The Diapason, Vol. 87, No. 1 (1996): 8.
Source: Journal
IV. Individual Studies by Genre
D. Choral Works

McCutchan, Ann

Year: 1990
Complete Citation:
McCutchan, Ann. “Composer’s Stage Manner Overshadows Music: Final Edition.” Austin American-Statesman, February 6, 1990.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

McDonald, Matthew

Year: 2004
Complete Citation:
McDonald, Matthew. “Silent Narration? Elements of Narrative in Ives's The Un-answered Question.” 19th-Century Music 27/3 (2004): 263-286.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works

McDonaugh, Michael

Year: 2000
Complete Citation:
McDonaugh, Michael. “Concert Reviews: Outsiders in the House.” 21st Century Music, Vol. 7, No. 9 (2000): 24-25.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

McLellan, J.

Year: 1974
Complete Citation:
McLellan, John. “Focusing on Charles Ives.” The Washington Post, September 8, 1974, E6.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

McLellan, Joseph

Year: 1995
Complete Citation:
McLellan, Joseph. “Sharon Mabry’s Revamped Verse: Final Edition.” The Washington Post, June 20, 1995.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1998
Complete Citation:
McLellan, Joseph. “Classical Music News: In Cleveland, All Ears on Ives.” The Washington Post. 1998: G2.
Source: Newspaper (concert review)
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

McNally, Owen

Year: 1999
Complete Citation:
McNally, Owen. “A State of Nurture and Chaos: Statewide Edition.” The Hartford Courant, December 12, 1999.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Meine, Sabine

Year: 1992
Complete Citation:
Meine, Sabine. “Scenes from My Childhood Are with Me...Biographische Momente in den 114 Songs von Charles E. Ives.” Musik und Bildung: Praxis Musikerzeitung 24/3 (May-June 1992): 9-13.
Source: Journal
IV. Individual Studies by Genre
E. Songs

Meister, Barbara

Year: 1980
Complete Citation:
Meister, Barbara. An Introduction to the Art Song, 189-191. New York, NY: Taplinger Publishing Company, 1980.
Notes:

Discusses When General William Booth Enters into Heaven, “probably the most representative of the lot” (i.e., the songs], 190 (considers The Chil-dren's Hour, The Circus Band, The Greatest Man, The Housatonic at Stockbridge (“One of Ives's most evocative songs...an atmospheric, moody piece of simple serenity. One senses reverie, time suspended, peace.”), In Flanders Fields, The Last Reader, Maple Leaves, The Side- Show, They Are There!,The Things Our Fathers Loved, Tom Sails Away, Two Little Flowers), 191 (“He was the first major thoroughly American composer”).

Source: Book
IV. Individual Studies by Genre
E. Songs

Melick, Jennifer

Year: 2013
Complete Citation:
Melick, Jennifer. “To Market, To Market.” Symphony, Vol. 64, No. 1 (2013): 53.
Source: Journal
IV. Individual Studies by Genre
A. Orchestral and Band Works